The Outward Impulse (2007, for contrabass clarinet and tam-tam)
New recording - April 2022, with thanks to Fabrizio Bardelli - contrabass clarinet and tam-tam

The Outward Impulse [Fabrizio Bardelli - c-bass cl.]

Fractal Guitar Trio (https://linktr.ee/fractal_guitar_trio): Miguel Ángel Rivera, Raúl Rocha, Ramón Hernández Mendiola
Registro audiovisual: Rodrigo Villaseñor
Gravação realizada no Piso 16 - Laboratorio de Iniciativas Culturales da UNAM em maio de 2023 como resultado do Prêmio Ibermúsicas de Composição e Estreia de Obra 2022.
Partitura: https://www.babelscores.com/catalogs/instrumental/7985-teledescante-n-27985
Vídeo: https://www.youtube.com/watch?v=GPQ4WCW-gzY
Spotify: https://open.spotify.com/track/0tSIMlzkMPRuRbSyLj6sro

Teledescante Nº2 (Там, вдали за рекой), per trio di chitarre (2021)

Sounds only produced with my breath and a piece of bamboo. 
Several superimposed such improvisations, no additives.
 
Boorloo (Perth, Western Australia), 26 July 2023.

www.pedroalvarez.info

Piled-up improvisation on Quenas

"Drovorb" for clarinet, horn, piano, violin, viola and cello (2013)

Orkiestra Muzyki Nowej, Szymon Bywalec - conductor

Drovorb is a piece composed for PluralEnsemble during summer 2013 and it was commissioned by The Polish Cultural Institute in Madrid. As one can think, the title of the work has no meaning, although the order of letters may refer to the main idea which is broken symmetry. The phenomenon of broken symmetry is widely used in particle physics and it was the main inspiration for the composition. In this piece I also developed some of my previous ideas as: non-octave periodic pitch organisation, complex periodicities in rhythm and textures or a specific way of transforming one musical material into another, emerging new musical structures and vanishing of old ones.

The piece was commissioned by the Polish Institute in Madrid for Plural Ensemble.

Drovorb (2013)

Studium for solo violin(1970)

Anekumena Concerto for 89 Instruments (1974)

Eidos I for solo violin (1977)

"Kioloik" for flute (2012)

Alicja Molitorys – flute

The title of the piece is a neologism that symbolizes only palindromes of the rhythmic layer, cyclicality of pitch organization and articulation by its characteristic arrangement of letters. The structural inspiration of the work is a complex, symmetrical sequence of numbers, different for each parameter. This work is also a study of extended instrumental techniques, e.g. lip pizzicato, tongue frame, aeolian sounds, key clicks, glissando or microtones.

Commissioned by ZAiKS the Polish Society of Authors and Composers.

Kioloik (2012)

Electroacoustic piece based on 'Hont paur' - intabulation of Guillaume de Machaut's ballad 'Honte, paour, doubtance' from Codex Faenza.

Performers:
Aleksandra Demowska-Madejska - viola
Wojciech Psiuk - alto saxophone

Final concert of the Composition Course SYNTHETIS 2019
Radziejowice, 26 July 2019

Hont paur (After Codex Faenza) for viola, alto saxophone and electronics (2019)

Avesan - they flowed - (2020) flute, clarinet, violin, viola, violoncello, percussion & amplification 

Duration - 12” 

Commissioned by the 32nd Kraków International Composers Festival

Avesan: They Flowed (excerpt)

ostatni utwór Tomka / the last piece by Tomek - 25.01.2021

Homesick Domestic Noise Terror 2021

Polish-Australian composer
www.dominikkarski.net

The Outward Impulse [Fabrizio Bardelli - c-bass cl.]

Dominik Karski

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