Name: Legacy Of The Mouthless by DARKNOISE/ OKKULTE in J'écoute Re-Ex 37
Duration: 6 min 55 s
Description: FD: https://hypeddit.com/darknoise/legacyofthemouthless

Cool drop on this I like the driving bassline

Strong energy, fast beats and good vocal samples, solid production

J'écoute Re-Ex 37

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The Journey

UNDERGROUND
A Tribute to Metallica's Kill'Em All Phase
Music by Overdrive

Check out the IG promo video:
https://www.instagram.com/p/C2AFHGkOJG7/

This is an original track inspired by Metallica's Kill'Em All phase, which features James Hetfield's AI-generated vocals. It's a non-commercial/experimental track made as a tribute to the band and created under the fair use permission of copyright statute.

The use of AI-generated vocals is still a source of much controversy and heated discussion. I've been following the issue closely since the beginning of 2023, when French DJ David Guetta replicated the voice of American rapper Eminem during a concert, causing a wave of immense buzz about it.

Also in early 2023, the track "Heart on My Sleeve", which used AI-generated vocals from Canadian rappers Drake and The Weeknd, went viral before being taken down by streaming services. 

In September, John Lennon's voice was removed from a demo tape recorded in 1978. The poor quality audio was processed with AI for a new Beatles recording, giving rise to the song "Now & Then".

During this period, there was an eruption of websites focused on voice cloning, which, in October 2023, led RIAA to request the inclusion of such websites on the government's piracy watchlist -- and the main target became Vocify.ai. 

On the other hand, Aditya Bansal, a 20-year-old UK student who founded Vocify.ai, claims that several record companies have already contacted him wanting to make models of their own artists for demo tracks, "as drafts before the full recording process".

As MusicBusiness rightly pointed out, "major record companies hate AI voice-cloning platforms that don't pay".

I myself have had some very interesting personal experiences on the subject. A demo track of "Underground" was posted on a Discord server dedicated to vocaloids and synthesized vocals. The track was deleted less than 24 hours later by the moderator, who made a point of publicly censoring me on the open channel, stating that he didn't accept what he called "unethical" methods. I tried to explain that it was an experimental track, with no commercial purpose; that it was made as a tribute; that I had also sent the link directly to the band on their official Metallica Instagram, and so on. But the mere act of replying got me summarily kicked off the server.

I honestly believe that merely using tools like Voicify.ai and Kits.ai is not an unethical activity when the aim is to test the potential of a new technology. And the track "Underground" worked exactly as an experiment. It taught me that AI-cloned vocals need a lot of filters on the daw to mask defects derived from the cloning process. It served to show that the quantity of examples provided during the training of the AI is essential for improving the quality of the model. It served to show that training the model is better with vocals recorded in mono than with vocals in stereo; better with vocals recorded dry than recorded with reverb; and so on.

Moreover, I'm particularly happy with the AI-generated commercial voices I already use with Synthesizer V software, so I have no intention of replacing them with cloned voices of famous singers.

Hopefully, this small initiative will at least serve to dispel a little of the immense prejudice that has arisen around a technology that will soon become commonplace in the music industry. Nowadays, no one remembers all the controversy caused by the emergence of radio, when record company managers boasted that no one would buy albums anymore. It's the same story every time a new technology emerges.

Hope you enjoy the track.

TECH TRIVIA
* The guitar solos were assembled from multiple pieces of isolated audios of Kirk Hammett's solos available on YT.

* The rhythm guitars and the bass are Kontakt libraries. 

* The original vocals were created in Synthesizer V with NineZero voicebank. The NineZero's isolated audio was then converted into James Hetfield's vocals.

Underground - A Tribute to Metallica's Kill'Em All Phase

Young Kid Remix

Young Kid (Remix)

FD: https://hypeddit.com/darknoise/legacyofthemouthless

Legacy Of The Mouthless (Original Mix)

Legacy Of The Mouthless

Armani White - BILLIE EILISH (CODON Remix)

Gabber Baby

TRACKLIST:

Switch, Luca Agnelli, PISAPIA (IT)
HARSH METHOD, DITTO
Come Correct, OMAKS
Move It, Jayron, Karashnikov, GEWOONRAVES
Time Machine, Luca Agnelli, PISAPIA (IT)
F Ck Everbody, state Of Minds
HIDEWAY, Zentryc, BLURREDMOVEMENT
DAMN!, Kodaman
Out Of Control, Luca Agnelli
DEVIL, Holy Priest, elMefti, FACELESS
Eyes On Us, Luca Agnelli, PISAPIA (IT)
Silent Hell, CEEJAY
I Met Her In Colombia - Original Mix, Sopik
CURSED BY A WITCH, HXIST
This Is Italy, Zatox
Lunar, Basswell, Onlynumbers
Activision, Basswell
Bass Fusion, BYØRN
Feel Like, Zeltak
Masked Rules, CARV

Hard Techno Set Of Sigma Party Vol.00

𝕋𝕨𝕠 𝕎𝕠𝕣𝕝𝕕𝕤 ℂ𝕠𝕝𝕝𝕚𝕕𝕖 𝕀𝕟 𝕆𝕟𝕖 𝕋𝕣𝕒𝕔𝕜 𝄞𓆩♡𓆪

Inner Rift >>>

Hi here DeadConnection, Abyss Within is a hard techno track at 155 BPM, featuring intense basslines and industrial rhythms. Designed for underground sets, it combines dark pulses and immersive sounds, perfect for fans of raw and industrial techno.

Free Download

Abyss Within - Free Download

A little side project I collaborated on with a dear friend of mine NDEAL:M fka @moralfish

Free download

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MELW [Free Download]

Live@Budapest, hardtechno, schranz 159-153 bpm

Live@Echo Club Budapest 08.11.24

NOSTALGIA VINYL

🔥 Neues Mashup online! 🔥 Ich habe Wambli - So High vs. Th;en - 365 in einem einzigartigen Mix vereint – treibende Energie, fette Melodien und ein frischer Vibe! 🚀🎶 Checkt es aus und lasst euch mitreißen! Die Originalkünstler sind natürlich verlinkt. Viel Spaß beim Hören! 🔊✨

🔥 New mashup online! 🔥 I’ve combined Wambli - So High vs. Th;en - 365 into a unique mix – driving energy, powerful melodies, and a fresh vibe! 🚀🎶 Check it out and get carried away! The original artists are, of course, linked. Enjoy the ride! 🔊✨

Wambli - So High 
https://www.beatport.com/track/so-high/19470877

Th;en - 365
https://www.beatport.com/release/365/4911536

Wambli - So High vs. Th;en - 365 (KBeat Mashup)

Visualizer : https://www.youtube.com/watch?v=9PyOKsKUyCk
Spotify : soon

DUNE VERMILLION

BASSLINE | HARDTEKK

Full Throttle

KRT - WAR TEMPO - NEXT STEP - NUR - ATOMIUM - BBAM

Belgian artist passionate about electro sounds and captivating melodies. Funkle Ace was born in Brussels, Belgium. Son of a piano teacher, he started playing the keyboard at an early age. With over 500 tracks to his name, he has collaborated with international artists and his songs have been streamed on various platforms. For a long time, he played with a friend and performed concerts in Belgium, France, and Spain (Burgos, 2 concerts + radio interview on Radio Castilla in 1984). Since then, he has followed his own path and decided to share his unique music style with you. His musical universe navigates between electro, chillwave, and ambient, creating unique and immersive atmospheres. He aims to touch hearts and minds with his music and collaborate with emerging talents to create unforgettable sound experiences. Follow him to discover his latest creations and feel free to leave your comments and impressions.
Artiste belge passionné par les sons électro et les mélodies envoûtantes. Funkle Ace est né à Bruxelles, Belgique. Fils d’une professeure de piano, il s’initie très tôt au clavier. Avec plus de 500 titres à son actif, il a collaboré avec des artistes internationaux et ses morceaux ont été diffusés sur plusieurs plateformes de streaming. Durant longtemps, il joue avec un ami et fait des concerts en Belgique, en France, et en Espagne (Burgos, 2 concerts + interview radio Castilla en 1984). Depuis, il suit sa propre voie et a décidé de vous faire découvrir son style unique de musique. Son univers musical navigue entre l’électro, le chillwave et l’ambient, créant des atmosphères uniques et immersives. Il cherche à toucher les cœurs et les esprits avec sa musique, et à collaborer avec des talents émergents pour créer des expériences sonores inoubliables. Suivez-le pour découvrir ses dernières créations et n’hésitez pas à laisser vos commentaires et impressions.

DARKNOISE, is a musical project by Chilean producer JE Poblete, which makes us navigate through the darkest and most hidden landscapes of techno, generating forceful atmospheres, which break our ears with raw kicks, ghostly voices and sharp melodies. Each DARKNOISE track makes the listener dance in the shadows surrounded by spirits, zombies and ghoulish beings. It is this combination of darkness and energy that is the basis of DARKNOISE's powerful approach to techno.

DARKNOISE ist ein Musikprojekt des chilenischen Produzenten JE Poblete, das uns durch die dunkelsten und verborgensten Landschaften des Techno navigieren lässt und kraftvolle Atmosphären erzeugt, die unsere Ohren mit rohen Tritten, gespenstischen Stimmen und scharfen Melodien brechen. Jeder DARKNOISE-Track lässt den Hörer im Schatten tanzen, umgeben von Geistern, Zombies und gruseligen Wesen. Es ist diese Kombination aus Dunkelheit und Energie, die die Grundlage von DARKNOISEs kraftvollem Techno-Ansatz bildet.

Legacy Of The Mouthless

DARKNOISE/ OKKULTE

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