Solomun Essentials

After „Home“, „Kreatur der Nacht (feat. Isolation Berlin)“ and „Tuk Tuk feat. ÄTNA)“ comes Solomun’s fourth album single, a melancholic club track titled „The Center Will Not Hold“, which is yet another part of the journey towards Solomun’s upcoming second album „Nobody Is Not Loved“.

Now available everywhere: https://solomun.lnk.to/TheCenterWillNotHoldID

Stream/Download

The Center Will Not Hold

Guti - Resurrect you (Original Mix)

Scruscru, Iner - Three Gigs Night

https://deejay.de/Hux_MOR005_MOR005_Vinyl__1057321

@draganmusic
@hux-music
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Premiere : Hux - Bridget (Dragan. remix) (MOR005)

Solomun -Daddy's Jam D'Julz Remix ((Unreleased)

A small sample of some of the best releases on Agua Salada Records, top-notch deep house for all those who love the genre.

Gabriele Congedo & Tony Deledda - An Act Of Love (Gabriele Congedo Deep Mix)

Mau BB - Runnin' (DJ Sandwich Remix)

Infinity Sunsets

01 REC-2025-06-29 Soul SeeKer

Endless

"Five Years After The First Ep On Traxx Underground, The Young Talent Returns With A Super EP again, This Time its back after a long vinyl only sell to the digital platforms. 

Year : 2018
Title : Mike Sharon - Be Yourself I E.P
Label : Traxx Underground (TULD)
Format : Vinyl, 12", 45 RPM
Country : Italy

B1 Mike Sharon - Give Your Love (Traxx Underground Records)

Sebastian Eric - Deraiat

Around

Around (Solomun Vox)

OUTLIER

OUTLIER (Solomun Remix)

Flash of Light

Flash of Light (feat. Roisin Murphy)

In every place, music can find a home. But in order to really experience music, you have to actually go to the rooms that were especially designed for it. In those sacred rooms, music can actually get to people.
And the desire for it has never been greater. The desire to feel it, experience it, hear it, to share it with people. HOME reminds us of these moments. Of the things we miss.

HOME will be the first single of my upcoming album, which will be released in early 2021.

Stream/Download everywhere:
https://solomun.lnk.to/Home

Home

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

Solomun -Daddy's Jam D'Julz Remix ((Unreleased)

D'Julz

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