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Sankofa

Sankofa (Soul Fusion Original Short Main)

Shooting Stars

FATHER CHRISTMAS AND HIS HEAVENLY HOT ROD
by Brent Schön AI

Father Christmas and His Heavenly Hot Rod is a bold and joyful reimagining of the Christmas myth—where tradition meets imagination, and the spirit of the season rides in style.

In this musical fantasy, Father Christmas doesn’t arrive only by sleigh. He cruises through a glowing Christmas night in a heavenly hot rod, chrome shining like starlight, engine humming with warmth and wonder. Streets sparkle, skies open, and Christmas becomes a moving celebration—alive, playful, and full of heart.

The album blends festive dance grooves, retro hot-rod energy, modern holiday pop, and cinematic atmosphere, creating a sound that feels both nostalgic and futuristic. Bells meet basslines, carols glide over smooth rhythms, and every track carries motion—like a joyful ride through a city dressed in lights.

This is Christmas as a feeling of freedom and generosity:

Laughter echoing down decorated streets

Music rolling like headlights through the night

Joy carried forward, not rushed or forced

Father Christmas here is more than a character—he’s a symbol of timeless goodwill, creativity, and the idea that magic evolves with each generation. The heavenly hot rod represents imagination itself: polished, playful, and driven by joy.

Father Christmas and His Heavenly Hot Rod is not a story meant to be believed literally, but felt deeply—a musical reminder that Christmas magic can take any form when guided by kindness, fun, and shared celebration.

🎄🚗✨
Classic spirit.
Modern motion.
A Christmas ride to remember.

Miracle Rise

Delirium

Don't Panic

Circus (Deluxe Version)

Circus

DNCE

'Guy', out now on Ninja Tune: https://jayda-g.lnk.to/guySo

Taken from the EP 'Both Of Us / Are U Down', released 3 July on Ninja Tune: https://jayda-g.lnk.to/bothSo

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Both Of Us

Live Without Your Love (with Steve Lacy)

Benn Double NN – Bringing House, Soul & Garage to Life

A self-taught bedroom DJ from Cornwall. I’ve been honing my craft over the past year, diving deep into the world of house and garage music. I’m on a mission to bring my sound to more live gigs this year. 

Specializing in everything from classic garage grooves to house anthems, My style is all about energy, rhythm, and connection. I design my sets to make you move, whether you’re vibing at home or on the dancefloor.

2025 is shaping up to be a big year, I’m aiming to take everything I’ve learned to the next level. Expect a steady stream of mixes dropping on my socials — so stay tuned!

Formed in the summer of 2015, DNCE, which also features guitarist JinJoo Lee, bassist/keyboardist Cole Whittle, and drummer Jack Lawless, was born from Jonas’s long-brewing plan to launch an offbeat pop project inspired by the melodic R&B of Earth, Wind & Fire and Hall & Oates. “I had this vision for about five or six years, but I took some time to hit the reset button and figure out what I wanted to do next,” says Jonas, whose former group the Jonas Brothers started in 2005, went on to sell more than 17 million albums worldwide, and parted ways in 2013. “Once we got going on making this new music,” he continues, “it all just fell together so perfectly.”

In assembling DNCE, Jonas first rounded up some old friends from the road. Born and bred in South Korea, Lee met Jonas while playing lead guitar for Jordin Sparks (the opening act for the Jonas Brothers’ 2009 world tour) and later joined him on a tour supporting his 2011 solo album Fastlife. Also a former touring guitarist for artists like Charli XCX and CeeLo Green, Lee taught herself to play at age 12 in order to join in her older siblings’ band, POS. “I was the youngest and grew up watching them make music and put out albums, which seemed so cool to me,” she says. “At one point they didn’t have a guitarist, so I learned all their songs and they let me in. That was my whole teenage life.”

Another former tourmate of Jonas, Lawless grew up in New Jersey, played in bands in the Asbury Park area throughout high school, and dropped out of college his first semester to replace the drummer who’d quit in the middle of the Jonas Brothers’ fall 2006 tour. “I’d never rehearsed or anything — I just got on the tour bus, and my first time playing with them was at sound check the next day,” he remembers. Lawless then became the band’s full-time drummer, and later toured with indie-pop acts like Night Terrors of 1927 and Soft Swells.

A founding member of Semi Precious Weapons, Whittle started playing piano at six and took up bass at 12. “As soon as I picked up the bass I was addicted,” says Whittle, who hails from Richmond, Virginia. “At school I wouldn’t eat lunch; I’d just sneak into the janitor’s closet and practice bass the whole time.” After graduating from Berklee College of Music, moving to Brooklyn, and playing in the Big Apple Circus band for several years, Whittle joined his freshman-year roommate Tranter in forming Semi Precious Weapons. Initially an underground party band known for their outrageous live show, Semi Precious Weapons had a twist of fate when their longtime fan Lady Gaga invited them out on her worldwide Monster Ball tour. Whittle and his band then spent two years straight on the road with Gaga, later toured with Ke$ha, and broke up in late 2014.

Almost as soon as they started playing together, DNCE had a palpable chemistry and easy camaraderie that they hope to carry over into their audience. “We really want this to feel like a party,” Jonas says. “We want everyone to feel like they’re in on this little world that we’ve created for ourselves.” (Asked to describe DNCE’s live show, he adds: “It’s like going to some club in Europe at 4 a.m. and everybody’s all sweaty and looks like they’re in the Village People. We’re all from different worlds, but we’re all here together.”) And though the band name has its own wacky origin — it’s the next best thing for “when you’re too drunk to spell ‘dance,’” says Jonas — there’s also a deeper meaning that’s got to do with the shedding of self-consciousness. “It’s incomplete, it’s imperfect, but it’s still all right,” says Lee of DNCE’s name and guiding philosophy. “You don’t have to be a great dancer to dance — you can dance however you want to, and still have so much fun. That’s really the beauty of this whole thing.”

DNCE

DNCE

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