This is a topline-ready or demo-ready pitch for female pop vocalists in the Latin-pop/alt-pop lane.

This track would be an ideal fit for an artist like Camila Cabello, Selena Gomez, or TINI—female vocalists who blend pop clarity with rhythmic Latin energy. For fans of ‘Don’t Go Yet’ (Camila) meets ‘Baila Conmigo’ (Selena Gomez). Could serve as a breakthrough single or deluxe album bonus track in a self-empowerment arc.

"Movin’ On" is a 2:45 Latin-pop fusion track with a crisp, confident female vocal in the style of Camila Cabello or Selena Gomez. With rhythmic acoustic elements, an empowering message of personal rebirth, and a chorus that hits by the 25-second mark, it's radio-ready and sync-friendly. The song delivers a clean arc of emotional growth—from reflection to self-empowerment—making it ideal for TV/film placement in scenes involving personal breakthroughs, transformation, or liberation. Built around strong melodic hooks, bilingual market potential, and a high-replay structure, "Movin’ On" is a standout for contemporary Latin-influenced pop catalogues.

This track was created using AI-generation software as a demo tool to emulate vocals and production style. All songwriting (lyrics, melody, and arrangement) is original and authored by the writer. The demo is intended to showcase potential for artist recording or licensing consideration.

All rights currently retained by the songwriter (D'mi Faraday); registration pending.

Movin' On.mp3

This is a topline-ready or demo-ready pitch for female vocalists in the cinematic pop / emotional alt-pop lane.

This track would be an ideal fit for an artist like Sia, Ariana Grande, Selena Gomez, Tate McRae, or Sabrina Carpenter—vocalists known for blending emotional vulnerability with melodic clarity and soaring soprano range. For fans of “Elastic Heart” (Sia), “ghostin” (Ariana Grande), or “Lose You to Love Me” (Selena Gomez), this track delivers a confessional yet resolute anthem of self-honor and emotional clarity.

“Won’t Say I’m Sorry” is a 3:30 emotional pop ballad that follows a graceful arc from soft confession to empowering detachment. Built around a crystal-clear female vocal, sparse but intentional instrumentation, and cinematic lyrical phrasing, it explores the raw but necessary act of choosing yourself—even when love asks you not to. With high sync potential for breakup scenes, introspective moments, or montage sequences, it pairs emotional honesty with hook-driven replay value.

This track was created using AI-generation software as a demo tool to emulate vocals and production style. All songwriting (lyrics, melody, and arrangement) is original and authored by the writer. The demo is intended to showcase potential for artist recording or licensing consideration.

All rights currently retained by the songwriter; registration pending.

Won't Say I'm Sorry.mp3

This is a topline-ready or demo-ready pitch for male vocalists in the modern alt-rock / emo-pop / indie-hard rock space.

This track would be an ideal fit for artists like Linkin Park, Green Day, Machine Gun Kelly, or Nothing,Nowhere—vocalists who thrive in emotionally charged rock blends that fuse grit, vulnerability, and anthemic hooks. For fans of “Numb” (Linkin Park), “Boulevard of Broken Dreams” (Green Day), or “Bloody Valentine” (MGK), this track is a modern heartbreak rescue anthem wrapped in raw storytelling.

“It’s Not Over” is a 3:07 emotional hard rock/emo fusion track centered around a youthful, expressive male vocal. It chronicles the experience of addiction, isolation, and pain—but counterbalances it with fierce compassion and hope. With pulsing guitars, hook-driven choruses, and soaring pre-chorus lifts, it’s an emotional punch wrapped in a modern alt-rock aesthetic. This track is ideal for sync in recovery arcs, youth drama, or emotional climax scenes in film/TV that need a balance of darkness and redemption.

This track was created using AI-generation software as a demo tool to emulate vocals and production style. All songwriting (lyrics, melody, and arrangement) is original and authored by the writer. The demo is intended to showcase potential for artist recording or licensing consideration.

All rights currently retained by the songwriter; registration pending.

It's Not Over.mp3

This is a topline-ready or demo-ready pitch for male vocalists in the slow contemporary country / acoustic country ballad space.

This track would be an ideal fit for artists like Zach Bryan, Chris Stapleton, Cody Johnson, or Brett Young—vocalists who excel in soul-bearing storytelling, warm acoustic production, and emotionally vulnerable performances. For fans of “Something in the Orange” (Zach Bryan), “Tennessee Whiskey” (Chris Stapleton), or “Mercy” (Brett Young), this track delivers a heartfelt reckoning on what love is—and what it’s not.

“It Ain’t Love” is a 3:53 contemporary country ballad centered around a soulful, emotionally raw male vocal. Anchored by acoustic guitar and gentle melodic phrasing, it explores the painful realization that emotional distance, unreciprocated effort, and broken trust are not acts of love. With lyrical phrasing that walks the line between poetic and plainspoken, the track builds steadily through three verses, intimate pre-choruses, and a chorus that delivers a quiet but devastating punch.

This song is ideal for sync placements in scenes of relationship conflict, breakups, introspective montages, or any cinematic moment where heartbreak meets clarity. It’s built for artists who connect through sincerity and subtlety, not spectacle.

This track was created using AI-generation software as a demo tool to emulate vocals and production style. All songwriting (lyrics, melody, and arrangement) is original and authored by the writer. The demo is intended to showcase potential for artist recording or licensing consideration.

All rights currently retained by the songwriter; registration pending.

It Ain't Love.mp3

This is a topline-ready or demo-ready pitch for female vocalists in the hip-hop/pop crossover space, with a bold, unapologetic edge and a cinematic sense of presence.

This track would be an ideal fit for artists like Nicki Minaj, Doja Cat, Cardi B, or Megan Thee Stallion—vocalists who thrive in commanding rap delivery, melodic hooks, and genre-fluid production. For fans of “Boss Bitch” (Doja Cat), “Feeling Myself” (Nicki Minaj), or “Savage” (Megan Thee Stallion), this track delivers a fierce, streetwise anthem of survival, dominance, and self-respect.

“I Don’t Flinch” is a 3-minute midtempo hip-hop/pop track built around a 95 BPM 808-driven beat, a sharp-tongued rap flow, and a sung melodic chorus that blends vulnerability with power. The lyrics follow a female protagonist who’s risen from the gutter, built her own throne, and refuses to back down—no matter who steps to her. With three rap verses, a sung chorus, a bridge, and a dual-outro, the track offers a full narrative arc and a dynamic vocal showcase.

This track is ideal for artist placement with a signed female rapper or pop artist looking for a song that blends commercial swagger with lyrical grit. It also holds strong potential for sync placements in scenes of empowerment, confrontation, or transformation—especially in film, TV, or streaming series with urban, action, or femme-fatale themes.

This track was created using AI-generation software as a demo tool to emulate vocals and production style. All songwriting (lyrics, melody, and arrangement) is original and authored by the writer. The demo is intended to showcase potential for artist recording or licensing consideration.

All rights currently retained by the songwriter; registration pending.

I Don't Flinch.mp3

“Somewhere” is a 3:27 emotionally raw, melodically-driven hip-hop ballad written for a male vocalist navigating the quiet devastation of feeling lost in a world that keeps missing the pain behind the smile. With a BPM of 92 and a slow-burn production arc, this track leans into understated vulnerability, atmospheric loops, and soul-deep confessions wrapped in vocal melodies.

The verses explore mental health, isolation, and resilience—building toward a chorus that lifts like a friend pulling you off the floor. Think Post Malone’s aching softness meets NF’s confessional realism, with a subtle hint of Drake’s melodic introspection. It’s the kind of track that connects instantly—whether whispered through headphones on a rainy night or spotlighted in a series scene centered on healing or human connection.

Ideal for artist placement with a signed melodic rapper/singer seeking their “empathy breakout” track. This song also holds significant potential for sync placement in therapy-driven storylines, social justice PSAs, youth-focused wellness campaigns, or independent dramas.

All lyrics, melody, and arrangement are original and penned by the songwriter. This demo was created using AI vocal emulation software as a topline showcase. 

All rights currently retained by the songwriter; registration pending.

Somewhere.mp3

“Into One With You” is a sultry, Latin-fusion pop dancehall track blending lo-fi samba textures with a breathy soprano vocal and hypnotic instrumentation. Built for swaying hips and stolen glances, this song captures the magnetic tension between two bodies dancing their way into union — where rhythm becomes ritual.

Fusing the sonic seduction of Amaarae’s “Sad Girls Luv Money” with the sensual heat of Camila Cabello and the breathy intimacy of Selena Gomez, this track invites the listener into a twilight-lit rooftop moment: sweat-slick skin, moon-soaked movement, and the edge of surrender.

Featuring mandolin flourishes, soft kick beats, hand-played bongos, and a rich orchestration of strings and textures, the track sits at 103 BPM and stretches into long instrumental breakdowns — letting the moment breathe, build, and bloom. Vocals flow in and out like breath itself: teasing, tempting, and finally melting into the shared heartbeat of the chorus.

Ideal for fans of alternative Latin-pop, sync-driven pop-sensuality, and vibe-forward playlists, “Into One With You” stands as a sonic invitation to move, feel, and forget the world for a while.

All songwriting (lyrics, melody, and arrangement) is original. Vocals are AI-generated for demo purposes only, showcasing topline potential. Rights retained by songwriter; registration pending.

Into One With You.mp3

This is a demo-ready or topline-ready pitch for male R&B and hip-hop vocalists in the sensual club/bedroom crossover space, blending seductive crooning with hypnotic grooves and a chant-driven hook designed to move bodies on the floor.

This track would be an ideal fit for artists like The Weeknd, Brent Faiyaz, PARTYNEXTDOOR, or Ty Dolla $ign—vocalists who thrive in dark, atmospheric production, slow-burning vocal delivery, and sex-forward narratives. For fans of “Often” (The Weeknd), “Crew It” (Brent Faiyaz), or “Come and See Me” (PARTYNEXTDOOR), “Drop It Down” delivers a provocative club mood—sultry, dominant, and undeniably magnetic.

“Drop It Down” is a 3:03 pop/dancehall-infused R&B track built around a 90 BPM trap groove, deep 808s, and a blend of sung choruses and a sexually confident rap verse. Lyrically, it centers on a man entranced by the movements of a woman in a dimly lit club, craving both the physical and emotional high she ignites. Its structure features repeated hook phrases, chant-style drops, a rapped second verse, making it highly adaptable for both live and sync-ready formats.

This track is ideal for artist placement with a signed male R&B or melodic hip-hop vocalist looking for a confident, erotically charged club anthem. It also holds strong sync potential for nightlife scenes, exotic dance sequences, or streaming series exploring themes of seduction, power play, and urban hedonism.

This track was created using AI-generated demo tools to emulate vocal tone and performance. All songwriting (lyrics, melody, and arrangement) is fully original and authored by the writer. The demo is intended for artist recording or licensing opportunities.

All rights currently retained by the songwriter; registration pending.

Drop It Down.mp3

This is a topline-ready heartbreak ballad in the alt-pop / soft rock lane, driven by an emotional male vocal performance and a reflective yet climactic arrangement.

“Fighting For” blends acoustic tenderness with ambient textures, distant electric guitar, and sorrowfully soaring choruses. The 5-minute track unfolds like a confessional letter—rising through layered verses, a pleading pre-chorus, and a chorus that becomes more desperate with each return. This is for fans of Dean Lewis, James Bay, Imagine Dragons (ballads), or Lewis Capaldi—vocalists who specialize in raw vulnerability and emotional storytelling.

Lyrically, it follows a man in the middle of a crumbling relationship, lost in confusion, anger, and sorrow—searching for signs, begging for clarity, and confronting the uncomfortable truth that effort alone doesn’t always heal what’s broken. With a haunting outro that echoes the track’s central question—"what was I fighting for?"—the song lands with a soft emotional devastation and leaves space for resonance.

This track is ideal for artist placement with a signed pop/rock vocalist looking for a powerful narrative single, or for sync opportunities in heartbreak-focused scenes across film, streaming, and TV. Particularly suited for breakup montages, solitary driving scenes, or emotionally climactic transitions in romantic drama.

This track was created using AI-generation software to emulate vocal tone and instrumentation. All songwriting (lyrics, melody, structure) is original and written by the author. The demo is intended for vocal pitch or licensing consideration.

All rights currently retained by the songwriter; registration pending.

Fighting For.mp3

“The Signs of You” is a topline-ready or demo-ready pitch for female vocalists in the indie pop / acoustic-alt space—offering a soul-stirring, melancholy ballad shaped by themes of emotional distance, bittersweet memory, and the ache of unresolved love.

This track would be an ideal fit for artists like Selena Gomez, Billie Eilish, Gracie Abrams, Ingrid Andress, Holly Humberstone, Sody, Lennon Stella, Chelsea Cutler, or Sasha Sloan—vocalists who shine in intimate, emotionally restrained delivery and reflective storytelling. For fans of “Lose You to Love Me” (Selena Gomez), “Everything I Wanted” (Billie Eilish), or “21” (Gracie Abrams), this song captures a quiet storm of longing and delicate heartbreak.

“The Signs of You” is a 6:57 alternative pop-acoustic fusion ballad, paced at 75 BPM, built on sparse kick percussion, soft picked acoustic guitar, breathy alto female lead vocals, subtle string undertones, and ethereal backing harmonies. The lyrics move through verses of vulnerability and yearning, a chorus that unfolds with poetic resignation, and an emotional bridge that pleads not to be left alone. The sonic landscape is cinematic and intimate—meant for moments of late-night introspection, lingering memories, or quiet emotional unraveling.

This track is ideal for artist placement with a signed indie-pop or alt-pop female vocalist seeking a heartfelt, subdued ballad with universal emotional appeal, or for sync use in slow-burn romantic dramas, emotional turning points, or character-driven scenes involving love, loss, or emotional closure.

This track was created using AI-generation software as a demo tool to emulate vocals and production style. All songwriting (lyrics, melody, and arrangement) is original and authored by the writer. The demo is intended to showcase potential for artist recording or licensing consideration.

All rights currently retained by the songwriter; registration pending.

The Signs Of You.mp3

Intoxicated Heaven.mp3

It'll Be Alright.mp3

It's Comin' Up Me.mp3

Quicker.mp3

After Party.mp3

Wham Bam

Cosmic Rebel.mp3

I Do, I Do.mp3

I'm Ganna Flow.mp3

Bitches Can't.mp3

Up On Dat Pole.mp3

Clap Fuh Her.mp3

Leddem Go.mp3

Songwriter | Lyricist | Catalog Creator

All songs featured here are original works available for artist recording, licensing, or catalog inclusion.
If you're an agency, A&R rep, or recording artist interested in picking up a track for release or re-recording, please contact: dmifaraday@gmail.com

Thank you for listening—and for supporting independent songwriting.

D'mi Faraday

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