this is lovely but please could you release dekmantel recordings? :))) ben ufo pllleeease

What a guest session this is to pull off. Kudos to Dekmantel.

Enjoy a new episode in the Dekmantel Podcast Series every Monday!

http://www.dekmantel.com

Dekmantel Podcast Series

B.C.P.A. = BIG Crimbo Pressie Alert: 

Ok, this is a special one we have been holding on to for over 10 years. Yes that's right this mix was recorded over ten years ago but only came out on Good Morning Tapes last year... Only a few people heard it before, can you believe it? 
Now things are coming even more Full Circle as it was aired live for the first time last week on Crimson's "Pink Eyed Blue" show on https://radiozora.fm/ I thought this was fitting as I will also be playing with him this summer at THE Ozora Festival! Those who know, know ;-) 
Anyways hope you will enjoy and have a great Christmas and New Year Celebration.

Some lovely words below from my great friend TC aka The Ch... for those that wish to read further! Enjoy...



The empty longings of nostalgia exist as a far cry behind taking from the past with a view to understanding a new place it might hold in the future. Now - with the 90’s revival in something of a full swing - Good Morning Tapes finally gets the chance to release a pivotal 10 year old mix that didn’t just ignite a curious wave of reflection and appropriation, it marked a culmination in the shifting sonic sands for its creator Mr. Alexis Le-Tan. His name needs little light trust upon it in these hallowed cosmic halls, with his enduring and ever present mixes being a staple for those that know. Back to Disco Valley is arguably his most important mix - it both recontextualised a dirty and forgotten sound of the past, and facilitated a wave of new freedoms for those wishing to look backwards in order to move forwards. Most importantly it planted the seed for everything Full Circle to come.

Back to Disco Valley is above all else a personal reckoning for Alexis and Joakim, it marked a moment when many problems inherent in a trapped older sound - with a sublime yet dated history of its own - could breath fresh life in the present day; a new slower realm was born. The slowing down of dance music is nothing new, and certainly where peak time beats have existed a spiritual shadow that revels in a slower ethereal space to dance has never been far away. Stylistically on one level, Back to Disco Valley might seem to build on what Baldelli or Loda were doing many years ago, and it certainly has that effortless charm, but it goes much further, not just in its re-appraisal of the frenetic fast paced sounds of Goa, but as a signifier of where many wanted to head on the dancefloor - towards a slower oasis - incorporating new releases and modern sounding rarities along the way. Indeed, in selecting the 33rpm dial rather than that marked 45, Full Circle at once opened up the new space inside a music some of us went bananas to 30 years ago, and at the same time made sense of a crucial yet forgotten heritage; a confession became a badge of honour.

Coming back to Full Circle and its genesis: it was only a matter of time before the old Goa records would come back down from the racks and spawn a new life, and perhaps whilst Le-Tan cemented something a lot of us knew, Disco Valley somehow liberated many of those early records from their stylistic shackles initiating a creative project that - along side the collaborative work with Joakim - has released a wave of inspirational edits and re-imaginations. Full Circle - in all its conceptual & metaphorical majesty - really has come to represent the most stylish of takes on past sounds, both in the realm of selection and re-working. It is certainly true that Back to Disco Valley - sounding now as it did then (to the select tuned ears that got to listen) - reflects a perfect meeting between an off-tempo past, present and future, being more than a functional assemblage, it revives many a lost memories, inspiring a new batch of ideas. There is nothing wrong with looking back, as long as it has a purpose.

Tom Colebrook

Full Circle - Back To Disco Valley (GMT 52)

The Nous'Klaer Audio affiliated Dutch & German DJ and producer Oceanic, known for his sets at his residency at the prestigious Amsterdam institution De School, steps up for the latest Phonica mix. Over the hour and a half Oceanic, real name Job Oberman, takes us on a journey of soundscapes, electronics, tech house, percussive rhythms and techno. This mix shows not only Job's musical range, having released Ambient live recordings on De School's De Nieuw label all the way to driven bassy techno on Rush Hour, but his undeniable skill behind the decks as well as his understanding of music and how various genres can be brought together harmoniously.
@oceanicocean

Phonica Mix Series 110: Oceanic

Eazy-breezy dancefloor eclecticism from the DC wonder duo... 
https://www.nts.live/shows/beautiful-swimmers/episodes/beautiful-swimmers-15th-september-2023

Beautiful Swimmers 150923

Call Super at Organik Festival 2023

A masterclass in aerial hypno grooves from Vancouver's @thurlowjoyce, fresh off the back of a mind melting split EP for NAFF alongside Priori and Regularfantasy packed with euphoric peak time delights.

Q. Hey Cole, what inspiration did you draw upon when putting this mix together? Is there a sound, feeling, or time/place in dance music history that connects all the different elements in one way or another?

A. Hey Myles. Thanks for having me. I've been Deepcasting since day one. It's a blessing to be able to contribute.

I'm in between a few worlds here. I'm originally from Vancouver, Canada, and have been lucky to soak up Canadian sounds since my early days at the Mood Hut parties of free sparkling water. Mood Hut, NAFF, Plush, ISLA, Planet Euphorique, 1080p, they’re cozy CanCon scenes and there's a strong connection between Vancouver & Montreal. 

In parallel I've been stuck on the free form ambiance of 3 X L, Motion Ward, West Mineral Ltd., Kwia adjacent sounds. I'm currently spending a few months in Berlin and just played my first show at Kwia thanks to Nat Marcus (she’s the best), and it's an incredibly unique space, the effect of the experience has been lasting.

This mix feels like a connection between these experiences. I often feel like my taste is a bit too heavy, emotional, euphoric, or dark, and decided to lean into that. There's some softer sounds I've been lingering on mixed with a lot of functional high energy strict business. I hope there's something the listeners can enjoy as well.

Q. Are there any records in the mix that are especially close to your heart, or new or old favourites that you’ve been keeping up your sleeve for the right moment?

A. Naturally there's a healthy amount of CanCon in here. There's so much amazing stuff coming out of NAFF right now. I've been hung up on releases from URA, Purelink and Cousin, as well as one from Cousin's (lovely) label, Moonshoe. Some real bliss from Special Guest DJ as well as with Pontiac Streator as crimeboys. A few favourites from friends (Sverre!), and I've contextualized some of my own. 

Q. I really enjoyed your recent split EP alongside Priori and Regularfantasy for the wonderful NAFF label. Tell us a bit more about those songs you recorded and how it all came together for the label as your debut EP?

A. Thank you! That means a lot. 

Lemon Citrus and Varial are 100% pandemic tracks. I've always struggled to push my own stuff and haven't released much of it or done a good job of putting myself out there. I was writing a lot in isolation during this period and remember trying to be more comfortable with the idea of sharing music, and doing so with my friend Jamie (Big Zen). 

The NAFF connect came about pretty organically. Francis and Adam have been amazing to work with. Jamie’s a G. It was, and still is a trip. NAFF has always been a favourite label of mine. It was a dream realized to be able to contribute.

Thanks again for having me.

MDC.289 Thurlow Joyce

African Head Charge is a legendary psychedelic dub outfit who have recently returned to their home label On-U Sound with A Trip To Bolgatanga, their first new album in 12 years. As always it finds the peerless Adrian Sherwood at the controls and joins the dots between what the collective has done before and what they are doing now, all with a distinctly Ghanian twist. The signature drums and chants remain at the core of the album of course, as well as plenty of other thrilling new sonic concoctions on keys, guitar, percussion, strings, vocals, kologo and more. It's the latest chapter in a fascinating story that has already seen them release some 16 albums since its inception in 1981. 

This week's mix is a deep dive into the uniquely melon-twisting sounds of African Head Charge. Sherwood's mastery at the controls means sound is twisted and contorted, dubbed out and reverb-rich from start to finish. Traditional dub sounds melt away into ghoulish vocal passages, unhinged instrumentals come and go and the collective's signature sense of dark soul and mystic ritual holds the whole thing together in a spellbinding fashion.

Dekmantel Podcast

Dekmantel Podcast 445 - Adrian Sherwood/African Head Charge

Read our interview with @8salamanda8 and check out this mix's track list here: bit.ly/SalaPod

Groove Podcast 399

Tracklist

Groove Podcast 399 - Salamanda

Cousin is the founder of Moonshoe Records and is a talented producer who tends to focus on creating delicate soundscapes reflective of abstract environments and worlds.

His music is deep and pensive, at times club focussed yet at others anything but.

Over the past few years he has self released material on Moonshoe alongside records on the likes of Mood Hut and Well Street Records. His music has been supported broadly and his dj sets are versatile and multi faceted in respect to style and genre.

Cousin’s remarkable discography and dedication solidify him as a trendsetter in ambient techno and electronics. This mixtape offers a brief insight into his own taste and outlook when it comes to dance music – dubby, dusty and atmospheric throughout it really is quite the trip and is perfect as we approach the cold nights of winter and those dark early rises.

Cousin: The 'Wednesday Alternative' Mix

For years now, an old recording of Jeffrey Sfire at Cocktail D'Amore's one and only cosmic hole was one of the highest references for us in terms of downtempo Italo sleaze - an almost 6 hours recording serving more like a PhD aural dissertation specialized in some of the most remarkable dancefloor digs (mainly Europe) had to offer in the 80s at under 115BPM. To be able to share it publicly on the HAND Mix Series as we reach number 50 is a huge honor and we're greatly thankful to Giacomo and Giovanni, the two cuties behind Discodromo that made this possible. We hope you can appreciate it as much as we have over these past years. Here it is HAND #50 featuring the unique sleazy wizardry of Jeffrey Sfire captured in a special moment in time during the moist and lubricated atmospheres of Cocktail, now online - listen carefully! Big thanks to Jeffrey for all the amazing research and excellence in cosmic Jockeymanship ❤️❤️❤️

H.A.N.D. MIX 050 Jeffrey Sfire

November 10 2023
Limited Edition in Portland.
Home on the fringe of night life, family, goodness. 
Gathering No. 70.
If you know you know.

Live at Limited Edition

Vladimir Ivkovic All Night Long at 70th Limited Edition Portland

Rhythm & Sound special part 2 / vinyl mix recorded straight to magnetic tape

part 1 >>> https://soundcloud.com/soundscapemix/170-dubsolution-rhythm-sound-special

Rhythm & Sound special part 2

In very loose terms, James K's (@jamesk_1 music operates at the fringes of the pop world. It is experimental and industrial, packed with hooks and riddled with dreamy textures that show off her mastery of synths. She has released it in album form with Dial and Incenso, dropped EPs on AD 93 and collaborated with the likes of Drew McDowall and Stefan Maie, and always manages to imbue her adventurous arrangements with real-world emotions and anxieties. This year she will join us at Dekmantel Festival but not before serving up this week's podcast.

It's the sort of rhythmically thrilling workout that has always stood James apart: jittery drum patterns and kinetic grooves that unfold at 100 miles an hour as a barrage of caustic motifs, hypnagogic melodies and hyper-real colours all bounce about the mix. There is an ever-present sense of tension in the way things are assembled - it's as if they might implode or explode at any minute, and it all sounds fantastically futuristic.

Dekmantel Podcast 460 - James K

Answer Code Request (@answercoderequest) has long since mastered the art of mixing up the physical the with cerebral. His broken, industrial-tinged techno drums are powerful enough to have made him a long-time Berghain resident, while his harmonic pads make a lasting impact on your mind. While releasing on the likes of Ostgut Ton, Dolly Deluxe and Monkeytown Records, he has also established his own ACR label and never fails to blur boundaries between sub-genres whenever he steps out with a new sound or set.

He pulls no punches on this week's mix which is a broad showcase of his ability to thread together many different strains of techno and beyond into a coherent whole. There's everything from transcendental and linear rollers to dubby bangers, twitchy rave anthems blissed out deep space minimalism via party starting piano house. It's fun and functional in equal measure and is the sound of a DJ very much in full flow.

Dekmantel Podcast 461 - Answer Code Request

JakoJako (@jakojako_live) always wanted to make music and her self-confessed hyperactivity ultimately led to her getting the most joy out of playing about with machines and patching up synths. These days the Berghain resident is a celebrated live act and DJ who draws on the considerable knowledge she picked up working at Berlin's legendary synth shop SchneidersLaden, but she has also worked on several high-profile motion sensor dance projects at places like The Royal Albert Hall. Her smart sound designs and unique rhythms have landed on Leisure System, Tresor and Figure and she has a new EP coming on Mute this June.

Her mix for us this week features a sneak preview of one of the tracks from that EP as well as mixing up music from Alaric, Siege, Altinbas and many more. It's full of high-speed sounds couched loosely in techno but with moods and textures borrowed from industrial, minimal and even trance as things reach an emotional peak late on. Though she broke through as a live act, this set shows JakoJako can now speak just as freely through the decks.

Dekmantel Podcast 462 - JakoJako

There is nothing ordinary about Sepehr (@sepehr-a): he hails from the Bay Area of San Fran, is based in New York City but has Iranian heritage and takes great pleasure in pulling apart everything you think you know about dance music. His maverick approach results in versatile and genre-defiant sounds that collide EBM, drum & bass, techno, electro, acid and plenty more on some of the finest labels out there. He runs his own Shaytoon Records which is focussed on the Middle Eastern underground, and in May lands on our own Dekmanel Records with Genesis Domain, a varied EP full of intriguing sounds.

The same could be said of his mix for us this week. It's a deep dive into his eclectic and eccentric musical mind that spans several sounds and scenes. Although united by body-moving rhythms, there is everything from club to techno to broken beat and plenty more besides. Each track is packed with detail and surrealist sounds that will keep your head as busy as your heels.

Dekmantel Podcast 463 - Sepehr

Stella Zekri (@stella-zekri-ouiddir) is based in Berlin but her sound defies the usual expectations of those who dance in the city best known for house and techno. Her sets instead are instead led by soul and emotion and reach far and wide into the worlds of hip hop, house, new beat, trance, jazz, disco and bring rich colours and exultant vibes to the scene. She often likes to play long sets and isn't afraid of twisting and turning through diverse tempos and rhythms along the way, which is something she also does at the Body Language events she founded with Camilla Rae and Caitlin Russell in 2021. They have brought something all new to the queer scene in Berlin, while her monthly Breakfast Show on Refuge Worldwide and her studio work with 80s zouk and boogie band Stella and the Longos are further creative outlets that make Stella a new school star.  

All of this is reflected in the sixty-minute selection Stella has put together for us this week: it's a celebration of her eclectic collection that is powered by outgoing pianos, emotive vocals and gleeful grooves. There are old school house jams and silky soul-laced depths, happy 90s tracks and plenty of sensuous voices that all prove Stella Zekri's ability to keep the good times flowing is second to none.

Dekmantel Podcast 464 - Stella Zekri

Amsterdam based DJs, events company and record label. - support@dekmantel.com for all your webshop and label enquiries.

Dekmantel Podcast 445 - Adrian Sherwood/African Head Charge

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