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USED + ABUSED RADIO SHOW #11 - DJ SNEAK

Sonidy Presents @alexbelluscio
Episode 13

Season 03
28/08/21
2200 IBZ / 2100 UK / 1600 NYC

www.sonidy.com
www.facebook.com/sonidymusic
www.instagram.com/sonidy

Sonidy Presents: Alex Belluscio - Ibiza Global Radio

For the latest Traxsource LIVE! we showcase the undeniable synergy between Daniel Leseman & Hans Peeman, also known as the trailblazing underground electronic duo, Fouk.

Fiercely unique with their approach to music, their new ‘Paradise EP’ on Shall Not Fade smashes conventional genre conformities with five forward-thinking tracks - available for download now. When they’re not releasing with the likes of Heist, Razor-N-Tape, House of Disco, and Z Records, they’re steering the ship for self-built imprints Outplay and 24 Carrot.

Clear your schedule for the next hour, as Fouk set work at rolling out the freshest and funkiest Nu Disco-infused cuts from Yuksek, Kerri Chandler, Dave Lee, Last Nubian, Orlando Voorn and more.

20+ countries, 80+ radio networks and 10 million+ weekly listeners can’t be wrong. Keep it Traxsource. Keep it underground.

Follow us on Youtube: https://www.youtube.com/user/traxsource
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Fouk - https://www.traxsource.com/artist/199860/fouk?ipp=100
Paradise EP - https://www.traxsource.com/title/1733608/paradise
Shall Not Fade - https://www.traxsource.com/label/38069/shall-not-fade?ipp=30

FOUK - TRACKLISTING: FEB 24TH, 2022

01. Underground System - Desnuda (Yuksek Remix) Razor-N-Tape
02. Fouk - Late Night Snack - Shall Not Fade Classic Cuts
03. Destiny II - Play 2 Win (Dave Lee's Taste The Bass Dub) Z Records
04. Andrey Djackonda - Clasp! - Conceptual
05. Last Nubian - We The People -Tiff’s Joints
06. Cor.Ece - Possibly Impossible (Crackazat Remix) Razor-N-Tape
07. Kerri Chandler - This And That - Kaoz Theory
08. Fouk - Money (Jkriv & Peter Matson Remix) Heist
09. Orlando Voorn - Locked In - Transient Nature
10. Fouk - Paradise - Shall Not Fade Classic Cuts
11. Untitled - Moxy Edits 003 (Dub) My Edits
12. Blake Leisurely, Braga Cicuit - I Think I’m Okay - Miura Records
13. Tim Shiel feat. Genesis Owusu - Coliseum (Sig Nu Gris remix) Spirit Level

FORTHCOMING GUESTS ON TRAXSOURCE LIVE!

• Fka Mash (Mar 3rd)

Buy at Traxsource

Traxsource LIVE! #364 with Fouk

Next up in our podcast series is Melbourne homie, @dangoul

Throwing down some lovely tracks in this mix. A great journey throughout. 

Dan Goul
@dangoul
https://www.discogs.com/artist/7022657-Dan-Goul

Motus
https://www.instagram.com/motus_uk/
https://t.me/+oZHwSsh0LyFjNjNk

Motus.

Motus Podcast // 047 - Dan Goul (Berg Audio)

TASCAM DR-05

Autumn feels

Artist: Basic Need 
Title: Nocturnal
Label: Sisternoise
Cat No: SNR14	
Format: 12” Vinyl LP

Tracklist: 

A1 - Nocturnal 
A2 - Broken  
A3 - Lost Message 
A4 - Sketches 
A5 - Tornasol  
B1 - Off The Grid 
B2 - Daybreak feat. Eduardo Castillo
B3 - Her Swag
B4 - Ode To Love 
B5 - Moonlit 


We are excited to announce the release of "Nocturnal", the latest album from Basic Need, the collaborative project of electronic music veterans Alexi Delano and Pablo Sánchez. The 10-track album was recorded between Alexi’s studio in Stockholm and Pablo’s studio in Barcelona, with their signature blend of deep techno, immersive soundscapes and jazz improv approach. 

With over three decades in the electronic music scene, Alexi Delano, a driving force in Sweden's electronic music scene, is known for his balance of minimalism,  deep house and dark techno. Pablo Sánchez, one of Venezuela's top electronic music exports, has captivated global audiences with his versatile approach to music, combining dancefloor energy with left of field elements.

Together, they continue their artistic partnership under Basic Need, after several EP releases on Culprit, Hafendisko and Seven Villas Records among other labels.

Basic Need - Nocturnal - LP (SNR14)

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In Your Sleep - Ammo Avenue

Mexes - Nieve (EDIT)

Can't Tell It All

Buy on bandcamp

Mike Send - Can't Tell It All

Keinemusik Radio Show By Rampa 24.05.2019

Tracklist: https://mixmag.net/feature/the-cover-mix-daniel-avery

Full cover story for @mixmag, February 2018: https://mixmag.net/feature/techno-auteur-daniel-avery

Daniel Avery - Mixmag Cover Mix // 2018

Our Mexican friends from https://soundcloud.com/zombiesinmiami will play tomorrow for the very first time in Leipzig at our birthday party at Institut fuer Zukunft. We are proud to give you a warm welcome for your Leipzig debut. Let's celebrate 156 months of Riotvan. ¡Arriba!

www.riotvan.de

RIOTVAN RADIO #63 | Zombies In Miami

Hitting the floor ::: HOC_01 Marc Piñol (@marcpinol) in Laut (@LAUT_barcelona) 17.05.19

HOClub #01 - Marc Piñol

Red 58 -Barcelona 02 02 19

We often hear talking about how the European scene has been rapidly caught by the ro-minimal sound but how is America adapting to this movement? Miami-based Lulla is surely one of the leading acts to this new wave of producers. He has established himself release after release, seeing his tracks played on the biggest stage by the likes of Priku, Raresh, Janeret, Triptil, Vlad Arapasu, Nu Zau, Bernat, Cosmjn and Ted Amber to name a few. His trippy and cosmic vibes, certainly unusual for what is the American reality, are also shared through his successful Cedesciu Wax label which has released tracks by Robert Apetrei, Sonohat, Macarie and Lulla, confirming himself as one of the most interesting names in the US panorama.

Follow Lulla
on Facebook: https://www.facebook.com/lullamusic
on Soundcloud: https://soundcloud.com/lullamusic

Read the interview

MEOKO Podcast Series | Lulla (+ interview)

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Red 58 -Barcelona 02 02 19

D'Julz

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