This is such a good track ! Does anyone have the id ?

went to a Seattle kraken game last month against the Oilers and an Edmonton guy got a hat trick. thought of this sample.

This track brings me back to childhood idk why

Full feature, interview and tracklist coming soon!

Off The Record Mix Series 23: Suzanne Kraft

https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-10th-may-2021 (:

NTS Radio Show - Episode 22

Delighted to host @melodyastruth influence mix on Oddity Radio.

@jonnynash : It is a selection of music I've been enjoying over the last year, with a loose focus on "guitar music".

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Jonny Nash - Oddity Influence Mix

Khotin has been a key figure in the developing Electronic music scene emerging from Canada - for over ten years he has been producing and releasing music.

His sound has evolved exponentially, weaving between sounds and styles with cohesive ease of which others might only dream of. His records have found a home somewhere between the heady 90's ambient and trip hop era, deep house and has drawn upon abstract influences from balearic roots, trance and a whirlwind of other other cultural guises.

All of this makes his music remarkably interesting and hard to pin down.

His forthcoming album "Release Spirit" is forthcoming on acclaimed label Ghostly International. It features a collection of ambient soundscapes, tape recordings and off piste samples as Khotin draws inspiration from far reaching influences such as World of Warcraft, train journeys through Europe and Japan, family vacations and beyond.

We asked Khotin to record a mix which reflects a similar nature of the new album - the result is a delicate assortment of textures which lend themselves to a brooding optimism for the year ahead. At least we hope..

Khotin: The Ransom Note Mix

For the first show of the new year, The EDWIN Music channel welcomes Tokyo-based producer, DJ, and "Organic Music" Record Store owner Chee Shimizu (@organicchee).

For the full interview and tracklisting, please visit https://edwin-europe.com

№ 114 - Chee Shimizu

2 hours of interesting audio including selections from my new album Release Spirit out this weekend on Ghostly International

http://www.instagram.com/dylankf

Khotin @ The Lot Radio 02 - 19 - 2023

This Friday @khotin came through smooth and covered for D.DEE and boy did he deliver. Please enjoy this special selection of interesting audio from the four corners of Planet E and be on the look out for Dylan's new 12" coming soon on Public Release. It's something else!

Originally broadcast on @nofunradio on Friday, April 13, 2018.

Tune into Pacific Spirit every Friday from 4-6pm PST on nofunradio.com

CIM - Warm Data
Inspired School Of Astral Music - Accent
Les Halles - Skies That Soar
Jason Kolàr - Clairvoyance
Cloudface - j p
Tess Roby - Glimpse
New Composers - Sirens Of Titan
Bugbus Piano - 300 Paintings
Khotin - ?
David Wise - Aquatic Ambience (Donkey Kong Country OST)
Khotin - ?
Cocteau Twins - Watchlar
Blithe Field - Grotto
Yu Su - I’ll Say When I Can
Black Sabbath - Planet Caravan
Dub Tractor - Pull Dub
Uon - J
Hysteric - Camino (Edit)
Satoshi & Makoto - Crepuscule Leger
V.D.B. Joel / M Monsen - Road 101
Khotin - ?
Project Pablo - Fine Match
Maciek Sienkiewicz - Song For Mohindar
Ludwig A.F. Röhrscheid - Exoplanet
Unknown Mobile - Oenology (ft. CFCF)
Pablo’s Eye - AMB 9
Roza Terenzi & DJ Zozi - World Off

Pacific Spirit 026 | Khotin

For my Maika,

I miss you. 

Love forever, 
Lauren.

- - - - -

I pay my respects to the traditional custodians of this great southern land, the Gadigal of the Eora nation and their Elders past, present and future. I acknowledge their culture and relationship with the land and water. Aboriginal land; always was, always will be.

For Maika

The last mix of 2020 comes from Jonah Sharp (@reflecto), electronic mainstay and part of 'Virtual Dreams' as Space Time Continuum. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Jonah. Originally from Edinburgh, San Francisco resident since 1992, do you still live in San Francisco?

JS: Actually I recently just moved back to SF after spending most of 2020 in the UK. I had planned to be in Europe for an extended break from the US but Covid saw an end to that and my plans had to change. I miss British and European culture. I have family and friends there so I intend to be back over as soon as I can!

MFM: According to your discography the majority of your output started to shape up right after you moved abroad, in '91. How would you explain this creative outburst? 

JS: Before I arrived in San Francisco i was still figuring out how to produce the music that I wanted to make so when I got here I started to collect gear in earnest - it was a little moment in time when most people thought analog synths and drums sounded shit so I managed to find a TR-909 for $150, a Roland SH101 at the flea market and so on. So yes, suddenly having some decent gear and fun gigs to play was very inspiring! I did feel a kind of creative freedom being so far from South London and the pressures of living there as an artist. SF in the 90’s was very affordable for artists and it gave us the freedom to really focus on the music.
 
MFM: You started your own label Reflective in '93 and had quite a busy release schedule, especially during '95/'96, before it suddenly seemed to stop right after. What happened? 

JS: I started Reflective in '93, the year my first son was born. Flurescence EP was my first solo release and it got noticed around the world so that enabled me to keep putting releases out. With the momentum of the Terence McKenna collab album, things were going pretty well. But what we found was that even though there are lots of amazing labels in the US, it was actually pretty hard to sell them domestically so most of our stock was exported to Europe and Japan. We ended up pressing in the UK and running the label from SF and that presented problems so I had to put the release schedule on hold. At that time I had also signed a deal with Astralwerks so had contractual obligations to deliver albums and tour. It was a very busy time and by 1997 when our second son was born we decided to take a hiatus from the label. Not to say the label is gone forever though!
 
MFM: Flurescence, now found its way to the Virtual Dreams compilation, almost 30 years later. How does it feel that your older music is being re-released and rediscovered by newer generations?

JS: I am very happy and honored to be part of the Virtual Dreams compilation. Yes, there seems to be a bit of attention for this time period of electronic music at the moment, and the chill out thing in general. With so many online resources, everything is discoverable by anyone so all those tiny labels like Reflective that were putting out small runs of 1000 records (that was a small run then) are maybe enjoying some retroactive attention now. 
 
MFM: Does this new interest change your motivation and/or inspiration in the studio maybe?

JS: I follow my own interests and direction when it comes to making music but reaching new audiences has to gratify the artist whose work was made for sharing. My development as an electronic musician has come through thirty years of studio experimentation, initially with hardware and then incorporating digital software. When I made Fluorescence in 1993 there was no computer in my studio, but by the early 2000s San Francisco was the epicenter of computer innovation, people like my friend Josh Clayton were writing amazing software and so I went off on a long exploratory trip to integrate digital technology both in my studio and in my live rig. My aim right now in the studio is the same as always: make sounds and keep the good ones.

MFM Mix 023: Jonah Sharp

@khotin has served up a free flowing range of multi-genre experiments since announcing himself with a soft-hued acid album on 1080p back in 2014. Now involved with running Normals Welcome as well as releasing on DFA, Pacific Rhythm and Public Release, his music is united by a distinctive take on melody, post-club melancholy and love for downtempo sounds. He crafts blissful songs filled with nostalgic feelings and is exactly the sort of artist in whom we can all find some sort of solace.

And this mix is a perfect tonic for reluctant bodies with its slowly cascading rhythms and soft focus melodies serving as a gentle New Year wakener. It's laced with perfectly dreamy pads and ramshackle drums that are never too forceful but always compelling. While often invitingly sombre in mood, the clouds do break along the way to bring moments of real lightness and joy just when you need it.

Dekmantel Podcast

Dekmantel Podcast 314 - Khotin

For our second installment of the Musik Mix series we are joined by 5ive from japan and Samo from Sweden in a remote joint effort.
Tupplur simply means - to take a nap in swedish. 
Taking an afternoon nap is happiness!

artwork by Tobias Centerwall

Sattaoja Musik Mix - Episode 2-  5ive & Samo - TUPPLURS MIX

Amsterdam based DJs, events company and record label. - support@dekmantel.com for all your webshop and label enquiries.

Dekmantel Podcast 314 - Khotin

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