it's been a couple of years since i pushed record, just thought i'd share the sounds of the mungo g0.  in this self-generating, hands-free patch everything is based on a short sample of a crystal bowl being played on a mungo g0, then intermittently sampled again by a tyme sefari and short delays by the modcan dual delay.  addac fixed filterbank and cwejman mmf-1 in there too.  everything driven by the wmd pdo/4ms rcd.  raw electricity sounds thanks to metasonix r-53.

130901electricbowling

131012

Playing around with the new Harvestman modules for the first time. Patch notes:

The upper half of the Zorlon Cannon is sequencing the Piston Honda as well as the bottom half of the Zorlon Cannon.

The bottom half of the Zorlon Cannon is running through the external input of the Piston Honda.  A Doepfer quad LFO is modulating the wave, bank, rom, and morph discontinuity of the Piston Honda.  The internal and external outputs of the Piston Honda are summed with an Optomix.  I messed around with different settings, and wiggled some knobs.  No external effects were used.

Piston Honda ][ / Zorlon Cannon ][ Test Drive

Capital Gains

the piece are two make noise mysteron as only sound source, that are played with two doepfer a-198 ribbon controllers. regenbot played the deep, metalic, gritty one live processed thru quantimator, mmg, optomix, phonogene, echophon and erbeverb. anarchy4bits played the second melodic, processed thru uscale, mmg, optomix, phonogene and erbeverb recorded in three live played parts. recorded directly out of modular without external effect processing. 
copyright by regenbot and anarchy4bits 2015

heavy metal grains - music for waveguides and recorders

Example from an in-progress pattern for an upcoming noise show. Industrial-ish/noisy beats from the Elektron Monomachine

A 6581 (Sid) machine with a reverb fx track and an FM-DYN machine with its own reverb fx track. The SID gets muted for a bit partway through. The sequencer is paused a few times to let some of the bigger envelope/lfo/fx trails be showcased.

Monomachine Noise-ish FM.SID Example

All Harvestman except for Manhattan Audio Mix, Pittburgh Outs, and Intellijel uFade.

Reverb from Eventide Space.

Harvestman Modules used: 2 DA, 2 HD, 1 PH, 1 PVG, 1 PVF, 1 BL, 1 ZC, 1 QU, 1 KZN,
1 SH, 1 TS.

Demon Call

ORDER HERE: https://schematicmusiccompany.bandcamp.com/album/fissures-in-the-megastructure

Schematic Music Company proudly presents Blush Response aka Joey Blush, a Cuban-American artist and sound designer hailing from Miami who now resides in Berlin. Blush cut his teeth programming works for artists such as Fear Factory, Rhys Fulber, Cristian Castro, and as a touring member of Joey Jordison's (Slipknot) alternative rock project Scar the Martyr. A vibrant artist relentlessly exploring the outer realms of industrial, Techno, IDM, you-name-it and has a plethora of releases on labels like Aufnahme + Wiedergabe, Sonic Groove, Ant-zen, and Total Black.

Please join the infinite expansion of Blush Response's metalloid planes on Fissures In The Megastructure.

Enjoy and destroy.
credits
releases November 1, 2019

Written and Produced by Blush Response (2017-2019)

Mastered at Dadub Studio

Photography by Søderberg

Graphics by Studiokallin

2019 Schematic Music Company

Catalog number: SCH-137

Demon Call

DMG80

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