Matching vivid world-building with a full house of kinetic rhythms, Polygonia delivers her latest album to Dekmantel as an invitation to experience 12 different dream scenarios.

As Polygonia, Munich-based Lindsey Wang has established herself as a constantly inventive, omnipresent operator within the modern electronic landscape, exploring varying shades of ambient and deep techno while increasingly spreading into downtempo and leftfield electronica with a playful yet mysterious spirit.

Dream Horizons is an instructive title — Wang approached her new album as a collection of different dream scenarios, with all the creative freedom the concept implies. From oceanic calm to artful propulsion, she was free to shift gears from track to track while relishing the strange and beautiful atmospheres her inspiration pointed towards. A multi-instrumentalist as well as a producer, Wang recorded her own voice, saxophone, flute, violin and percussion to inject organic, human vibrancy into the surreal spaces she was shaping out, capturing the uncanny sensation of alien and familiar that hangs over the places we visit when we sleep.

There are pointedly direct techno workouts on the album, from deft beatdown 'Soul Reflections' to shimmering ear worm 'Set Me Free', and 'Twisted Colours' relishes shifting blocks of flute around a sprightly, footwork-tickled framework. Elsewhere, there's space for softer expressions on pearlescent opus 'Crystal Valley' while elastic rhythms and tactile textures slither around at a lower tempo on 'Flakes Flying Upwards'. In between, Wang plays with fractured beat patterns and sharply sculpted sonic matter with a staggering level of detail and intention. 'Gate To Amygdala' is the perfect example of the bold scope of her expression — the midpoint track thrives on nervous tension and a dislocated sense of momentum without anything like a conventional techno trope. 'Mindfunk' equally pushes and pulls at sensory perception with an off-kilter, awkwardly looped synth phrase that relishes the opportunity to skew dance music conventions within the flexible rules of the dream world.

For all the smart production and knowingly experimental approaches that form the basis of the album's sound, it's also a record charged with the full range of emotions you might expect to experience on a break away from consciousness. Whether it's the melancholic impressions that smudge into incidental pauses on 'Metaphysical Scribbles' or the mantra-like breath and sax combination of 'Essential Breath' that closes the record, Polygonia's heart bursts out of the album's vibrant form as brilliantly as her exacting, studio-synced mind. 

Written & produced by Lindsey Wang
Mastered by Niklas Bühler at Klangstellwerk
Artwork by Jan Tomson
Words by Oli Warwick

Support & Buy

Dream Horizons [Dekmantel]

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club's Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play. Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals. 
 
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub-infused UK garage house track anyone in the world can easily describe in the course of a second.
 
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk. 
 
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo's sets in the club.
 
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to "The Prince of Techno" Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
 
The 12" was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12" format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.

LNS & DJ Sotofett - Gearbox

Dream Horizons

Flakes Flying Upwards

Metaphysical Scribbles

Crystal Valley

Soul Reflections

Set Me Free

Secret Desire

Mindfunk

@thehylk
@dreamstrax

https://spectralbounce.bandcamp.com/album/dangerous-when-wet

pi premiere: Dreams - Dangerous When Wet [Spectral Bounce]

@denial-d2e
@d2e_world

https://denial-d2e.bandcamp.com/album/low-orbit-experimentation

pi premiere: denial - spiral anomaly [down2earth]

Soul Surfer

Berlin-based artist Marie Tjong Ayong delivers a captivating four-tracker with her „motherland“ EP, which unfolds like a sonic ritual — earthy, dubby, and steeped in natural rhythm.

Navigating fluidly between dub techno, grey area, downtempo, and breakbeat, the EP carves out its own genre-blurring identity. The sound is rooted in a warm, organic atmosphere, driven by percussive detail and an unmistakably natural flow. You can sense Marie’s background as a trained jazz trumpeter in the subtle musical intelligence that underlies each movement.

From the driving, rhythm-heavy opener „freshelle“ to the introspective, bass-laden „tiger balm“, the EP continuously shifts form and energy. „desert of boredom“ maintains the dub-soaked aesthetic while injecting a more forceful groove, before "rodeo of the bugs“ rounds things off with deep, muted dub techno and refined percussive finesse.

Buy: https://qeone.bandcamp.com/album/motherland

PREMIERE: Marie Tjong Ayong - rodeo of the bugs [QEONE]

The Bristol-based experimentalist Rali Pibs returns with U Paradise EP, carving out 6 cuts filled with club potency and left-of-centre delight, out via Weirdos Inc. Records on August 25th.

Pre-order: https://weirdosinc.bandcamp.com/album/u-paradise
More: www.orbmag.com/music

@weirdos-inc
@rprok

Listen more

Premiere: Rali Pibs - Ritual Loops

Cass Brewster - ID (Unreleased)

Don't Stop EP

Don't Stop

Buy On Beatport

Dale Hart - Don't Stop

post-genre love ~ diversity in sound.

Label head at @qeone
Label head at @iorecs
Resident at @blitzclub
Part of @lyderlyderlyder
Part of @harmony-rec


Booking & General requests (Management):  laura@onboardmusic.net
Press contact: chanel@dawncreative.agency
Promo Gifts: promo [at] polygonia-creations.com

Amsterdam based DJs, events company and record label. - support@dekmantel.com for all your webshop and label enquiries.

Mindfunk

dekmantel

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