Amazing 🤩 love the concept and beautiful voice 💐👏🏽

What a wonderful track and lyrics 🔥❤️

I really dig this. Great vocals and great groove!

Back for more! Wonderful vibes and performance!

CHECKING OUT THE ELEMENTS

Valuable Friends:-

@janinelevinson Other World Vocals
@rick-4-1 Ghost Stroke Drums
@phil-mcwalter The Other Stuff

Missing your old hound…



Calling Card

So want to see your calling card 
Your calling card for me
So want to see your calling card
Your calling card to me
Your calling card to me

I gotta see your calling card 
I know you’re saving one for me 
Funny names 
Playing games 
Singing Lovely Rita 
Muddy paws 
Starting wars
Living the dolce vita

I gotta see your calling card
Your calling card for me

You buried me under the old oak tree
In the corner of the cemetery
I got to go where the wind takes me
But someday I'll call by...

Calling card
Calling card

© July 2021 Phil McWalter
Image: No-one I know.

Calling Card

$7W7

Original Composition / Performance : Mountain Dulcimer ~ Jerry Rockwell
Add. Composition / Production / Performance : Electric Bass ~ Chris Dargay
Lyrics / Vocal Performance ~ Tracy Dahl Cucuzza

Meet today
What of many yesterdays
A veil to hide
Stellar truth that lies inside
We return
To the obscure
Cosmic Surrender
Cosmic Surrender
We start
As flaming hearts
A veil to hide
Stellar truth that lies inside
We return
To the obscure
Cosmic Surrender
Cosmic Surrender
Meet today
What of many yesterdays
A veil to hide
Stellar truth that lies inside
We return 
To the obscure
Cosmic Surrender
Cosmic Surrender
Cosmic Surrender
We start
As flaming hearts
Cosmic Surrender
Cosmic Surrender
Cosmic Surrender

Astaroth: The Prince Of Darkness (part 1)

Astaroth: The Eternal Prince Of Darkness (Part I)

Synesthesia is main motif for this song, first because of original lyrics, then as I felt like adding it more flavor with female vocals*, & finally when I recently watched some paintings about this matter**.

*Great vocal performance by https://soundcloud.com/maraoldfield is most notorious matter in this piece, where riffing parts toggle with bass-guided proggy ones.

**Due credits to https://soundcloud.com/wouwouandthewormling for ad hoc painting of the song’s artwork.

Letra  /  Lyrics:

QUIERO SABER SI HACE CALOR  /  I WANT TO KNOW IF IT IS HOT

En verano, insoportable,  /  In summer, unbearable,
todo está lleno de ruido.  /  everything is full of noise.
El invierno, silencioso,  /  The winter, silent,
que congela los sonidos.  /  which freezes the sounds.

No quisiera quedarme sorda  /  I don’t want to get deaf
sin saber cuándo hace frío.  /  not  knowing when it’s cold. 
No quisiera quedarme sorda  /  I don’t want to get deaf
para saber si hace frío.  /  so as to know if it’s cold.

Los días soleados  /  Sunny days
acompañan al estío  /  go along with the summer
y cuando llega el invierno  /  and when the winter comes
el cielo está oscurecido.  /  the sky is darkened.

No quisiera quedarme ciega  /  I don’t want to get blind
sin saber cuándo hace frío.  /  not  knowing when it’s cold.
No quisiera quedarme ciega  /  I don’t want to get blind
para saber si hace frío.  /  so as to know if it’s cold.

ER24CH04 ©1995 ®2015

Quiero saber si hace calor (Vocals by Mara​Oldfield)

CHRIS AND WALTER ....lyrics on now

DAY AFTER DAY

WORKER BEE WHERE CAN HE BE
TOO BUSY MAKING HONEY MONEY
TO SURVIVE IN THE WORLD
HE S JUST A DRONE , OUT ON PATROL
TO BUSY FORCING POLICY
TO SURVIVE IN THE WORLD

DAY AFTER DAY IT S ALL THE SAME
WE WORK FOR OUR PAY 
TOO BUSY MAKING HONEY MONEY
EVERYONE SHAMES EVERYONE BLAMES
GRITTY CORPORATIONS ONLY PROFITS TODAY

DISCIPLINED DISCIPLES WE ARE ONE
ON THE WAVE OF WILLFUL IGNORANCE
WE ALL STRESSED OUT ON THE MOMENT
FEEL THE CALL JUST TO FIND DELIVERANCE

DAY AFTER DAY IT S ALL THE SAME 
WE WORK FOR OUR PAY
TOO BUSY MAKING HONEY MONEY
EVERYONE BLAMES EVERYONE SHAMES
GRITTY CORPORATION ONLY PROFITS TODAY

SOLO

DAY AFTER DAY IT S ALL THE SAME 
WE WORK FOR OUR PAY 
TOO BUSY MAKING HONEY MONEY
EVERYONE SHAMES EVERYONE BLAMES
GRITTY CORPORATIONS ONLY PROFITS TODAY 

CHRIS and WALTER

DAY AFTER DAY

https://youtu.be/dLLddlqKIHc?si=wT5hmEY_W3Fp5ZvI 

This is my attempt at performing this song in a single take with just me and my guitar (Taylor 114 ce)
Also to compare and contrast, here’s a  link to a more polished full band version of this song that I recorded with the help of the Eclectic Collective 
https://soundcloud.com/josh-clary-1/ai-sucks-the-eclectic?si=67d29d363d2a419dacbf860fa471165e&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Many thanks to SoundCloud musician Michele Ansani  https://on.soundcloud.com/A24Cig19AVNqQmCk8 who's lyrics inspired me to write this song and collaborated with me to help bring this song to life.
***
Lyrics
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers but I continued to play
And as the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
And now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great 
even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure and a catchy vibe and beat 
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine
I had a steady paycheck that could feed me 
And the record companies didn’t need me
In my fifties once again my musical juices started flowing
I bought the necessary equipment I was eager to get going
I recorded all my strumming and saved it onto my PC
The internet and technology were advancing rapidly
I took those special songs I’d written of which I was most proud
Posted them Instagram, You Tube, Tik Tok and SoundCloud
I asked myself if a tree falls in the forest and no one’s around
Does it make a sound?
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will like your songs even though you didn’t write or play a single note.

AI Sucks Acoustic Live Version

Picture: Heavy Light (Rae)

Version 2 of Into the DarkLight: ☀️

I hope you enjoy this second version.  I hear XTC in Dave's Guitar, along with a greater Emotional Heavy feel and vibe... a much Deeper emotional touch to my Vocal too.  

And in the Dark we find some Light
Heavier without a Fight
The Light is here to Stay we know
And Darkness here to help us Grow
And we Feel
When we step into the DarkLight...

And this I Know🔥🌞

Thank You so much for Listening.

Vocals and Lyrics by SolarRae🎤

Guitar and Mix by Dave Bayes🎸
@dave-bayes
@guitar-alchemy

Lyrics: At Into the DarkLight version 1



Into the DarkLight (Heavier)

Archy has finally reached the elusive land of his dreams. But is it really all what it seems? Is there something evil in the air? Is there dark clouds at the horizon? Archibald Whim may step ashore, but what awaits him in this ever changing America?
This track was recorded in corporation with the ever so talented BribedAnt, that supported with bass and solo guitar along with a critical input in the mix and master process. Do look up BribedAnt on Soundcloud - it's a blast.

America – Archibald Whim X

portrait of a beautyful lady

Memories est né d’une belle collaboration avec Eric Georgesco, initiée en décembre 2024. Eric avait composé, quelques années plus tôt, une mélodie très personnelle intitulée Memories. Dès la première écoute, j’ai perçu le potentiel de ce morceau. Il restait à trouver la bonne direction pour lui donner une nouvelle dimension.

Pendant plusieurs mois, le titre est resté en suspens, car je n’arrivais pas à lui insuffler l’énergie que je cherchais. C’est finalement en mars, après que l’un de mes proches m’ait encouragé à écouter Clara Luciani (que je connaissais vaguement jusque-là) que tout a changé. En découvrant La Grenade, avec sa ligne de basse percutante et son esprit French Disco, j’ai eu une révélation : c’était exactement ce qu’il fallait à Memories pour prendre son envol.

La voix de Delphine s’est ensuite imposée naturellement. Sa lumière, sa sincérité et sa douceur donnent vie au morceau et en incarnent toute la sensibilité.

Merci à Eric pour sa confiance, et à Delphine pour sa voix qui sublime la chanson.


Memories is the result of a beautiful collaboration with Eric Georgesco, which began in December 2024. A few years back, Eric had composed a melody he called Memories, a piece that meant a lot to him. The first time I heard it, I instantly felt its potential. The challenge was figuring out how to rearrange it to take it somewhere new.

For several months, the track was put on hold. I just couldn’t find the right energy to bring it to life. Everything shifted in March, when a close friend insisted I take a deeper listen to Clara Luciani. I knew of her, but hadn’t really explored her work. Then I heard La Grenade and its bold bass line and French disco flair hit me like a lightning bolt. That’s the kind of groove Memories needed to finally lift off.

Delphine’s voice quickly became the obvious choice. Her bright, honest tone full of candor and warmth, truly brings the song to life.

Huge thanks to Eric for trusting me with this project, and to Delphine for her voice, which elevates the song in the most beautiful way.

Credits: 
Sur une musique originale de Eric Georgesco https://soundcloud.com/eric-georgesco/memories
Chant : Delphine
Paroles et arrangements : Richard Gonfrier
Production et mastering : Richard Gonfrier


Lyrics : 

En ces jours étranges
Plus rien ne me dérange
Je vais partir
Sans te le dire
Les yeux perdus

Dans ce ciel immense
Où tout n’est que silence
Je vais courir
Sans revenir
Le coeur déchu

Mon coeur sillonne 
Nos plus belles memories
Et moi je fredonne
Nos plus belles mélodies

Quand tu me dis « Mon Ange »
Mes pensées se mélangent
Ca m’fait souffrir
De te mentir
L’amour déçu

Je m’entoure de distance
Pour que j’me recommence
Je vais grandir
Me reconstruire
Me mettre à nu

Mon coeur sillonne 
Nos plus belles memories
Et moi je fredonne
Nos plus belles mélodies

I had tu run to heal myself
But your love still echoes in my soul


All rights reserved, SACEM registered.

Memories (Feat.Delphine & Eric Georgesco)

Out On The Plains

FUNKY LOVE SONG

https://youtu.be/L5wQtWx5QL8

" L'océan " en audio sur YouTube Music :
https://youtu.be/7l4D03xBo_4

Lien pour télécharger le titre :
https://music.imusician.pro/a/rww_Ld44/

Musique : Arman Prod
Enregistré, mixé et masterisé aux AK Studios par Alexandre Roux

Retrouvez Kent-Zo sur :
Deezer : https://www.deezer.com/fr/album/797210651
Spotify : https://open.spotify.com/intl-fr/track/4OAodxIWtAj9gFSz6Gh56O
Apple : https://music.apple.com/us/album/loc%C3%A9an-single/1830242086

Facebook : https://www.facebook.com/Kent-Zo-1840887702899675/
TikTok : https://www.tiktok.com/@kentzoofficiel
SoundCloud : https://soundcloud.com/kent-zo 
Instagram : https://www.instagram.com/kent.zo.officiel
Twitter : https://twitter.com/KENTZOOfficiel

© 2025 KAZAPART Productions 
Contact : prodskaza@gmail.com

#Ocean #Summer #Water

Gamin je rêvais d’océans de lointaines terres et de géants 
Mais pas d’y trouver le néant en allant dans l’océan 
Aspiré par un béant trou j’y ai perdu l’élan 
Au milieu des éléments déchainés comme un dément
Qui m’attirait tel un aimant dans les entrailles évidemment 
Du vide à des lieues de maman où rien ne fut comme avant 


Bravant les flots je domptais des eaux agitées 
Suivant le courant pour ne pas lutter [pas lutter]
Cherchant le réseau afin de remonter [remonter]
À la surface pour enfin m’échapper
De la mélodie qui m’entraînait malgré tout vers le fond 
Parodie de chants de sirènes provenant du tréfonds
Des abîmes ou bien de mon être puisque l’on confond 
Lorsqu'on est sous pression le vrai du faux par inattention


Refrain (x1)

Dans l’océan je m’enfonçais tant bien que mal tout en essayant 
De ne pas paniquer pour autant 
Dans l’océan j’ai tout tenté pour occulter mon sort effrayant 
Tout en me débattant 

J’ai tout tenté pour l’oublier tout en me débattant 
En essayant de ne pas paniquer pour autant 


Malmené par les vagues je dérivais tel un fétu d'paille
Au péril de ma vie parmi les mailles d’un filet sans trouver la faille 
Pour passer au travers de ces tenailles naturelles
Qui s'apparentaient plus aux phénomènes surnaturels 
Qu’aux dangers bien réels auxquels j’étais confronté 
Comme une ultime épreuve qu'il fallait surmonter
Pour que ce jour ne fut pas le dernier de ma carrière écourtée 
Car si je m’étais résigné j’aurai bien fini par couler 


Sous une avalanche d’eau  j’y aurai laissé ma peau 
On aurait baissé le rideau sur ma vie mais mon égo
Jugeait cela beaucoup trop tôt de partir ainsi sans échos 
Dans le silence le plus atroce sans avoir écrit un mot 
À mes proches à l’abandon à qui je léguais que des questions 
Sans réponses et sans raison de disparaître de cette façon 
Sous une avalanche d’eau 
Je voulais pas y laisser ma peau
Sous une avalanche d’eau 

Refrain (x2)

Alors j'ai nagé sans arrêt pratiquement pour me dégager 
Sans avoir le temps de douter de mes capacités 
Malgré l'énorme trajet déroutant qui me séparait 
De cette plage [de cette plage] accueillant les naufragés 

Alors j'ai continué de nager pratiquement pour me dégager 
Sans avoir le temps de douter de mes capacités 
Malgré l'énorme trajet déroutant qui me séparait 
De cette plage [de cette plage] accueillant les naufragés 

Outro

J'ai pu l'atteindre
Comme j'ai pu atteindre mes neuf ans 
L'océan 
L'océan ne me fait plus peur dès à présent 
L'océan n'a plus rien d'un géant 



L'océan (Arman Prod)

Steel Magnolia ll

WRITTEN, PRODUCED & PERFORMED By: DOMINIQUEFRENCH
INSTRUMENTAL PRODUCED By: LEWISLAND
MIXING - MASTERING By: TMS STUDIOS

https://www.youtube.com/watch?v=ksVXn4AehGw
https://music.apple.com/us/artist/1526692470
https://open.spotify.com/album/6MysGSxDlUXBuQumQfYhpq
https://amazon.com/music/player/albums/B08SJ9RDBX?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_yUVkf51oUwCcPq2LSCHWiJFMf

"ANTICIPATING"

Born & raised in Paris,France. I also speak fluent English some German and Italian. I am a singer, song writer,Producer & keyboardist.
Email: dominiquesoto14@gmail.com

(Don't follow me here, best on my main page ;)

"ANTICIPATING"

dominiquefrench

Recent comments

Emilio GS

CYFR - 360

Neon Dayze

bart mastin

Related tracks