@user-936947521: On behalf of Bruce Conover and myself....thanks for the wonderful review...glad you enjoy the record!

beautiful section  jazz pop rnb atmosphere!!!

Not sure how I've missed this for so long!!

Really Cool vibe, Vocal,  excellent, heart warming!!!

This is a classic, such a smooth mood ans first class performandes

Some great songs from some Fantastic Artist's/Bands and a few of my own.

AB Playlist 028 Part 2

For Baddie

The melody of that day was shining, blue and wild.
It's a story from the distant past.
* band arrange
* Voice memo: https://soundcloud.com/user-109612266-663984932/wild-blue-20230120-finalmix?si=59d824b98eb64e0abcad7d2081a51653&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Song & lyrics: Hiroyuki Ishimoto
Performance: Gatta

Lyrics:

In that silver-blue light
Dazzlingly, oh so dazzlingly, I recall
Wildly shining as I tilt my glass

That strangely nostalgic scent
I want to return to that nostalgic place
Talking about the past that cannot be regained

That melody shining in blue and white
I stood beyond your smiling face
Unable to see anything ahead
I didn't understand!

That dazzling brightness of the unseen events
In that shining blue city
Wildly shining, wildly brilliant

Oh, blue-silver world
The migratory birds are dazzling
Feelings that I ponder aimlessly
Wild blue

Wild Blue

Sometimes our path, or journey as it were, leads us to an edge. Edges of self, life, circumstances, reality, cliffs, you name it… Some edges are dangerous, sharp and jagged, even life threatening. Other edges encourage us to traverse them. Back in the 1970’s, there was this great sand cliff we used to go to, in Northern Europe, where we could run and hurl ourselves off of it and land in the water below. It was exhilarating, as the hang time allowed for contemplation in the moment, during the free fall. It felt like we were flying like the bluebirds in the sky. At the base of the cliff, we hung out by the water. We were mostly unfamiliar with the freedoms we had found there. Harry ran off and intentionally lost his swim trunks on the beach, while chasing after a beautiful woman who herself was sans swimsuit. He was in love with her. She had other ideas. He was drinking heavily, then he passed out, ass up in the sand, under the blazing sun, after making a fool of himself. It was a sad moment all around. By the time we found him, he had a bad sunburn. Poor guy. Could hardly sit down. A bunch of us were camped in the forest, not far from the cliffs. That night, I was sitting by the fire next to a wild-eyed woman and asked her something in another language. She blew smoke in my face and laughed nervously as if taunting a bear. Then she kissed me. We all seemed to be chasing after a freedom that did not exist in this life, at least for us. Some of us would later die trying to find that same freedom. For some strange reason I survived. We were wild back then and maybe always will be. This song contains some of that freedom among other things.

Lammbone's Album

Have You Ever Been?

Automne

Lyrics
Well, your folk rocks
Pristine
Just over the channel
Brightoned two sheen

Salt Fire looped by the hour
Teachers of tuned tone harmonious flower
Guitars for me cornered still
Their voicings will tend to your will
New musical pathways the pill
Everytime, ears getting that fill

Salt Fire go hear their higher
Salt Fire Lo-fi classical attire
Salt Fire Go hear their higher
Acoustic crumbs of grandeur
Harmonies. The biggest aliens have landed...

So come, let's all fly away in a song
We do it cause we are it
This is where we belong
Good tempered bones
Some tension tones
Utopian homes
Fly away in Salt Fire song
Good bye dystopian drones
We're aligned 
Our staves are long

This song is about the artist Salt Fire across the pond in Brighton. Superb music worth a permanent rabbit hole & I think worth more ears...

Check out Salt Fire on #SoundCloud
https://on.soundcloud.com/MVWEVjwQKrcNBTCGA

Ok so track filled. Added Celtic Harp, Classical Guitar and strings via Keyboard 

Theres a nice point here. So I used the phone recording, imported to the daw and it became the base and click track for the song. It's a nice way of locking in your human time but still filling over it and getting a full tune with more instrumentation. For those ideas your not at the studio and plugged up... 

Android I end up with an m4a - convert to wav for free online (usually fixes bitrate issues) - import to daw audio track - turn off tempo and click track - Your jam just became the click track. Playing to this only then allows you to lock into your feel again as opposed to recreating the whole thing to a click track from scratch...



On the human time... I was chatting with my best friend Anto the other day. He's a fabulous photographer. He shoots only film and uses an eye piece view finder still. He says it feels more instinctual to him. I feel similarly recording things on the spot in random places... You're playing to your instincts which can be spiritually way more creative I think then sitting down and doing it by sums. Both have their merits but starting more regularly in the former more natural way may offer more instinctual goodies. The method part of the process can always iron out and perfect the unusual things you find instinctually in hindsight when further along the process and it's all getting stitched.


To give the phone recording sufficient presence I add reverb 80%20%/compressor for acoustic guitar/EQed for Vocal/Light Stereo Spread for LF & HF. Then I double tracked it each panned slightly either side. The difference is actually a pretty cool example of cleaning something up for use. Recording wasn't changed aside from the dynamics

Salt Fire (Session #2)

This is the 4th variation of a valse from Carulli. With many thanks to Blackbird for adding her beautiful voice.

valse 4

This is an old to me, new to you type of song about the power, negative or positive, of our words and the way we speak to each other.

murder (original song) - harly star

P*ssy Power

'SOMEDAY'
Written, Performed & Produced
by Andrew Borderick copyright 2015/2017/2020
Mastered by Andrew Borderick 23/08/2020

LOOK AT ALL THE LIFE TODAY,
IN THIS WORLD, FROM THIS WORLD,
WE CAN ALL LOOK BACK,
SEE WHAT WE, WE HAVE MADE

TAKE YOUR TIME AND SAY,
LOOK AROUND, AND ABOVE,
IT'S ALL HERE TO STAY,
IT'S ALL YOUR'S, IT'S ALL MINE,

(chorus)
SOMEDAY
WE MIGHT DANCE TOGETHER
AND LIVE, IN A LIFE OF LAW
SOMEDAY
THIS COULD LAST FOREVER,
AND LEAVE, THIS WORLD ALONE

SO TAKE A LOOK AHEAD
MAY'BE YOUR, NOT TO SURE,
THE CALL TO STAND THE LINE,
TO SAY GOODBYE, NEVER COMING BACK,

THE HERO IS STILL TO BE,
IN OUR LIVES, TO MAKE US FREE
TAKE MY HAND IN YOURS AND
SAY GOODBYE, TO ALL THE GREED,

(BREAK)
(REPEAT CHORUS)

LOOK AT ALL THE LIFE TODAY,
IN THIS WORLD, FROM THIS WORLD,
WE CAN ALL LOOK BACK,
SEE WHAT SEE WHAT WE, WE HAVE MADE

(REPEAT CHORUS)

SOMEDAY, LEAVE THIS WORLD ALONE.

Timeline

SOMEDAY

Peter Tetteroo R.I.P. 1947 - 2002

Rare demo recording made in 2001 With Peter Tetteroo, Polle Eduard and Henri vd Bos (Tee Set) #Teeset #petertetteroo

Peter Tetteroo died a few months later in 2002, unfortunatly we couldn't finish his last album.

Upperroom (Peter Tetteroo 2001)

WRITTEN, PRODUCED, MIXED, MASTERED AND PERFORMED BY: BRUCE CONOVER 
ADDITIONAL AD-LIB AND VOCALS BY: DOMINIQUEFRENCH

LIFE THE REMIX!!  CONOVER:  featuring DOMINIQUEFRENCH  11/19/17

Back On The Road - featuring The 3M Group
Organ/Synth/solo Guitars and mix: The 3M Group
https://soundcloud.com/user-192027883
Backing track from open collab „Back on the Road „ 
https://soundcloud.com/paploviante-and-friends/back-on-the-road-open-collab

Back On The Road - Feat. THE 3M GROUP

POWER UP
Happy to present my new track with IPG1 (Ian Greaves).
Hope you’ll enjoy it!
Vocals and verses : IPG1
https://soundcloud.com/ipg1/open-session-to-all-vocals
Music and Mix: Lillithe

Power Up - IPG1 & Lillithe

Dreams from pre-birth of trees in blossom.

Dreams of Blossom Trees (remastered 2025)

"Dernier baiser" LIVE UNCUT GPTV https://youtu.be/ew9HXT3QH0I?si=FT8kM1U0Z0hLJDVF&t=1313

Produced and arranged by Shane Watt and Marie-Noëlle Reyntjens
Mastered by Fran Ashcroft
Music and lyrics by Marie-Noëlle Reyntjens except for "secretly": written by Len Arran and Skin

Marie-Noëlle Reyntjens: vocals, back-up vocals, piano, keyboard, glockenspiel and percussion
Shane Watt: bass, acoustic and electric guitar, drums, percussion, glockenspiel, keyboard, programming and back-up vocals
Blaise Watt: electric guitar and back-up vocals

No heart feelings

dernier baiser

Born & raised in Paris,France. I also speak fluent English some German and Italian. I am a singer, song writer,Producer & keyboardist.
Email: dominiquesoto14@gmail.com

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

LIFE THE REMIX!! CONOVER: featuring DOMINIQUEFRENCH 11/19/17

dominiquefrench

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