Well, that was quite a nice surprise! Great composition and arrangement, with an extremely tasty Nintendo-like vibe (no kidding, it definitely sounds like something you would hear in a game of theirs, and I mean it as compliment!).

I like that the chord and note choices are more challenging than your normal easy listening tracks.  Quite distinctive.  The tempo changes are a little in your face here and there.  I like the interplay between the epiano and sax at the end.  nice work.

thumbs up for who "play" and not "program" music! love the "question an answer" between the two instruments!

Your track has some good sound design but is a bit shorter than what I consider the ideal OSC length. I wonder if it had a bit more dynamic range if it might improve it as it looks fairly flat.

This is a very nice example of how you can bring music to life when you actually master an instrument. I would sit on these melody lines for weeks and they would still sound like a computer, haha. The improvised duel between the saxophonist and the pianist is very well staged. The length of the song is also just right. I really like it ;)

At the cafe at the end of the universe ... loung & cocktail special night ... Can I have a maguerita to enjoy the tune and the end of the universe please.

I wasn't aware that I need Space Jazz in my life. Thanks for opening up my horizon ;)

I feel like I'm at the lounge in the starship....

nice and interesting turn around, I like that you used keys sounds for solos and not fake sax or fake guitar. Missing some break to spice the sameness of the beat.

This track made for the KVR One Synth Challenge #183. All sounds made by the free VSTi AudiblePlanets. Only DAW and free 3rd party FX used.

Quite a sparse arrangement based around A7#5#9, D7#9, G7b5b9, CMaj9, Cm11, Ebm11, Gbm11, Am11

DAW: Reaper 7

Track Details:
9 * AudiblePlanets
9 * ReaEQ
2 * Oril River
4 * OTT
1 * Limiter No. 6

Master:
TDRVOS SlickEQ
Voxengo MSED
Limiter No. 6

Meter:
SPAN
Youlean Loudness Meter

Stats:
LUFS: -14.2
DR: 11

The Planets are Not Silent - OSC #183 - AudiblePlanets

This track was made for the One Synth Challenge 183 using a single instance of the free software synth Audible Planets.

Audible Planets x 1 + Audible Planets built in effects

DAW: Ableton 10

Ableton Effects: EQ 8 x 1; Utility x 1

Third Party Plugins: Loudmax Free; Youlean Loudness Meter 2 Free

Maltoné - Lost In The Planets - OSC183

Here's my OSC track made in Bitwig with 21copies of Audible Planets making all the sounds.

Using the following free FX:
AirWindows Air2
AirWindows Inflamer
AirWindows Galactic
AirWindows MacEQ
Frontier
Limiter No6
LoudMax
Sound Delay
TDR Kotelnikov
TDR Nova
Pancz
STFU
SuperCharger


and Bitwig:.
Audio Reciever
Compressor+
Convolution
Drum Machine
EQ-5
Instrument Selector
Key Filter
Note Transpose
Peak Limiter
Stereo Split
Tool

Orbitronik Waves

memories of concert walls

Long after the orchestra went from stage, the audience left the concert hall, the room has been cleaned: the walls still hold their musical resonances. Together with electricity, pipes, screws, wood and stone we listen to this phenomenon.

Disquiet Junto Project 0646: Empty Orchestra
The Assignment: Interpret the literal translation of “karaoke.”

The first two syllables are the Japanese word for “empty.” The final two syllables are an abbreviation of the Japanese word for “orchestra.” 

More on the 646th weekly Disquiet Junto project, Empty Orchestra — The Assignment: Interpret the literal translation of “karaoke” — at Disquiet Junto Project 0646: Empty Orchestra – Disquiet

memories of concert halls

memories of concert walls (disquiet0646)

heat in waves ̶
in the stones
angry reverberations

Katō Kyōtai was a poet from Nagoya who entered the world of haikai in 1759. His work shares with Buson a careful observation, not just of nature itself, but also of the complex emotions and reactions that characterize human existence.

 

haiku by Katō Kyōtai

In the stones (naviarhaiku541)

Disquiet Junto Project 0647: Day Drone
The Assignment: Make some daylight drones for Drone Day.

Last week I had a workshop in the alps. I recorded some cow bells (around 5 minutes, early in the morning) that I liked very much (I instantly thought: this is pure ambient, even without any addition). I added some reverbs and other things to alienate them. I consider this drone, because it's always the same cow bell sounds. I think they do pretty well as "daylight drones"…

Fun fact: Because the musical mind of Soundcloud is just a few femtometres long, this track is apparently classified as ASMR. That's the only reason why I tagged it afterwards.

More on the 647th weekly Disquiet Junto project, Day Drone — The Assignment: Make some daylight drones for Drone Day — at https://disquiet.com/0647/

Alpine Cowbell Drone [disquiet0647]

a8h1diag

In that noise, your thoughts take flight_02

This episode features music made by Naviar's community inspired by Jack Kerouac’s poem “The sound of silence / is all the instruction / you’ll get”.

Tracklist:


JRBjork - Silence of Sound
Stan Magendanz - The sound of silence
LazenbeeIndustries – silence
Voidborn Horde - The Sound Of Silence
Night Note - The Sound Of Silence
Oxebe - the sound of silence
ray_cobley - The Silence of Sound


Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/


The Planets are Not Silent - OSC #183 - AudiblePlanets

DoctorBob

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