Min Spotify shit

Hozier, Work Song

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

Lyrics to Trojans:
Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

Your trojan's in my head

It's ok if it's gone
The thoughts that you had that it was the one
And oh what is left?
For all those times is that what you get?
Oh regardless
The walls get painted anyway
Oh you're guarding
The gates, but it all got away

Your trojan's in my head

Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Trojans

Buy on iTunes

Milk & Honey

I Need My Girl - The National

Written, Produced, and Performed by HUNNY

Mixed by Dave Schiffman (Sky Ferreira, Active Child, Thrice)

Mastered by Howie Weinberg (Nirvana, Sonic Youth, Smashing Pumpkins, The White Stripes)

---

man is crippled and dead and 
meek and eager in his sin

turn around, say you love the way I
hang around, you miss the spark in my eyes

I was a queen last night
I said take to the water
and let you drink my lies
like "okay, you're right"

you can't spell pain or kiss
or run away or little mistake 
without me or A, E, I, O, U

it's not at all unusual
to melt like a ball of wax or
to take what I didn't ask for

it's important being me
it's so important being me

Vowels (and the Importance of Being Me)

I WANT MORE

American English

Always

SUNNY of our upcoming debut album 'Leggi Leggi!'
recording & mixing by Lalonova 
mastering by Dubplates & Mastering
artwork by Papa Gallosh
composed by Footprint Project, original song by Bobby Hebb

'Leggi Leggi!' is available on Bandcamp, Amazon, Deezer, Spotify and iTunes.
lots of love.

Leggi Leggi!

Sunny

Sunny (2016)

Gingerbread

Hodera - "Best Intentions"
From their album "First Things First"
Out now on 12"/CD/Digital

Vinyl/CD/Digital: http://bit.ly/2w0JJ3F 
Spotify: http://spoti.fi/1VJyd3B 
iTunes/Apple Music: http://apple.co/2xqKftT 
Amazon: http://amzn.to/2xUUckO 

Follow Hodera: 
http://www.facebook.com/hoderaband 
http://www.twitter.com/hoderaband 
https://www.instagram.com/hodera/ 

Follow Take This To Heart Records: 
https://www.facebook.com/TakeThisToHeartrecords
https://twitter.com/T3Hrecords 
https://www.instagram.com/takethistoheartrecords

First Things First

Hodera - "Best Intentions"

In My Veins

Wild World

From the album 'A Blind Arcade', to be released February 23, 2018
Buy here: http://phonofile.link/a-blind-arcade

⇩⇩⇩ Lyrics ⇩⇩⇩

Listen on Spotify: https://goo.gl/ewCnR2

Support All The Luck In The World:
https://www.facebook.com/alltheluckintheworld https://www.instagram.com/atlitwmusic 

More about Indie Folk Central:
youtube.com/indiefolkcentral
facebook.com/indiefolkcentral

~ Lyrics:

We’ve grown too quickly
with open flaws and lack of grief
You have broken into me
you are the best kind of thief 
 
the less we know,
the more we seek

In these halls I take you in
the morning mint and your summer skin
I can read the books under your arms 
in your eyes, 
Sleepless we wait to arrive 
only to leave  

We’re the undeveloped film
in tourists clothes
we’re the keepsakes and souvenirs
resting beneath the folds

These forgotten reminders
are emblematic of everything
that we are and we will be
Or of “almosts” and “could have beens” 

We just caught the tail end of a last call
you made it better for a short time
standing in a long line

We’ve grown too quickly 
with open flaws and lack of grief
the less we know the more we seek
Our lines uncrossed are the quiet crimes 
of the richest thieves

A Blind Arcade

Contrails

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All The Luck In The World - Contrails

Colder Shoulders deals with the insecurities that are revealed when faced with failure. In specific, this instance is an example on how such failure can can contribute to a rigid exterior and a lack of passion in one's relationships.

Colder Shoulders

Won't Remember

Lyrics by: George Taylor & Noise Club
Produced & Mixed by: Noise Club
Artwork by: Ben Wilkerson Tousley
Photo by: David Bowman

Min Spotify shit

TheHAGA