Remixes 2925

Firefly (Ambient Remix)

Solace in the Apocalypse

Made in October 2025

Video; https://youtu.be/527NEUHNnog


In this track and video I was inspired by Africa.
And the nature, animals etc.
The picture is one of my paintings.

Mystery

Aliens talk

Piano et Basse.


 Glow of War (orchestral version).
https://on.soundcloud.com/QeP5uWaHOZelqihSCn

Inclus dans la série  REPETITION
https://on.soundcloud.com/Xg40rCInFLg7JwsBMz

Glow of War  (piano version)

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Steel Drum solo. Roland Synthesizer Bass. Yamaha Synthesizer Bass. Korg Synthesizer Bass. Gibson SG Electric Guitar Rhythm. Roland Synthesizer Rhythm. Drums Full kit set. Percussion Cow Bell, Tambourine, Electronic Snare. Zildjain 22" Ride & Crash Cymbals.

Let it Ride

Steel Drum Ride

Steel Drum ride

My sister Cindy wanted me to write music for her. It is becoming increasingly hard to play and that makes me sad.  I have lay so far back in my powerchair that I can't see the controls. I can't tolerate sitting up, it's too hard to breathe. Some days I can't even get out of bed.

My son attached a projector to my computer so my screen is now 6'x4', and I have a small keyboard I hold in my hand. So I try to keep up, but it takes much longer to do anything. ALS is not easy to deal with. It's important to stay positive and make good use of the time I have left.

Something To Remember Me

Video Link: https://www.youtube.com/watch?v=ULgOrdrXmmc

Remixes

Woodland Glow (Remix)

Woodland Glow (Remix) & Video Link

'shit at and hit'
Thanks to grandma Billie for the phrase. A wonderful woman. I've yet to hear of this phrase existing prior, nor of it from anyone else since.
Scotty: Two yamaha storia II takes through a fender mustang III amp with differing fx, channeled accordingly, maybe, hopefully, and a handful of vocal takes layered. 

I can't get up today.
I've got no words to say.
Everything always replays,
and causes me dismay. 

I feel like I've been shot at and missed, and shit at and fucking hit. 

If there is a god,
why the fuck would they
make us in the mould
to have to feel this way?
Everyday.

shit at and hit

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, sound FX (robot bleep, ocean), mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 synth voice, synth sax, and JJ's angels (voice synth)
TexMex Shaman– @texmex-shaman –Stephen– master and production

This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
Mark was immediately inspired by Chris' music demo, and set about writing some timely lyrics to sing with his solid, inimitable voice. The lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. (The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning.)
The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with the thrilling guitar solos that you hear in the middle. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
This is one of our favourite songs we've ever done, and it reminiscent of both Pink Floyd and King Crimson. It's a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.

Image designed by Mistermark using ChatGPT 5

Original lyrics by Mistermark:

The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid at the back of your mind
how could I have been so blind?

It was so long ago now it’s just you and me
it seems I've forgotten the way you like your tea
the house becomes quiet as the guests head for home
the garden’s been gathered and the kids are all grown
on their own

“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play”
our leaders assured us we’d never go poor
and nobody questions the truth anymore
but what did we do it all for?

Our science sustains us like fine works of art
but are we closer together or farther apart?
we’re each on an island alone on the sea
the ocean between us expands rapidly
is this where we wanted to be?

It was so long ago now it’s just you and me
it seems we’ve forgotten the way it used to be
machines tried to help us but something went wrong
the future we wanted was here all along

The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid…

Faded Fortunes (Eclectic Collective)

tak jak obiecałem nowy utwór nagrałem, miłego słuchania;
as I promised I recorded a new song, enjoy listening;
como prometí, grabé la nueva canción, disfruta escuchando

I'm Still On The Trap

Bounce Back From The Trap

guitarist, musician, music producer, composer

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