Soolo kevät 24 (FİLM YAPARSAN KULLAN)

SAYCET - Murmuration (feat. Joseph Schiano di Lombo)

Max Cooper - Harmonisch Serie

from 'Odham's Standard' [CD|LP|DIGITAL]
Denovali Records · den191
available on all formats at [http://denovali.com/origamibiro]

Origamibiro is a collaborative project consisting of three core members: musician, soundtrack composer and producer Tom Hill, visual artist and filmmaker The Joy Of Box, and multi-instrumentalist Andy Tytherleigh. Originally started as a solo project for Tom, Origamibiro has since evolved into an audio-visual collective, producing studio music, art objects, interactive installations and hauntingly original live audio-visual performances. Origamibiro like to create work with an array of unorthodox processes and contraptions, found objects, video feeds and multi instrumentalism. Their unique live performances involve treated books, typewriters, found celluloid, paper, eerie wildlife recordings, home movies, sellotape and bespoke visual contraptions. All of these things had been added, adapted, even destroyed as a way to generate images and audio that could evoke a feeling, a response, an understanding or perhaps a question from audiences.

2014 sees the re-release of Origamibiro's entire back catalogue - the albums ‘Cracked Mirrors and Stopped Clocks’, ‘Shakkei’ and ‘Shakkei Remixed’ - through Denovali and also the release of their fourth studio album 'Odham's Standard'. Discussions concerning tone and theme took place much earlier in the writing process this time around and unbeknown to each other, both Tom and Jim were taking an interest in more supernatural aspects of audio and video material generation. Jim had begun to research into spirit photography, where images of deceased spirits are apparently imprinted onto photographic plates through the presence of a medium. Looking for an audio equivalent, Tom began looking into EVP or electronic voice phenomenon whereby hidden voices from deceased spirits appear to present themselves in audio recordings. What is fascinating about this process is not how legitimate the phenomenon actually is but how dependant it is on the decision or need of the viewer or listener to believe it is significant or even personal.

Interestingly, there have been many attempts over the years to debunk or disprove the validity of spirit photography and yet for every court case there are also a number of witnesses willing to passionately testify that not only is the phenomenon real but that it applied directly to them. Arthur Conan Doyle was the creator of the most famous detective in the world and, conversely, a staunch defendant of the validity of spirit photography. In his infamous treatise 'The Case For Spirit Photography' he is both naive and strangely prescient: “Victorian science would have left the world hard and clean and bare, like a landscape in the moon. (however) There is nothing scientifically impossible, so far as I can see, in some people seeing things that are invisible to others. One or two consequences are obvious, the experiences of children will be taken more seriously. Cameras will be forthcoming. These folk who appear to be our neighbours, with only some small difference of vibration to separate us, will become familiar.” 

Odham's Standard

Origamibiro - Ada Deane

Delivery Room

Utopía

Ultimatum

Remembranza

Reflejo

Cosmos (2022 Remaster)

Cielo (2022 Remaster)

''Largely influenced by their scenic Nordic home, the duo have delivered an extremely musical and emotional album with an endless blend of swirling melodies, serene soundscapes, and the type of instrumentation that's reminiscent of tones and textures one would encounter while wandering through a lush green forest.'' - David Garber, Thump

Order 12" Vinyl, Bandcamp: http://bit.ly/1o5bM5U
Order 12" Vinyl, Amazon: http://amzn.to/1wGDZs0
Order digitally, iTunes: http://geni.us/GidgeAutumnBells


Gidge - Fauna, Pt II

Radius

Polyrhythm

I have always mashed up The Cure's "Let's Go to Bed" with Depeche Mode's "Master & Servant" in my head. Then Trentemoller comes along with "Evil Dub", and I immediately think of "Let's Go to Bed". Here is the resulting mashup.

C:D Remixes

Let's Go to Bed [Evil S&M Dub by Duane]

THE CURE + DEPECHE MODE + TRENTEMØLLER : LET'S GO TO BED [EVIL S&M DUB by ᴅυ@nε]

01. 'Mother' by The Golden Filter [taken from the movie soundtrack 'Syndromes', out now on Perfectly Isolated]
02. 'Noah's Days' by Stealing Sheep [taken from the new EP 'Noah An The Papermoon', out now via Heavenly Records]
03. 'See Them-A-Come' by X-O-DUS [taken from the compilation album '
04. 'Bop' by The Brandt Brauer Frick Ensemble [taken from the album 'Mr. Machine', out now on !K7]
05. 'Got Love If You Want It' by Admiral Black [taken from the album 'Phantasmagoric', out now on Hazelwood]
06. 'Long Time' by CAKE [taken from the album 'Showroom Of Compassion', out now on Naive]
07. 'Sophia In Gold' by Letting up Despite Great Faults [taken from the new EP 'Paper Crush', out now on Heist Or Hit Records]
08. 'Submarines' by Dark Captain [taken from the album 'Dead Legs And Alibis, out now on Loaf. 
09. 'Swim (Feat. Chris James)' by DJ Cam [taken from the album 'Seven', out now on Inflamable]


04. Bop - The Brandt Brauer Frick Ensemble

B1 - Ólafur Arnalds & Nils Frahm

New album 'Bolted', released 20 October 2023 on Ninja Tune: forestswords.lnk.to/boltedSo

Taken from 'Compassion' album, out now via Ninja Tune.

Order 12"/deluxe gatefold/CD/DL – forestswords.lnk.to/compassion

Watch the 'Panic' video now - https://forestswords.lnk.to/panicSO/youtube

Listen to Forest Swords' Discography playlist on Spotify - https://www.forestswords.lnk.to/discog

http://www.forestswords.co.uk/

Facebook: https://www.found.ee/forest-fb
Twitter: https://www.found.ee/forest-tw
Instagram: https://www.found.ee/forest-ig
Spotify: https://www.found.ee/forest-sp
Apple Music: https://www.found.ee/forest-am

Compassion

Panic [clip]

Solo Collective is a new ensemble comprised of German chamber musicians Alex Stolze (violin) and Anne Müller (cello), with British pianist and producer Sebastian Reynolds. Conceptually, the trio present themselves as a rotating cast of three soloists who take turns in the spotlight, with the other two providing supporting roles.

"Cell To Cell" is a digital single by the collective's Alex Stolze.
 
Solo Collective met through the Berlin music scene in 2016. Firstly Sebastian met Anne, who collaborated on Sebastian’s track Holy Island, which features on the record. The three then made their debut performances at sold out concerts in Berlin and Hannover in February 2017, and will be releasing their debut record, Part One, via Alex’s Nonostar Records. Following the success of these first performances in Germany, the trio will tour the UK this September and November.
 
The three musicians are all well established in their own right. Alex Stolze rose to European fame with his band Bodi Bill, who had a string of chart hits in Germany, and as a member of the internationally renowned modern jazz ensemble Dictaphone (Denovali Records). Alex has a long history with the Berlin techno scene since, including co-founding Krakatau records. He is currently finishing the follow-up to his 2016 debut solo record, Mankind Animal. 
 
Having previously spent many years touring and recording with Agnes Obel, Anne Müller is also well known as a long-term musical partner of Nils Frahm. Anne collaborated with Nils on many of his projects, including 2011’s 7fingers and the 2015 soundtrack for the motion picture Victoria, which won ‘Best Film Score’ at the German Film Awards. More recently Anne has been working with Nils’ Erased Tapes label mate Ben Lukas Boysen, and is making plans to release her debut solo album. 
 
Sebastian Reynolds is a lynchpin of the UK experimental/alternative music scene, having led cult ensembles Keyboard Choir and Braindead Collective, as well as playing sax for The War On Drugs and working on recordings with former Slit Viv Albertine . In addition to the Solo Collective collaboration, Sebastian continues to operate as a solo artist, and is working on commissions to create scores for two contemporary dance works – the Thai-inspired Mahajanaka and Puzzle Creature – in collaboration with Neon Dance Company, known for their choreography/dance pieces which have featured scores by the likes of Nils Frahm, Efterklang and Peter Broderick. 
 
Part One is strikingly coherent as a listening experience, moving between sonorous string ensemble composition, abrasive electronic textures, processed vocals and atmospheric, evocative piano.

Preorder: http://bit.ly/2yMkiGb

Part One

Preorder Album

Exclusive Premiere: Alex Stolze "Cell to Cell (Qrauer Remix)" (Nonostar Records)

https://banabila.bandcamp.com/album/uprooted

Peter Hollo: cello.
Gareth Davis: bass clarinet.
Gulli Gudmundsson: double bass.
Oene van Geel: viola and stroh violin.
Michel Banabila: midi instruments, sampling, electronics.

Artwork by Gerco de Ruijter.
Mastering by Marlon Wolterink / White Noise Studio.

Composed & produced by Michel Banabila.

Uprooted

Dragonfly

buy at bandcamp

From the debut 2012 album "Quarter Turns Over a Living Line"

Raime - The Last Foundry

This EP merges a 30-piece string orchestra with dark, ambient electronics. It was basically a reaction to the birth of my daughter, to the incredible forces of nature and the unconditional, overwhelming love I began to feel for this little human being.

Rondeau

Music for Contemporary Dance, Dance Drums; Volume One

Line

Line(Aidan Kane Munn)

from 'Where We Were' [CD|2xLP|DIGITAL]
available from May 2013 on all formats at [http://denovali.com/greghaines]

ON TOUR

21.04.2013 London (uk) - Denovali Swingfest

08.05.13 Eindhoven (nl) - Muziekgebouw
10.05.13 Groningen (nl) - De Oosterpoort
11.05.13 Amsterdam (nl) - Paradiso
12.05.13 Trier (ger) - Synagoge Schweich
13.05.13 Paris (fr) - Café de la Danse

17.05.13 Münster (ger) - Black Box
18.05.13 Utrecht (nl) - Le Guess Who Festival May Day
19.05.13 Essen (ger) - Welterbe Zollverein
20.05.13 Brussel (bel) - Ancienne Belgique Club
21.05.13 Hamburg (ger) - Nachtasyl
22.05.13 Bielefeld (ger) - Nummer Zu Platz
23.05.13 Hannover (ger) - Feinkost Lampe
24.05.13 München (ger) - Einstein
25.05.13 Geneva (ch) - La Graviere
26.05.13 Varano Borghi (it) - La Sauna Recording Studio
28.05.13 Bratislava (slovakia) - Atelier Babylon
29.05.13 Budapest (hun) - Akvárium Klub
30.05.13 Prag (cz) - Palac Akropolis
01.06.13 Gdansk (pl) - Club Zak
02.06.13 Warsaw (pl) - Cafe Kulturalna



Denovali Records is happy to announce the release of Greg Haines' new album WHERE WE WERE on cd, double vinyl and digital, as well as the release of 2006-2012, a collection of Greg's first three albums Slumber Tides, Until The Point of Hushed Support and Digressions as triple cd and 5 x vinyl collector's box in May 2013.


WHERE WE WERE [CD|2xLP|DIGITAL]

“WHERE WE WERE”, the new album from GREG HAINES, may come as a surprise upon first listen. The cascading strings that played such an important role in his prior work have disappeared, and in there place are intricate layers of tape-worn synthesizers. Any recordings of piano have been transformed and affected until their sound is at times barely recognizable. Moments of quiet, slowmoving textures can still be found, but they are nestled between upbeat, rhythmically-driven tracks that at times could even be considered for deployment on open-minded dancefloors. Although taking a year to complete, the nature of this record is born in its spontaneity and impulsiveness. The acoustic instruments such as piano, vibraphone and other percussion that found there way on to the album were not the result of months of composing - rather they were entirely improvised and often left completely unedited and raw. At first the idea was these rough tracks, full of noises and hiss, would later be re-recorded, but as the process drew on, it became clear that these kind of loose, half-thought moments were what defined the album - often “out-oftime” or “out-of-tune”, but always adding another dimension to the hazy, analog world of sound. This hand-crafted approach led to almost everything being constructed in the old-fashioned way; not with mouse-clicks, but with two hands moving dials and everything running to an aged tape machine.

This album is the result of one person sitting alone in a room and creating something entirely personal, without the frustrations of organising large-scale sessions for other players or the laborious work of preparing scores. In fact, the few scored moments that were written were later disregarded, with a whole string session with PETER BRODERICK ending up on the cutting-room floor (sorry, Peter!), along with endless hours of other material. What is left is the condensed diary of a year of exploring old tape delays, analog synths and percussion - some of which played by percussionist/composer SYTZE PRUIKSMA (a member, along with Haines, of THE ALVARET ENSEMBLE, whose debut album was released in December 2012 by Denovali Records), and some of which played and recorded in a midnight daze at Haines' studio in Berlin. Working in this way led to a whole host of other long-term influences feeding into the music that had never found an outlet before. The experiments in dub conducted by the likes of KING TUBBY or LEE PERRY and continued by the likes of RHYTHM & SOUND had a profound effect, as did the iconic work of TONY ALLEN and other African composers. The spaced-out soundscapes found on early TANGERINE DREAM and KLAUS SCHULTZE had always had a subtle influence on Greg's work, but now armed with an arsenal of dusty studio toys, those sounds became warmer, richer and more prominent.

The influences evoked here may at first appear at odds with Greg's previous work, but an affinity between the dense poly-rhythms of Africa and beyond have long been an influence for contemporary composers such as STEVE REICH, and their reach and importance on western music is undeniable. But now the lines have been blurred, and its impossible to say where one “style” or influence stops and another begins – something that was perhaps the only concept for this record. The symphonic synth crescendo of “So it Goes” would not have the same impact if it were not following the head-nodding drive of “Something Happened”. The delicate arpeggios of “Wake Mania Without End II” only exaggerate the unrelenting, rhythmical explosion of “Habenero”, and without starting with the intimate piano of “The Intruder”, the album's cavernous ending wouldn't feel so otherworldly. Its all in there or at least whats left of it after the hiss, the dirt and the degradation of the tape machine destroyed it, reworked it, and spat it back out fullyformed.

Mixed and mastered together with NILS FRAHM at his Durton Studio, Berlin.

Where We Were

Greg Haines - The Whole

from 'Miscellany' [CD|LP|DIGITAL]
Denovali Records · den348
available on all formats at http://denovali.com/origamibiro

After an almost 6 year hiatus, and the break up of the audio-visual trio it had evolved into, Origamibiro returns with Miscellany, a body of work amassed during the years since the release of 2014’s Odham’s Standard.

Though the group never officially disbanded, a number of life-changing events meant it simply became impossible to continue together. As such, the project organically reverted back to the solo pursuits of composer Tom Hill. Fellow multi-instrumentalist Andy Tytherleigh, however, remains a strong collaborator.

Miscellany comprises a varied mixture of work, ranging from electroacoustic to orchestral chamber music. Drawing upon much of the found-sound style for which Origamibiro became known, the DIY approach to sampling and composing continues to play a central role in the process.

Exploration into the tangible nature of everyday objects and textures - both in and outside of the home - is a theme relished in much of Origamibiro’s work. Forest brambles and plastic toy Easter eggs are examined in surgical detail alongside the debris of demolished piano parts, to be repurposed into whatever sonic potential they offer up.

However, new additions to the instrumental palette - viola da gamba, piano, zither, singing bowl, glockenspiel, drum machines and gongs - contribute to an even broader timbre.

Miscellany will be released on Denovali, March 2021.

Soolo kevät 24 (FİLM YAPARSAN KULLAN)

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