krasses Zeuch, würde man selbst niemals finden. das machts für mich interessant

Unless that "The light goes through my mouth" - MARTIN DUPONT has not been released before 2010... ahah

2nd track in my Improvised Weapons series
Recorded in one take - No Software - No Processing - No Computer 
FREE DOWNLOAD FOR THE BASEMENT RAVES ONLY
Live Video from the studio : https://www.facebook.com/maelstrom.fr/videos/vb.96704770433/10155504962400434/

20152704ACC2MICRO-B

The Bad Guy (Remake)

Listen / order: https://K7.lnk.to/Murmur

The brainchild of Harry Agius (aka producer Midland) and songwriter/vocalist collaborator Robbie Redway who met at Leeds Uni, it exists in the innovative cracks between genre boundaries. As much influenced by the rugged sound-system culture of nights like Leeds' Subdub as it is by François K's work with Depeche Mode or the widescreen electronica of Jon Hopkins.

‘Murmur’ is the second single taken from the forthcoming album, which is due out in 2016 on !K7. It was engineered in Berlin by production maestro and Kompakt staple Ewan Pearson, whose previous work with M83 and Ben Watt has earned him a revered reputation as an engineer and producer par excellence.

Follow AKASE:
http://www.facebook.com/AKASEMUSIC

Follow !K7:
https://www.facebook.com/K7Records/
https://www.twitter.com/K7records/
https://www.instagram.com/k7records/
https://www.k7records.com/

Murmur

PRE ORDER

AKASE - Murmur (Ewan Pearson Dub)

pre order : geni.us/Acidmonium
Artwork By h5.fr/
Courtesy of www.inagrm.com/ 
On tour : marathonfestival.eu/

BSR019 is the 1rst EP announcing a new album &of Arnaud Rebotini & Christian Zanési called “ FRONTIERES” .

An imaginary frontier separates Arnaud Rebotini and Christian Zanési. 
The former, born in 1970, found his place in the world of techno during the 1990s. The latter, born in 1952, is deputy manager and - above all - one of the official composers in the GRM (Groupe de Recherches Musicales - Musical Research Group), an important institution in the world of concrete and electroacoustic music.

No schools, no boundaries
These two styles of music - techno on one side and electroacoustic music on the other - are traditionally pitched against each other. However the two schools have a number of things in common, particularly the way they approach tone and the treatment of sound via electronics. Rebotini, who actually composed for the GRM, has often reaffirmed his admiration for composers like Bernard Parmegiani and Luc Ferrari. As for Zanési, after originally being in awe of Bartok and Stravinsky, he studied under Pierre Schaeffer in the1970s before discovering (rather late) the music of Kraftwerk and Cabaret Voltaire.
Sharing the same curiosity for classical, contemporary and electronic music (even noise), the two composers decided to bring together and confront their two styles of music in a shared project called Frontières, first on stage and then in the studio.
Over the course of their first live shows, the two musicians began to improvise, varying the intensity and length of the songs, whether playing in a club at 2am or in more traditional surroundings. Since the beginning they have been accompanied by video artist Zita Cochet who composes images to illustrate their tracks and serve as a backdrop to their concerts.

Digital vs. analogue
Playing some of the most revered analogue synthesisers ever manufactured, Rebotini brings to the project his taste for and mastery of arpeggios, layers of sound, percussion and sequences, all of which were behind the success of his classic albums Music Components (2008) and Someone Gave Me Religion (2011). As for Christian Zanési, he uses his laptop to deliver a host of electronic sounds - feather-light, thinned-down, unreal or a little rough - obtained by digitally altering natural and acoustics sounds.
And yet, it would be simplistic to describe the Frontières project as just a suite of techno tracks with added electro-acoustics.

A unique album, a unique collaboration between the worlds of techno and electro-acoustics, to be discovered during their autumn/winter tour of 2015-2016.

At first , Live création for Le centre Pompidou - Paris / Le centre des Arts D'Enghien-Les-Bains: www.centrepompidou.fr/ - www.cda95.fr/


Acidmonium - Arnaud Rebotini / Christian Zanési

Separat / Izolat

Separat

Redshape - London

DKMNTL-SLCTRS003 // Selectors 003 - Marcel Dettmann

a1.	Front 242 - Don't Crash
a2.	The Force Dimension - Algorythm (Manipulating Mix)
a3.	Executive Slacks - So Mote It Be
b1.	Martin Dupont - The Light Goes Through My Mouth
b2.	A Thunder Orchestra - Diabolical Gesture (Marcel Dettmann Edit)
b3.	Twice A Man - Happy Life
c1.	Cabaret Voltaire - Low Cool (Marcel Dettmann Edit)
c2.	Kaa Antilope - Rise Up Helicopter, Like A Bird
c3.	Clan Of Xymox - A Day
d1.	Ministry - Same Old Madness
d2.	Fad Gadget - Back To Nature

Vinyl: http://shop.dekmantel.com/release/5700/marcel-dettmann

Following celebrated compilations from Motor City Drum Ensemble and Young Marco – and with the second edition of its limited-capacity festival in Croatia right around the corner – Dekmantel’s Selectors series now continues with an edition curated by Marcel Dettmann.

Although he’s now known as one of the world’s most celebrated techno artists, even Marcel Dettmann had to start somewhere. Long before he ever held court at Berghain (or its predecessor, Ostgut), he was just another young boy in Eastern Germany, one whose earliest encounters with capitalism involved spending every penny he could scrape together down at the local record shop. In those days, it wasn’t techno that got him excited, but new wave, post-punk, industrial and EBM acts like Front 242 and Depeche Mode.

“It’s music from my childhood,” says Dettmann. “It’s still relevant and still inspires me.” That inspiration can be heard across this edition of the Selectors series, as Dettmann has put together what he describes as a “pre-techno compilation.” Much like the previous Selectors editions, the compilation is not a mix CD, but a collection of tracks hand picked by Dettmann from his own vinyl archives. Freshly remastered – and occasionally reworked or re-edited by Dettmann himself – the songs here are undoubtedly vintage gems, but they also represent a very personal journey into Dettmann’s past.

“It was a great opportunity to dig deeper into my own musical outlook,” he explains. “The tracks come from a time before Marcel Dettmann became a DJ.” Simply put, the songs here are some of the building blocks upon which he’s built an incredibly storied career, and now he’d like to entrust them to future generations.

DKMNTL-SLCTRS003 // Selectors 003 - Marcel Dettmann

Alexander Kowalski's remix of 'I Need Release' from http://www.mixmag.net

Octave One - I Need Release (Alexander Kowalski´s Release The Dub Mix)

Cette Fille EP

Circle Of Love (Original Mix) [feat. DJ Varsovie]

Amsterdam based DJs, events company and record label. - support@dekmantel.com for all your webshop and label enquiries.

DKMNTL-SLCTRS003 // Selectors 003 - Marcel Dettmann

dekmantel

Recent comments

Brett_the_Hitman_Hart_28

𝓨𝓐𝓑𝓐 ™

JanJan

Monica Soldan

Related tracks