Outkast - Waillin (Enzo Leep Edit)

Release Date - 21/03/22

Buy It Now - https://enzoleep.bandcamp.com/track/waillin-edit

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Premiere : Outkast - Waillin (Enzo Leep Edit)

As part of their continued expansion, innovative brand Do As You Please (DAYP) proudly welcome FATOUR; an Amsterdam-based duo whose definitive sound draws inspiration from the 90s era, mixing across a spectrum influenced by Progressive, Hard and Classic House.

Over the years childhood friends Jur Bienfait and Teun Latour have shared and developed their passion for sourcing tracks and creating high energy sets.

Their constantly evolving sound has established FATOUR’s reputation as progressive producers. The release of this debut EP, and the collaboration with DAYP, heralds the next stage of an exciting musical journey for the talented Dutch duo.

The Beat Of The Drum EP delivers three tracks with a focus on 90s analogue elements, bringing in rolling basslines, edgy synthesizers and captivating vocals – DAYP introduce next-level Amsterdam talent…

PREMIERE: Fatour - Love Fantasy [DAYP​:​004]

Holy Guacamole Vol. 1 EP
Label - Mole Music
Released - 14th October 2024
Format - Vinyl
BUY FROM - https://deejay.de/Various_Holy_Guacamole_Vol_1_MOLEWAX001_Vinyl__1079458

After an extensive catalog of digital deep, minimal and tech house releases, Mole Music makes its debut in the realm of vinyl with a fresh selection of dancefloor weapons from a fine array of artists, each offering their unique takes on deep house, tech, and minimal sounds. The A-side kicks off with JHNS "Nevermind", a minimalist, low-end heavyweight groove driven by rubbery drums and a tight bassline. Steve End & Colau follow with a silky late-night hypnotic track, while El Funkador closes the A-side with an uplifting, drum-shuffling deep house cut, complete with funky synths and chord progressions. On the B-side, "Night Strobe", a collaboration between Alben, LAJE, and Erratic, brings a retro-futuristic feel with a fast-paced, garage-tinged vibe. This sets the stage for HOT DLVRY's "Friction", a thumping deep groove led by spacious chords and keys, all anchored by an analog bassline. To round off this well-balanced compilation, Craftsmanship delivers a warm, humid deep house sound featuring bold chords and punchy drums - one of the defining motifs of this standout EP

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https://www.facebook.com/el.funkador
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Vinyl

PREMIERE: El Funkador - Shame [Mole Music]

Solomun -Daddy's Jam D'Julz Remix ((Unreleased)

A small sample of some of the best releases on Agua Salada Records, top-notch deep house for all those who love the genre.

Gabriele Congedo & Tony Deledda - An Act Of Love (Gabriele Congedo Deep Mix)

Anane - High (Two Soul Fusion Mix)

BoJack Robson debuts the Onako Records with *'Oh Oh'*! A must-have track for any DJ looking to keep the energy sky-high!

Oh Oh

BoJack Robson - Oh Oh (Radio Edit) [ONAKO377]

01 REC-2025-06-29 Soul SeeKer

Spacewalker moves on a groovy bassline that instantly sets things in motion – driving, warm, and organic. Around it unfold rhythmic elements that act like pulses: sometimes bouncing, sometimes floating, always in dialogue with the depth of the groove.
The pads open vast spaces, as if each bar reveals a new horizon. The interplay between groove and atmosphere creates a pull that pushes forward while at the same time carrying you into the distance.
Spacewalker is a journey in flow: tangible through the bassline, yet carried by a lightness that turns the gaze both inward and outward.

Mix and Master by Heidmann

Spacewalker(Original Mix)

download it now: https://fantasticfriendsrec.bandcamp.com/album/coffe-break-ep

track info:

artist: Bread & Butter
title: Coffe Break
label: Fantastic Friends Recordings
catalog number: FFRDIGITAL119
release date: 2025-09-19
style: Minimal House

keep an eye on Bread & Butter
https://soundcloud.com/breadtothebutter
https://instagram.com/breadtothebutter

keep an eye on Fantastic Friends Recordings
https://soundcloud.com/fantasticfriends
https://instagram.com/fantastic_friends_recordings

for premiere requests, please use the form on https://intaresu.com/submit

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download it now

premiere: Bread & Butter - Coffe Break [FFRDIGITAL119]

Far East

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Solomun -Daddy's Jam D'Julz Remix ((Unreleased)

D'Julz

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