Name: CCL & Objekt at Dekmantel Selectors 2024 by dekmantel
Duration: 1 h 58 min 12 s
Description: Recording of CCL & Objekt's set at Dekmantel Selectors 2024.

😵‍💫😵‍💫😵‍💫  iddd plz

Recording of CCL & Objekt's set at Dekmantel Selectors 2024.

CCL & Objekt at Dekmantel Selectors 2024

@napmusick

Photo by D. Tiffany (@d-tiffany)

pi/live: NAP @ Nowadays Nonstop 12-07-2024

Tripped-out excursions through percussive club music with the Nowadays resident.

Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction."

Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push.

RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory.

As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward.

@aye5ha
Find the interview and tracklist at ra.co/podcast/983

RA.983 Ayesha

Welcoming the lovely Refuge Worldwide co-founder and dub-master @richard-akingbehin to the Animix series this week, with a beautiful journey of minimal house infused with his signature dub styles.

Clear in his DJ'ing, but also his work with @refugeworldwide, and his immaculately curated label, @kynant-records, Richard is an all-round classy selector, and a champion of community. Through his various outputs, his deep & considered knowledge and taste shines. 

Richard always impresses me with the diversity of moods he presents via his DJ'ing, hybrid collaborations with legend Tikiman, b2bs with other legends like livwutang, and his label - a diversity that's always strung together with his incredibly distinctive psychedelic, soothing dub formula. 

Thanks for the mix Richard <3

Downloads enabled

Animix One Hundred & Seventy Three: Richard Akingbehin

Tresor Resident LNS started out organizing warehouse parties in Vancouver, Canada. Since residing in Berlin her style of classic techno, house, electro and braindance can easily be identified in her studio productions and DJ sets. Her collaborations with DJ Sotofett are regularly released on Tresor Records and WANIA, while her solo productions and remixes have been released by Counter 99, Emotional Response, Freakout Cult, Sex Tags Ufo and DFA. Enjoy!

ITPS115 LNS

DJ, producer and Kapsela label head Objekt comes by for a visit. 

https://www.instagram.com/objekttt 
https://www.soundcloud.com/keinobjekt



Objekt @ The Lot Radio 05-12-2025

deep techno bliss 

https://www.instagram.com/ronlikehell
https://www.instagram.com/les_antenes 

https://www.soundcloud.com/ronlikehell
https://soundcloud.com/antenes


the space between spaces with ron like hell and Antenes @ The Lot Radio 07-08-2025

The Medellín maverick opens RA.997 with another mind-altering home run.

As part of our countdown to the 1000th edition of the RA Podcast, a milestone in the 18-year history of Resident Advisor's weekly mix series, we're switching up the usual format.

This week, following heady excursions through Lagos, Kampala, Detroit and Chicago, our focus shifts to Latin America—arguably the story in underground electronic music since the pandemic.

After years of being all but overlooked internationally, the explosion of distinctive club sounds emerging from Peru, Brazil, Colombia and beyond has finally begun to get its due.

Among the movement's great success stories are two artists who exemplify its refreshingly undogmatic energy: Verraco and Bitter Babe, and the former handles the A-side of RA.997. 

Is there a more compelling electronic artist around right now? Both in the studio and behind the decks, the Medellín-based DJ and producer currently sits in that coveted creative sweet spot, where every fresh musical morsel feels like a moment. To bask in any of his singular tracks on VOAM, Timedance and now XL Recordings, is to be bowled over by their rhythmic brilliance, madcap hooks and whirlpool basslines. ("Basic Maneuvers," anyone?)

His mix is tough to pin down—a blend of dubby techno, tribal atmospheres, slanted bass and sharp edits. Or, as he puts it in the accompanying interview: “an intersection between dub-infused techno but with some flow, reduced atmospheric tribal, edgy bass cuts, mental emo-tek.”

There’s plenty of unreleased TraTraTrax material here, alongside tracks from artists like Virginia, A Made Up Sound and a euphoric flip of Ploy’s “Ramos.” Slippery, emotional and surgically precise, it’s Verraco doing what he does best.

Find the tracklist and interview at ra.co/podcast/1001

RA.997 Verraco

Nocturnal acid lines and swirling, soft rotations meld mental spaces with melodic threads. Downtempo energies and soulful traces of ’90s R&B entwine with lava-lamp psychedelia and interstellar journeys. Smoky, visionary passages and unexpected intervals of ‘80s pop pay homage to the lost art of crate-digging and compilation craftsmanship.

The unmistakable Ivkovic signature emerges: slow-motion BPMs, drum-heavy basslines, and tastefully warped distortion — all blending into a masterclass in futuristic acid.

Experimental club culture shuffles through ISAbella’s grooves, echoing her role as a trailblazer of Barcelona’s queer nightlife and co-founder of the MARICAS collective.

Words by Laura Caprino

ISAbella b2b Vladimir Ivkovic - Climate of Fear - April '25

MalaNoche unveils Defect Analysis by Divine Mechanic. Built on three original compositions - Light Matter, Nucleus, and Vacuum - the EP unfolds as a study of density, motion, and the subtle cracks within structure.

🛸Each piece finds a mirror in reinterpretation. Art.Ic fractures and reshapes Light Matter into sharp mechanical echoes, while PYLOT bends Nucleus into a gravitational pull of groovy-energy. Closing the cycle, Josefina Muñoz expands Vacuum into a higher resonance, unveiling a higher lever of rhythm.

🌑 Defect Analysis traces the fine line between precision and collapse, presenting sound as both mechanism and anomaly. Six works, originals and remixes, locked in dialogue - a blueprint for shadowed dancefloors.

Your Support is very important for us every comment, tag, story or share helps us keep on moving and growing. Let us know if you liked it and where you played the music so we can post on our socials! For Insta Tags : www.instagram.com/la.malanoche_ BandCamp: www.mlnch.bandcamp.com For demos and inquiries: management@malanoche.net Thank you all for downloading, playing and sharing. MalaNoche BB
credits


Divine Mechanic - Light Matter (Original Mix)

Running

Amsterdam based DJs, events company and record label. - support@dekmantel.com for all your webshop and label enquiries.

CCL & Objekt at Dekmantel Selectors 2024

dekmantel

Recent comments

abdu

Fernando Islas

Lazr

Kalibaru

Related tracks