A1. Fedo - Probabilist

Solomun -Daddy's Jam D'Julz Remix ((Unreleased)

Sundries has already established the now well-known "Disco Goodies" series, with the fourth VA compilation in a row featuring obscure disco and boogie gems that cater to diverse tastes and occasions. This series is dedicated in memory of Juan Vargas aka Sould Out who sadly passed away 2 years ago. This 6-tracks EP kicks off with "Soul Driven Dynamics" by Berobreo, which opens dramatically, setting a curious tone as it builds tension, leaving us anticipating a resolution that arrives unexpectedly in the form of a loose, seductive soul sample cut. Oldchap brings a touch of sunshine with groovy, free-flowing track "Coloridos", that carry the happy spirit of latin disco, perfect for enriching any feel-good DJ set. "Still Come Home" by X Gets The Crest wraps up the A-side, combining a baritone sax and funky bassline into a well-balanced blend of styles. The B-side ventures into Afrobeat house with "People Says" by Alexny, featuring hand-drummed rhythms and chanted vocals layered over solid kicks. Sould Out delivered another boogie-funk gem with the excellent "City Gal", while Workerz closes the EP with "Since You Came" an uplifting track filled with soulful vibes and heartfelt expression.

BUY:
https://www.deejay.de/Various_Disco_Goodies_Vol_4_SNDRS007_Vinyl__1079455

PREMIERE: Sould Out - City Gal [Sundries]

BoJack Robson debuts the Onako Records with *'Oh Oh'*! A must-have track for any DJ looking to keep the energy sky-high!

Oh Oh

BoJack Robson - Oh Oh (Radio Edit) [ONAKO377]

Nightly Closures returns with a fresh Deep House single that perfectly blends smooth grooves and warm textures for the dancefloor. The release captures that late-night energy with refined melodies and deep rhythm, making it a true gem for House lovers. Adding to the experience, the package includes a stunning remix from Martin Luciuk, who brings his signature touch of elegance and drive. Together, these tracks deliver a versatile and captivating sound that will resonate both in intimate sets and peak-time moments.

You Got Me Down (Martin Luciuk Remix)

Jungle Vibes is a high-energy house track wit that old skool swing beat groove, perfect for club sets am festival anthems. 

Jungle Vibes, Funky James

Vert Pop (face A)

First Ep. is out! Excited to share a new mix of sounds and rhythms :))

On Demand

Edit time.

Deniece Williams’s soul-stirring single ‘Free’ first flew onto the scene in 1976, from her debut album This Is Niecy. Co-written by Williams alongside Hank Redd, Nathan Watts, and Susaye Greene, and crafted under the masterful musical direction of Maurice White and Charles Stepney, the track marked her breakthrough as a solo artist. It soared to No. 2 on the US R&B (Hot Soul) chart and cracked the Billboard Hot 100 at No. 25, but it was across the pond in the UK where it truly reigned – holding the No. 1 spot on the Singles Chart for two weeks in May 1977.

Blending intimate, whispery vocals with lush, soulful instrumentation, ‘Free’ became an enduring emblem of heartfelt expression in the late-’70s soul scene. My take — made for the funky floor. To ease out your shapes. Practised and new — go get ‘em...

Bandcamp

Deniece Williams - Free (Cosmo Jam's Believe Edit)

Alvin Dosieah & SUBMINIMAL. - Emotions (Unus Emre Remix) [WNG023]

FREE DOWNLOAD: Series

Insomniac

Free Download

FREE DOWNLOAD: Adam Chapman - Insomniac

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Solomun -Daddy's Jam D'Julz Remix ((Unreleased)

D'Julz

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