Name: Raime - FACT Mix 292 (Oct 11') by Dominic Logan 1
Duration: 39 min 50 s
Description: Raime's legendary FACT mix of October 11'.

[00:00] Steve C & Monita - The Razors Edge [Skeleton] [03:37] DJ Buz - Slave [No U-Turn] [06:48] 4 Horsemen Of The Apocalypse - We Are The Future (Two Dreads In A Dub Mix) [Tone Def] [09:48] Blame & Justice - Nightvision (D'Cruze Remix) [Moving Shadow] [15:09] Undercover Agent - Dub Plate Circles [Juice] [19:32] Dillinja - Deadly Deep Subs (Remix) [Deadly Vinyl] [23:10]The Truper - Untitled (Vol 1 Side B) [Street Beats] [27:15] Doc Scott - It's Yours [Metalheadz] [31:33] DJ Tamsin & The Monk - A Better Place (Bay B Kane Remix) [White House]

1. Steve C and Monita – The Razors Edge – Skeleton Records 1994 2. DJ Buz – Slave – No U-Turn 1994 3. 4 Horsemen Of The Apocalypse – We Are The Future (Phantasy & Aphrodite Mix) – Tone Def 1994 4. Blame & Justice – Nightvision (D’Cruze Mix) – Moving Shadow 1994 5. Undercover Agent – Dubplate Circles – Juice 1996 6. Dillinja – Deadly Deep Subs Remix – Deadly Vinyl 1995 7. The Truper – Vol 1 Side B – Street Beats 1994 8. Doc Scott – It’s Yours – Metalheadz 1994 9. DJ Tamsin & The Monk – A Better Place (Baby Kane Remix) – White House Records 1994

An exploration of microscopic textures across the dub continuum.

https://www.instagram.com/__k_wata

Micro Dubs with K Wata @ The Lot Radio 01-08-2025

Living Room n°79 - @caapii

q. pls introduce yourself.
a. hey i'm tim, i'm based in Glasgow and co-run the label Somewhere Press

q. is there a story behind the mix? how did it come together?
a. it's more or less a set i prepared for kwia in november. the idea was to explore the framework or the bones of techno when the busier elements are stripped away. the texture, rhythm, space, cavernous sub, echoing vocals that rumble beneath the surface

q. in your opinion, what would be the ideal circumstances to enjoy your mix?
a. i listened back to it on a sunny but very frosty walk around an empty country park the other day and it felt like the right setting, textural warmth for cold winter days

q. describe a favorite object in your living room...
a. it's a pencil drawing by artist and tattooer Eliott Gamer. it depicts a fairy goblin with its companion, i think it's maybe a goat or a sheep with bunny ears in a no-face mask. it's kind of equally beautiful as unsettling, which is something i'm drawn to in music also

q. are you working on any projects right now (music or not music)?
a. we have lots happening next year with Somewhere Press that i'm really excited about, there is 1 track included here. i also started a new label, blush, that will run alongside, taking a more playful and immediate approach. the first release just came out, it's a tape version of one of my fave albums of the year by ana reme <3

Living Room n°79 ~ caapi

a kaleidoscopic session from one of the uk’s best gems, wordcolour. an artist who excels in storytelling through their productions, this approach to his craft is translated in podcast 215 as the mix gently starts with stunning ambient moments before building into a masterclass of drum programming. pacing through halftime, techno and IDM, it’s an unpredictable 72 minutes with wordcolour showing us his cards — a hand dealt with authenticity as a marker of where he’s at right now as a dj and producer. 

wordcolour made his production debut on lapsus records in 2020 before heading over to fabric’s esteemed imprint houndstooth where he released ‘juno way’ - a breakthrough record as such for wordcolour. this was the beginning of a long-standing relationship with houndstooth where he also went on to release ‘bluster’ ep featuring remixes from djrum, dj python and the soft pink truth, his debut album ‘the trees were buzzing, and the grass.’ and the ratios series. on all of these records, wordcolour’s ability to create detailed, immersive soundscapes which emotionally resonated with both home listening and dancefloor moments, has shined through. continuing on this path of world building, earlier this month wordcolour released the first ep on his new label, TiHKAL, from london-based artist st. amp. a label dedicated to exploring psychedelic soundscapes which is a direction that wordcolour has been producing in recently as well as ties in with the parties he now likes to attend, TiHKAL will be a new home for tracks that land within the 150-200 / 75-100 bpm zone.

to celebrate the release, wordcolour has pulled together a mix that delves into the influences behind this new direction and we chat more about the concept of TiHKAL, approach to curation, early influences and more. 

Interview: https://untitled909.substack.com/p/untitled-909-podcast-215-wordcolour
Buy: https://tihkallabel.bandcamp.com/album/tihkal001-st-amp

@wordcolour
@tihkal-label

Untitled 909 Podcast 215: Wordcolour

Perila [live] @ Lost Music Festival 2024

https://tihkallabel.bandcamp.com/album/tihkal001-st-amp

@saint-amp
@wordcolour
@netil-radio

netil radio ~ spiralling, naturally 009 w/ st. amp + wordcolour (19 03 2025)

𝙥𝙡𝙪𝙨 𝙩𝙚𝙣 𝙗𝙥𝙢 𝙟𝙪𝙢𝙥 over an 1.5 hour mix 

recorded in two parts on 3xcdj + A9 then stitched together in ableton.

thank you to all the artists for the music.

- who knows where we will go next -

bᵣₐᵢₙ dₐₙcₑ pt.2 [1 2 7  ²  1 3 7 ~bᵖm~]

Pressure Dome w/ Toma Kami: 7th May '25

Raime's legendary FACT mix of October 11'.

Raime - FACT Mix 292 (Oct 11')

Dominic Logan 1

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