Name: Zion by Dolbania
Duration: 5 min 32 s
Description: https://open.spotify.com/track/2bGP2GcyPFp880zd0xNHBI?si=446b4cfc107e44a2

https://open.spotify.com/track/2bGP2GcyPFp880zd0xNHBI?si=446b4cfc107e44a2

Zion

Spring's Embrace: Symphony of Renewal

A fascinating story that inspired me to write the lyrics to this track.
Who’s Next !

THE 27 CLUB has become one of the most elusive and remarkably tragic coincidences in rock & roll history. The term became widely known after Kurt Cobain’s death in 1994, with rock fans connecting his age to that of Jim Morrison, Janis Joplin, Brian Jones and Jimi Hendrix – though it was notable to fans in the early 1970s when those four visionaries died within just two years of each other. When Amy Winehouse passed away at age 27 in 2011, it attracted even more attention to the significance of the age. While the club has been largely connected to musicians, it has expanded since, as many young actors and artists have lost their lives due to everything from addiction to suicide to freak accidents. The unfortunate and untimely losses are connected to the 27club.

Club27

V1
We are just a product of our Own
Environment
From where we go  to who we invent 
Mother told him  please don’t join that stupid club 
Don’t wanna be a casualty and end up misunderstood
He said no I wanna be were  the spotlight on me 
I’ve got the minerals and a top grade degree 

Chorus 
Oh my god it’s so Absurd
Oh my god haven’t you heard 
Of the Club 27
It’s a personal heaven x2
We’re you share the same number 
And forever stay younger 
Avoid club 27
Its your personal heaven 

V2
There is an investment in self car crash tv 
And expressions in our very own working Graffiti
Unlimited energy when we spray the white line 
But that’s as boring as breathing air in time 
And watching you in your very sad demise 
And waiting in club 27 for the next big surprise 

Chorus to end

Club 27 ~ Conscience Of Kings

Voices in the sky

psy·​cho·​path ˈsī-kə-ˌpath. 
Calculating, calm, self control, violent, no empathy, no conscience, no feeling of guilt or remorse. A nightmare turned reality turned into a song.

Down the Rabbit Hole

Eye of the Storm

09 Eye Of The Storm

My latest song mastered by my lovely Sander 😊🎶❤️❤️❤️

All The Stops

Cast of Characters:

Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.
  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.
  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

This is a cover version of the original song Snow on the Sahara, which was sung by Anggun.
The song was written, produced and arranged by Erick Benzi and later adapted into English by songwriter Nikki Matheson. ℗1997

I mentioned to Morten that I sang this song in 2008 on a couple of singing lessons I attended back then and that it would be nice to try a cover song for a change. In a few hours there was the first draft of the backing track ready! I couldn't believe how quickly Morten developed this music for me to sing to! He must be a a magician! ;)

Vocals and backing vocals by Heidi K

Creation of the backing track, mix & mastering and production by
@mortenjeamland

Cover photo by Morten Jeamland

Snow On The Sahara - Cover by Heidi K & Jeamland

FALLEN

Another example of some good ol' family music jamming, recorded one night at our Montreal home around 2018. With uncle Moss on guitar & vocal, dad pickin' and taking the guitar solo (at about 1:18), and me on the harmonica (at about 3:10). I believe this was the first time dad had played this song, and it was both the first time I'd heard it, and the first time I'd really played harmonica in front of them (based on the reaction!). 

Listen to my uncle cleverly recover from forgetting the words at around 4:04. And that's my mom, feeling good, singing along, mixing up the chorus, chatting here & there, doing her famous whistle at the end, and making me smile every single time I hear this. 
xoxo mom   
One of my favourite nights on this planet.

(song written by Johnny Cash)

Here's another from that night, something a little more hoppin':
https://soundcloud.com/user-432503709/long-gone-lonesome-blues-live-family-cover?in=user-432503709/sets/singing-stuff

Fourty Shades of Green (live cover with my family)

Round Corners

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

Zion

Dolbania

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