Doldrums – Lesser Evil

eMotiOn reProgramMer

Mgun VAP Just Another Spectre blancmange (feat. lil yachty) Overchoses Jean-Luc Roudière El Llanto del Faraon Grupo jejeje Eskaton Le Cri frank Stella by starlite/Unnacceptable Dance Styles Patrick Gleeson, Anna Homler, Steve Moshier yesh’te ,Amours, Ou Trop Tart Me Sui Pris Unicorn Ensemble Autumn signal Joan La Barbara/Lucian cilio parte prima/Realejo Manuel Pessôa de Lima, Finis Africae Masai Mara Jaqueline George untitled, Dont go away Dub Affinity Fakten sind terror Exkurs  Anders Blomqvist carpe diem/Ae Oh Aa Zara Mudke Kishore kumar, Electric newspaper 1/Stage iv Temporary Bliss State caretaker/Could Heaven Ever Be Like This Idris Muhammad/juno soul thunder the windpipe Johann timann - Children Of Sound Kenneth higney

KEEP ON BURNING

Running through a few patches with the Madrona Labs Kaivo + Aaltoverb.

Madrona Labs - Kaivo (Beta) Surachai Patches

sudden laughter, laughter without reason

Lesser Evil

Intro

Anomaly

Singularity Acid Face

Sunrise

Golden Calf

Typhonian Highlife -  Zenith Umbaba - Xeno

Doldrums - "She Is The Wave" 12.9.11

http://www.recitalprogram.com/gatherings/
Limited CD Edition of 200
8-page color booklet with essays and artwork
OUT ON JUNE 7th
http://www.recitalprogram.com/purchase/

R62 - Anne Tardos - "Seven-Layer Song" from Gatherings CD

Panel with Lisa Blanning, Matt Colquhoun, Steven Warwick; moderated by Terence Sharpe

Thursday 30 January 2020
 CTM 2020 – Liminal 
Kunstquartier Bethanien, Berlin

The late Mark Fisher’s work, like all philosopher’s work, oscillated through different stages throughout his life. Starting in cultural-studies, to philosophy under the CCRU, to cold rationalism to anti-capitalist critique, Fisher's work was a project of constantly trying to come to terms with a world that begged belief, as is the case with the evolution of any intellectual worth their salt. There was throughout all of this a constant undercurrent indebted to psychoanalysis.

For Fisher the idea of world-building came with responsibility, something his work takes into great consideration with very sincere care. As he described in his later writings, the socio-political disease of our time is that of pervasive stasis in a rapidly accelerated culture. If we take the liminal as that which can occupy either side of a boundary, that which acknowledges complexity, then we see an opportunity perhaps to the deadlock of binaries presented by the worst trapping of the contemporary right and left.

This panel takes as its kernel the concept of Egress, a word used by Fisher to describe the exiting of the current cultural malaise through analysing the politics of teleology and collectivism. Liminality itself must be critiqued with the urgent need for determinacy in mind. Perhaps a solution to the pitfalls of liminality is that of determinacy, that cultural production must operate within a strong pedagogical model if it is to make its way out of its liminality. Fisher postulated that what was required for real transgression was a reprisal of the spirit of a world that could be free, to go beyond the beyond the pleasure principle.

Presented with transmediale.

CTM 2020: On k-punk—Egress and the Fisher Function

All In The Same Breath

New Morning

'HB1905 (C Minor)' is a 40-plus minute single-track piece. It takes form as a human–algorithm improvised collaboration, with both sides of the engagement contributing, in equal shares, to morphing a few key elements into a slowly yet steadily evolving windy composition.
As the track unfolds, the easygoing trance induced by relentless textural statis is interrupted by sparse, moment-to-moment glimpses of novelty — which, in context, attain disproportionately revelatory effects.

Produced by a human–algorithm dyad
Graphic design by Lidia Ginga Cozzupoli

HB1905 (C Minor)

taken from 'a sanguine twilight'

full album preview/bandcamp preorder (tape/digital) coming soon...

Singularity Acid Face

doldrums

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