Lost in Desert

Cemalim (Baris K edit)

Tamiditin Tan Ufrawan -Tinariwen Live-

ELECTRO ربوخ – Tunisian electronic sound

ELECTRO ربوخ – Sofyann feat. Nidhal Yahyaoui / DAZZITINI

a new collaboration with the talented singer Nidhal Yahyaoui on a remix of a traditionnal tunisian song.
here is a link to the VIDEO CLIP ...

http://sofyann.com/page/portfolio/electro-ربوخ-tunisian-electronic-sound/

enjoy!!

ELECTRO ربوخ – Tunisian electronic sound // Sofyann Feat. Nidhal Yahyaoui : DAZZITINI

Larry Gus
With All Your Eyes Look 
(Cut Hands Remix)



With All Your Eyes Look (Cut Hands Remix)

[ لَــسْــمــر خُـويــا ][ BARGOU 08 ]

Ghoula: Gumbri/Piano/fx
Nuri: Drum/Percussion/Guitar
Xavier Descarpentries: Trumpet
Bornholm 2014

Ghoula ft Nuri- Le het le khoudh menni  لا هات لا خوذ منّي

2-CD set | naïve
January 2015

Félicien David (1810-1876)
Le Désert
(ode symphonie en trois parties pour récitant, ténor,
choeur d’hommes et orchestre)

Cyrille Dubois (tenor)
Zachary Wilder (tenor)
Jean-Marie Winling (voice)

accentus
Orchestre de Chambre de Paris
Laurence Equilbey (conductor)

Chant du muezzin

Lost In The Desert

Nous arpentons les bords du Nil pour ce 5ème edit.

Let's travel together : on.fb.me/1Gv3Jwj

Hayart Albi Maak (ATW Edit)

Imzad Guitare regroupe tous les Groupes de Musique Touareg de Dar el Imzad. Imzad,Tikoubawin Afous d'Afous Toumast n'Ténéré, Imenir, Aguenar, Issikta .

08. Aneslem El Hassen - Emasli Wan Imzad

Alam oulhin 3 ème titre du nouvel album "Nak amaha" de kader tarhanin et son groupe Afous d'Afous

Kader Tarhanin (groupe afous d'aous)-Alam Oulhin*album nak amahagh

From 'Azel' out now! 
LP, CD, & T-shirt bundles at http://smarturl.it/AzelLPCD
iTunes: http://smarturl.it/AzeliT

LYRICS

English:
This Moment
 A new moment has arrived and it hurts my soul
Our young people are following a new style of life instead of our own
The morality, dignity, generosity of ours parents have been replaced by materialism
Our ancestral language and alphabet are threatening to disappear and our dearest practices are losing their place
My brothers! Far from your ancestral culture, your personality disappears, along with your spirit

French:
En cette période:
Une nouvelle période est arrivée et cela blesse mon âme 
Nos jeunes embrassent un nouveau style de vie au lieux du notre 
La moralité, dignité, générosité de nos parents est remplacée par le matérialisme 
Notre langue ancestrale et alphabet sont menacés de disparaitre et nos coutumes les plus chères perdent leur place
Mes frères! Loin de votre culture ancestrale, votre personnalité disparait, tout comme votre esprit 

Tamasheq:
Akhr Zaman
Akhar Zaman, Takhlik Taha
Dagh Tisnant, Takhlik Taha
Asssachil kam, Akhar Zaman
Yiga Yagan, Ketnet Haram 
Yofa Nigas Khair wa Salam
Assachil kam Akhar Zaman

* * *
Upcoming tour dates: http://www.bombinomusic.com/tour/
Official site: http://www.bombinomusic.com/
Facebook: https://www.facebook.com/bombino.official/
Twitter: https://www.twitter.com/bombinoofficial
YouTube: https://www.youtube.com/user/bombinoofficial

Bombino - Akhar Zaman (This Moment)

Hamam Club by Unknown Algerian Act LP - Paris 1980

Remix de "Ya Sîdi" par Grand Yellow

Orange Blossom - Ya Sidi (Clip Officiel "Marseille") : https://youtu.be/g5Qe48c_JYU

Ya Sîdi (Grand Yellow Remix)

Tinariwen - Imidiwan Ahi Sigdim (Jugurtha - Remix )

Over the past ten years, Terrakota has forged its own pan-African and trans-Atlantic rootsworldkota sound. On its sixth studio album “Oxalá”, the band embraces its Portuguese roots while diving more deeply into their rock influences. A message of hope for humanity.

“Oxalá” is a Portuguese word, of Arabic origin, venerated in Brazil. It comes from the Arabic expression “inch'allah”, an expression often used in Portuguese (“se Deus quiser”). In Portugal, Oxalá stands for the desire for something to happen. Followers of the Afro-Brazilian religion candomblé know Oxalá or Obatalá as the first orixá (Nigerian yoruba god), creator of the world, men, animals and plants.

“Oxalá”, one word, one expression but a lot of meaning, a place where many cultures collide and intermingle. A word that comes from the Arabs, who were based in Portugal for centuries and left their marks, before it was introduced in Lusophone countries via the trans-atlantic slave trade. These darkest pages of human history somehow intrigue Terrakota, following the ancient trade routes, but turned upside-down, from the New World back to Africa, drinking from the fantastic musical diversity that has been spread around the world through slavery.

For Terrakota, Oxalá, that desire for something to happen, can be understood as a political statement, a desire for humans to go back to a lifestyle in harmony with the nature that surrounds us, for a world without borders where cultural encounters are the norm, a No Man's Land where no man can claim the land is theirs. The critical status of the human societies and the planet serve as a base for a conscious message to which the band will not renounce.

Portuguese roots
Terrakota's first albums were inspired by travels to Burkina Faso, Senegal, Mali, Guinea, while also incorporating influences from Latin America. The fourth album is clearly marked by their trip to India. This one is inspired by an internal travel, giving light to Portuguese songs built on top of their Afro-explosive melting pot: Afro-Brazilian rhythms, soukouss, reggae, afrobeat, gnawa, influences from India & beyond.
Africa remains the main source, the starting point from where the band looks for the perfect alchemy to get to their trademark modern roots sound, where all borders, distances and barriers are wiped out.

The band has again invited guests to make the music even richer, special people with whom the band has a privileged relationship: traditional Alentejo singer Vitorino, Indian singer Mahesh Vinayakram, French rapper Florian Doucet, beatmaker & producer Beat Laden, Kumpania Algazarra's horn section, and backing vocals by the Lisbon-based Selma Uamusse (Mozambique) & Anastácia Carvalho (Angola), without forgetting a brilliant text by the Angolan rapper Luaty Ikonoklasta.

After parting ways with vocalist Romi and two sabbaticals, Terrakota has added fresh blood with the young and talented singer/multi-instrumentalist Gonçalo Sarmento, the gracious performer/dancer Diana Rego, as well as new drummer Márcio Pinto and percussionist Paulo das Cavernas. These new elements and the extra years of travelling for the veterans have brought Terrakota to an even more mature sound, concising lyrics and the guts to do some songwriting in addition to their explosive Afro-world sound.
The Portuguese globetrotters have reached new highs and are ready to take Europe by storm and get back to the international festivals to make the audience dance to their positive vibes and energizing live performance!

www.terrakota.org

Oxalá

Kutch Nahi feat. Mahesh Vinayakram

Taken from the Spy's new album "ARABADUB" - released 5/29 on CD, 12" sampler and digital format on WONDERWHEEL RECORDINGS.

Lost in Desert

DocRasta