a good track-I find it interesting to see how some people leave their style behind (which is appropriate at time) but you are one who seems to have gone on with the style but added to it

These synths and bouncy beats I die for! Great track my friend!

So much fun! Great rhythms! Thank you, Dolly, for this joyful music 😀 🔥 ❤️👏🌻✌️

The latest songs from the Fantastic Artist's/Bands on Soundcloud.

AB Playlist 113 Part 1

down like that…
——

down like that
now that we have arrived
make it louder yeah
the sound can’t be denied

stick around in fact
see it’s about that time
we get down like that
down like that for life

——

if you wanna know where I’m at
it is nowhere on the map
let’s go there in fact
and don’t dare look back
you old scaredy-cats
y’all could barely act
or keep it real you’re wack
not to be mean but yeah
moving along cheap laughs
just go and share this track
that lil arrow shaped button
you know where it’s at
where there are layers stacked
so much data to crunch
no lunch breaks just snacks
straight up putting in that work
ain’t cutting no slack
ain’t punching no clocks
time and space collapse
I’m compelled to create
make first contact
do something that has
lasting impact
on a cosmic scale
universal raps
with the rhythm and the rhyming
keep it right and exact
top tier hip hop
calculate all the stats
it’s that LOU OSIAVO
bring it on back
you can feel it when it drops
and it lands with a crash
and I fear it won’t stop
we have started on a path
of destruction 
to tear down the status quo
wrath of the people 
let loose on the planet yo
patchwork of equals
who’ve reached understanding so
stand up we see you
now mash it up back and forth
make them hands them a clap
and them fingers a snap
and them toes get to tapping
down like that

——

down like that
now that we have arrived
make it louder yeah
the sound can’t be denied

stick around in fact
see it’s about that time
we get down like that
down like that for life

——

if you’re feeling me where I’m at
lemme hear you say down like that
exactly like this
the same sounds to match
to each track that’s mixed
sold out crowds react
choreographed and crisp
the sheer amount of practice
and discipline
synapses might snap
if one might even begin
to attempt to imagine
what we’re about to bring in
to being it is the magic
of art and science within
but okay enough with that
like c’mon who’m I kidding
already had them cheap laughs
but now it’s getting rich
should I just try to spit these raps
for entertainment purposes
only hell nah never that
I’m up in here to do this
ain’t even no need to ask
then again what was the question
see I wouldn’t put it past
myself as my own harshest critic
to be the one behind the mask
but with no memory of it
and yet still be up to the task
although doing it for the kicks
as well as snares and hi hats
doing it for the entire kit
instrumentals on smash
IPG1 did it
go turn it up to full blast
in fact there ain’t no limit
make the good times last
beyond the infinite
eternal intact
mind body and spirit
combined in the lab
living life with the lyrics
through the gift of gab
shout out - Blackalicious
getting down like that
keep it real no gimmicks

——

down like that
now that we have arrived
make it louder yeah
the sound can’t be denied

stick around in fact
see it’s about that time
we get down like that
down like that for life

——

down like that
it’s now or never y’all
no doubt indeed
about to bring it on
with a sound so pleasing
call it what you want

Hip Hop 

down like that

down like that

——

http://www.wowapp.com/w/leveloneup

http://www.wowapp.com/w/frawstakwa

Down Like That #frawstakwaforyou...

A cool little tune called "The Icehouse ".  Escape with me to this little jazz club in Minneapolis.

Step inside the frostbitten echo chamber of Three Photons’ latest release, "The Ice House"—a haunting blend of analog soul and spectral blues. This track doesn’t warm you up—it chills you in the best way.

Image obtained from the Icehouse website
Written by TJG January 2023
Mix 1: February 11, 2023
Mix 2: March 18, 2023 - adjusted stereo mix volume using api 535 LA
------------------------------------------------------------------------------------------------------
Lyrics

Verse 1
Stella by Starlight
Escaping the real life
Touched by the stardust
She found her real lust
Won't you come on down?

Refrain
Playing all the standards, at the icehouse
Watching it all go down, at the icehouse

Verse 2
Caught in the spotlight
I'm faking the real life
Touched by the starlight
Escaping the real life

Refrain
Playing all the standards, at the icehouse
Watching it all go down, at the icehouse

Verse 3
Stella by Starlight
Escaping the real life
Won't you come on down?

Refrain
Playing all the standards, at the icehouse
Watching it all go down, at the icehouse
Playing all the standards, at the icehouse

-------------------------------------------------------------------------------------
Technical Details

Rhythm Guitar: Gibson ES 335
Lead Guitar: Fender Jazzmaster
Guitar Amplifier: Vox AC15….set as clean I can get it. 
Bass Amplifier: Fender BXR 60 (not great, but with me since 1997)
Fender pedal board: Line 6 delay; Fender clean boost

Percussion: Pearl Hi Hat with Zildjian symbols – played with brushes 
Percussion: Pearl Cajon – played with brushes

Mics: a pair of Royer r10 ribbons for guitar and a Neumann TLM 67 for vocals
Mic preamps: API 312
Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

The icehouse

The Takeover / IPG1 Open Collaboration Offer
IPG1: Vocals and Lyrics
https://soundcloud.com/ipg1/the-takeover-vox-remix-88-bpm
Paploviante: Bass, Music Composition, Picture, Mix and Mastering

The Takeover - IPG1 & Paploviante

SUMMER JOY

SUMMER JOY ⭐

***See version 2 of this song, w/sax & Hammond, here***
https://soundcloud.com/bruceavery/the-blue-room-version-2?si=3976cab678424394950e6c2b27429883&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room – smoke and whisky and tears….

The original idea was a smoky, jazzy, late night club-for-lonely-hearts kind of thing.  But since my “jazz” piano always ends up honky-tonk, and I can’t seem to lose the backwoods in my voice, the final product – though still smoky & late night – is more lonely hearts beer joint than jazz club.  Jazzabilly maybe.  Redneck Blues. 
								
But there is a plan to give the song a little jazz credibility.  I play an organ solo mid-song that I actually wrote for saxophone.  I’m sending the song to my little brother, longtime Atlanta musician Herb Avery, who says he knows a sax player who’ll take it on.  So if Herbert can make that happen, I’ll upload the new version later.  If he can’t, I’ll be looking for a sax player out there. 

My daughter Julia helped out vocally on the choral refrain.

So here we go.  Come set for a spell in The Blue Room…..when nobody loves you.

The Blue Room (original version)

All rights reserved 11/12/2024

Time and again
We’re drawn to the light 
Til it fades away
Into the night….

Do you see what could be 
If we work a little overtime 
I can hear the whistle callin me
Don’t slow down or we will fall behind…

One more time let’s do it..
Let’s get right down to it now…
There’s no time for wasting
Take a chance and take it now…

Time and again
We’re drawn to the light 
Til it fades away
Into the night….

Pack your bags and do not look back….
Everything you wanted, wait and see
Day by day, that’s what they’ll say..
The taste of honey is so silky sweet

One more time let’s do it..
Let’s get right down to it now…
There’s no time for wasting
Take a chance and take it now…

Time and again
We’re drawn to the light 
Til it fades away
Into the night….

Into The Night

The tires roll soft on a road unnamed 
A hymn drifts out from a far-off band 
We whisper the words like a secret prayer 
And we follow the night with an open hand 

And we lean into the silence
When the static casts a spell 
We search all the channels 
When the station says farewell
Somewhere by the Nowhere Motel

The lights go red in the rearview glass
A gas pump lit up like a chapel sign
We pass it by like dreams we’ve had
Still whispering into the night

And we lean into the silence 
When the static casts a spell 
We search all the channels 
When the station says farewell
Somewhere by the Nowhere Motel

A voice on the dial says the war is done
But she keeps her coat wrapped so tight
We drive through towns forget their names
As they slowly fade out of sight

And we lean into the silence
When the static casts a spell 
We search all the channels 
When the station says farewell
Somewhere by the Nowhere Motel
Somewhere by the Nowhere Motel

Nowhere Motel (with Joliz)

Fighters is an epic cinematic work that transforms intensity, inner struggle, and the power of rising again into sound. The track begins with a dark foundation and gradually builds to monumental climaxes, carrying both hope and determination.

To create this atmosphere, I combined several orchestral libraries:

Spitfire Audio Abbey Road One – providing the orchestral foundation, recorded at the legendary Abbey Road Studios in London. Long notes, staccatos, and orchestral swells are featured here.

Spitfire Originals Epic Choir – with soprano and alto voices delivering long “Ahh” phrases that heighten the epic and hymn-like moments.

Spitfire LABS (BBC Symphony Orchestra) – delivering warm, soft viola layers that add emotional depth and a classical foundation.

EastWest Hollywood Orchestrator – bringing in powerful brass sections, driving percussion, and orchestral unison parts that push the track forward cinematically.

Each library contributes its own character:
The Abbey Road Strings add vastness and a majestic tone.
The Epic Choir creates spine-tingling moments, reaching beyond the fight into the spiritual.
The BBC violins & violas bring warmth and melancholy into the heart of the piece.
The Hollywood Orchestrator Brass & Percussion release raw, combative energy.

The result is a composition that feels like the soundtrack to an epic movie – a musical companion for battles fought both within and without. Fighters is not just a track, but an experience: dark, powerful, vulnerable, yet full of hope.

Fighters ist ein episch-cineastisches Werk, das die Intensität des Kampfes, die innere Zerrissenheit und die Kraft des Aufstehens in Klang verwandelt. Der Track beginnt mit einem düsteren Fundament und steigert sich stetig zu monumentalen Höhepunkten, die Hoffnung und Entschlossenheit gleichermaßen transportieren.

Um diese Atmosphäre zu erschaffen, habe ich verschiedene Orchester-Libraries kombiniert:

Spitfire Audio Abbey Road One – für die große orchestrale Basis, aufgenommen in den legendären Abbey Road Studios in London. Hier kommen vor allem die langen und staccato gespielten Streicher sowie die orchestralen Swells zum Einsatz.

Spitfire Originals Epic Choir – Sopran- und Altstimmen, die mit langgezogenen „Ahh“-Phrasen die epischen und hymnischen Passagen verstärken.

Spitfire LABS (BBC Symphony Orchestra) – für warme und weiche Violaklänge, die dem Track emotionale Tiefe und ein klassisches Fundament verleihen.

EastWest Hollywood Orchestrator – für kraftvolle Brass-Sektionen, markante Percussion-Elemente und orchestrale Unisono-Parts, die den Track filmisch vorantreiben.

Jede dieser Libraries trägt ihren eigenen Charakter bei:
Die Abbey Road Strings verleihen Weite und majestätische Klangräume.
Der Epic Choir schafft Gänsehaut-Momente, die über den Kampf hinaus in das Spirituelle reichen.
Die BBC Violinen & Violas bringen Wärme und Melancholie ins Zentrum des Stückes.
Die Hollywood Orchestrator Brass & Percussion setzen die kämpferische, rohe Energie frei.

So entsteht eine Komposition, die sich wie ein Soundtrack zu einem epischen Film anfühlt – ein musikalischer Begleiter für innere und äußere Schlachten. Fighters ist damit nicht nur ein Track, sondern ein Erlebnis: dunkel, mächtig, verletzlich und dennoch voller Hoffnung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Fighters

Nous sommes heureux de vous offrir une nouvelle facette de notre répertoire pop-rock. Cette chanson alliant sensibilité et puissance vous emmène dans l’atmosphère singulière du rêve avec le réveil d’un douloureux souvenir refoulé. Au travers de sa musique, ses paroles et son interprétation, nous avons souhaité éveiller des émotions et sensations fortes à ceux qui l'écouteront... Notre clip que vous que vous pouvez découvrir sur notre chaîne YouTube @legroupemorning reflète pleinement l’atmosphère onirique qui se dégage de la chanson, dans laquelle nous vous invitons à vous laisser transporter…

Tout me revient

A slightly different mix of a track I have posted already. This one has the drums coming in a little earlier in the song. I'll have this mixed properly and mastered at some point.  Lindsey Kay Scott, my daughter,  is singing the lead on this song.

© 2024 Lyrics & Music By Brenda Doss (BMI) and Lindsey Kay Scott (ASCAP)
Another version with the lyrics are here: 
https://on.soundcloud.com/HlK8AfD7cum2rXkYeX

My Home - Remix

My Home - Remix - ft. Lindsey Kay Scott

Remix and re-invention of an earlier track from many years ago. Messier 83 (see the image), also known as the Southern Pinwheel Galaxy, contains structures within structures. The images are stunning. This track has interlocking aspects, hence the title.

The Ferns of M83

A song for the over-thinkers. 
There are good things out there, but when the world turns ugly it can leave us questioning our own thoughts, hopes and beliefs creating doubt.
Don't let the doubt consume you.
Trust what you believe in.
(Unless maybe you're a serial killer or something like that..... Then maybe you could reconsider at least some principles 😊)

Taylor 214CE DLX

Lyrics:

I might sit this one out tonight, 
I can be here on my own, 
There’s a thought inside that’s telling me, 
Maybe I should stay at home, 

It’s not that I don’t feet alive,
I can feel it everywhere, 
It’s when I tend to think too much, 
And I’m trying not to care, 

Am I standing where I’m meant to be?
Are my streets not paved with gold?
Am I a bitter twisted wanna be?
Maybe I’m just getting old, 

My thoughts are taking hold tonight, 
I’ll try and think of what’s ahead,
Can I concentrate on anything, 
And not what’s in my head, 

I know its gonna be alright, 
When my head feels no despair,
When good things come there’s no surprise, 
And I’ll see it everywhere,  

Am I standing where I’m meant to be?
Are my streets not paved with gold?
I’m not a natural pessimist,
Maybe I’m just getting old, 

Well if I was here a another time, 
Would I live the dream I’m sold? 
I could hope and pray for anything, 
But I won’t I sell my soul, 

I might sit this one out tonight, 
But I’ll be back again

Meant to be? (Acoustic)

i wanna battle

'OUT OF THE BLUE'
Written, Performed & Produced 
by Andrew Borderick, Copyright 2017/2020
Mastered by Andrew Borderick 24/08/2020

YOU CAN TAKE THE WORLD WITH YOU,
PLEASE DON'T LEAVE ME ON THE MOON,

THERE'S NO TIME FOR LOVE IT TURNS TO DUST,
THERE'S NO STREETS TO FIND YOUR WAY,
WHEN YOUR OUT OF THE BLUE,

IT'S UNEASY WITHOUT YOU,
ALL THE COLORS TURN TO BLUE,

SHOW ME A WAY TO FALL IN YOUR WICKED WORLD,
CAN YOU HERE MY CALL FOR
YOU..OO, I JUST WANNA GET TO YOU,
YOU..OO, I JUST WANNA LET YOU KNOW,

I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,

I GUESS I'LL HAVE TO LOOK AWAY,
IT'S NOT THE SAME WHEN YOU DON'T CARE,

THERE'S NO TIME FOR LOVE, IT TURNS TO DUST,
CAN YOU HEAR MY CALL FOR
YOU..OO, I JUST WANNA GET TO YOU,
YOU..OO, I JUST WANNA LET YOU KNOW,

I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,

(BREAK)

I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,
I'M OUT OF THE BLUE, WITHOUT YOU
I'M OUT OF THE BLUE, WHEN I'M WITHOUT YOU,

Timeline

OUT OF THE BLUE

JOYFUL

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

A playful, joyous mood, happy vibes, uplifting tunes -  EDM & Dance are my favourite! #electronic #edm #dance #instrumental 💟🎈   Creating music is amazingly FUN and all I want is to share JOY!!! I do everything by myself - MIXING & MASTERING too - this is so enjoyable!!! 😍😊 
Love and Respect to everyone who spares time on my playlists and tracks. I'm deeply honoured and I thank you all immensely!!!  🙏😊💟🌹

JOYFUL

DOLLY DEMELI

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