Name: Toma Kami at Dekmantel Selectors 2022 by dekmantel in Breaks/Techno
Duration: 1 h 58 min 2 s
Description: Recording of Toma Kami's set at Dekmantel Selectors 2022.

Has the statute of ID limitations expired on this one? I have waded through a lot of really harrowing Technologic remixes to try and find it : ' )

Breaks/Techno

https://www.nts.live/shows/dj-fart-in-the-club/episodes/dj-fart-in-the-club-4th-march-2022

DJ Fart In The Club 040322

@tammohesselink has always been enthralled by rhythm. He explores the unknown areas in between the UK's broken beats and hypnotic trans-Atlantic techno. Hailing from a small town, he did things himself to start with and soon turned heads with his respected The Invariants label. After that began to get wider attention for its spacious and supple sounds, he went on to become a regular on Nous'klaer Audio and has just minted another new label, Real View Memory. The first EP, Borrowed Wheels, touches on percussive techno abstractions, halftime drum & bass and deep, atmospheric bass. 

All of that comes out in this week's mix. It is a 90-minute showcase of Tammo's ability to lay down body-popping rhythms. Sometimes they are silky and seductive and worm their way deep into your psyche, at others that are heavy, upfront and smack you over the head. The skillful balance between the moments of airy suspense and dense, unrelenting drums is what makes this selection so compelling.

Dekmantel Podcast

Dekmantel Podcast 376 - Tammo Hesselink

https://www.nts.live/shows/guests/episodes/courtesy-12th-march-2022

Courtesy 120322

Bristol based artist and swu.fm resident Alexisitry steps up for mix no. 223 in the LT podcast series with a club ready mix pumping full of techno, acid, electro and breakbeat weapons 🔥

In Alexisitry's words:
Usual four to the floor with some of my favourite Lobster releases, went a bit groovier with this one ready for summer. :)

Follow Alexistitry
@alexisitry
www.instagram.com/alexisitry
www.facebook.com/alexisitry

LT Podcast 223 // Alexisitry

Recording of Toma Kami's set at Dekmantel Selectors 2022.

Toma Kami at Dekmantel Selectors 2022

Available on Audio Cassette and digital download directly from the label’s Bandcamp: https://cclurl.bandcamp.com/album/a-night-in-the-skull-discotheque

Side A: Bass is Eternal
Side B: 2-step Mutual Dream

A Night in the Skull Discotheque by the beloved underground selector CCL is the latest offering in the T4T LUV NRG label’s highly limited DJ mix series of cassettes. This immersive journey through a wonderland of proto-dubstep sounds from the late 1970s through the year 2000 is a sonic sibling to CCL’s acclaimed 2018 mix Ode to Queer Steppas.

Inspired in part by Eris Drew’s use of “old records to create new styles out of fragments” on her Raving Disco Breaks Vol. 1 mixtape (T4T LUV NRG, 2019), CCL approached this recording with a parallel frame of mind. Created with 3 CDJs, one Turntable, and a Boss Digital Delay 200, the tracks included in the mix are deconstructed from their whole, and constituent parts are intertwined, sampled, and dubbed out while being further stretched beyond their physical limits. CCL mixed many tracks at the 'wrong speed', pitched beyond their original recognizable tone; others are recontextualized through imaginative layering.

With a solid nod to seminal mixtapes of the early 90s, CCL references the namesake for Side A, Bass Is Eternal, an unreleased 1992 mixtape by influential Bristolian producers Smith & Mighty, an important sonic fulcrum amongst the musical tributaries of the hardcore continuum that continues to reverberate to this day. CCL experienced the after-effects of this ‘proto’ sound genesis in 2008, while living in Bristol, by which point its emergent whispers had coalesced into what became known as dubstep. Tracing a rich history of reference through the samples, basslines, moods, and drum patterns emanating from Bass Is Eternal while looking for connections that predate it became a long-term fascination for CCL. The result is a DJ mix that connects the oft-forgotten dots between proto eras and modern developments in bass and dubstep.

For the resulting sonic ride on A Night in the Skull Discotheque, CCL leads us to a fantastical place of timeless surreality – a majestic haunted dancehall soundtracked by a giddy rush of steppers and dubbed-out delights. Subs rattle through syncopated percs, and moody synths glisten in macabre glory. Fantastical dancers wriggle in wispy eternity, liberated from their corporeal forms in all their greatest spiritual wonder. Both extravagant and dusky, A Night in the Skull Discotheque is a world of seductive in-betweens, a place caught between the moodiest depths and the highest exuberance – A love letter to one of the most impactful formative sounds of the last decades.


***************************************************************************************
A portion for the proceeds from this release will go to fundraiser "SUPPORT PALESTINIAN SOLIDARITY IN EUROPE!". You can also directly donate via:
https://www.gofundme.com/f/support-palestinian-solidarity-in-europe
***************************************************************************************

Tape design: Nina Muro
Mastering: TJ Hertz
Additional tape mastering: Eris Drew
Photography: CCL 
Linear notes: Nevan Jio

A Night in the Skull Discotheque [T4T015]

CCL - A Night in the Skull Discotheque

This is a re-recording of my SR set. Unfortunately, the audio recording had stopped due to a power cut earlier in the evening.

Thanks for having me Sustain Release! I'll never forget this <3

DJ Plead - Sustain Release, Year 9

Tripped-out excursions through percussive club music with the Nowadays resident.

Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction."

Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push.

RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory.

As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward.

@aye5ha
Find the interview and tracklist at ra.co/podcast/983

RA.983 Ayesha

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

Piezo at The Swirl, Horst Arts & Music 2025

Darwin operates in the realm of low-end frequencies, delivering a tripped-out, sub-rattling blend of styles firmly rooted in soundsystem culture.

Her sets move with swampy intensity and hypnotic flow, drawing dancers in while maintaining a quiet versatility. A seasoned crate digger across many genres, she’s as comfortable playing back-to-back with DJ Storm, Mala or Lena Willikens as she is closing out Bassiani or Berghain’s Klubnacht.

Born in Canada, Darwin found her way into dance music after moving to London—first working at fabric in the mid-2000s, then experiencing a bass eureka moment years later at a Swamp81 party. That defining night set the course for her next chapter in Berlin, where she founded her label SPE:C in 2015 to spotlight emerging global talents like Decka, Carré, Axle, Beatrice M., and Tano.
In 2016, she launched REEF at the now-defunct Griessmuehle, a club where she had started a monthly techno-focused DJ residency 2 years earlier that helped develop her signature stripped back, sci-fi-infused sound. The boundary-pushing party brought bass music’s alien energy into the heart of the techno capital, which now calls Berghain home. 

2024 marked a new chapter in Darwin’s evolution with the launch of ABYSS, a Sunday evening soundsystem series centered on the restorative power of low-end frequencies. Blending transcendental dance music with breathwork, meditation and healing practices, the event creates a space where sound connects body and mind. ABYSS has also teamed up with Wuppertal’s acclaimed Open Ground club for an extended weekend takeover, with plans to expand the concept to other cities in the future.

PURE Guest.083 Darwin

The recording is from a night at Ohm back in March put on by Kontinuum and New World Dysorder. I remember feeling so comfortable with the space and the crowd who were up for good sound system pushing fun going freely through everything from d&b and elektro to freetek and jungle. Also shoutout to Ohm for always providing a solid vinyl setup!
---- @abnama

subglow/Live 5: Abnama @ Ohm

DEAD TV (FREE DL)

decay

Angular beats from a breakthrough Danish DJ.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=579

@courtesy707

Resident Advisor podcast

RA.579 Courtesy

It's impossible to talk about the sound of DjRUM without using the word cinematic. Whatever he does, it has a feeling of grand importance, widescreen elegance and moving emotion that elevates it way above a dance floor soundtrack. Throughout the course of his career, the UK artist has drawn on downtempo, blurred the lines between drum & bass and dubstep and always imbued his music with spoken words snippets, piano and chamber instruments. His Portrait With Firewood album was a real high-water mark in 2018, and last year his latest outing on R&S once again managed to draw on every aspect of electronic music and come up with something all his own. 

His mix for us this week is a perfect ethereal rave that finds plenty of beauty in the sparse rhythms he draws on from the worlds of garage, techno and drum & bass. There is a delicacy and elegance throughout, even when the beats hit hard and fast as they do at the overdriven and manic mid point. The amen breaks come thick and fast after that, but eventually melt away to propulsive ambient soundscapes that suspend you in time and space. Blissful.

Dekmantel Podcast 267 - Djrum

Amsterdam based DJs, events company and record label. - support@dekmantel.com for all your webshop and label enquiries.

Toma Kami at Dekmantel Selectors 2022

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