Granny On Gameboy

Mutual Care

D\om.126.[h]

Second compilation to come out on WITHHOLD with some of the best artists around right now remaining anonymous.

B2 Achanhuwlmx

Sub-silence I 

for flute and organ.

Performed by:
Vytautas Oškinis - flute
Jūratė Landsbergytė - organ.

Recorded in Lithuanian National Philharmonic by Mama Studios
Sound masters: Vytautas Bedalis, Arūnas Zujus

Sub-silence I

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Krish w/ gnanu - Subtle Radio - 16/11/2023

Potential DifferenSe - LV
Type: EP + Remixes
Genre: IDM, Breaks, Glitch
Year: 2023
Catalog number: NNRM110
Download: https://nenormalizm.bandcamp.com/album/lv https://vk.cc/csMQmq

"Нажрись овса и ржи" рекордс
soundcloud.com/n_o_i_r

Links:
Potential DifferenSe
https://potentialdifferense.bandcamp.com/
Digital6leed
https://vk.com/meiubaby
InSpectr
https://inspectr-303.bandcamp.com/
MTCH
https://mtch.bandcamp.com/
Csum
https://csum.bandcamp.com/
illocanblo
https://ill-o-can-b-lo.bandcamp.com/
ADJ
https://adj808.bandcamp.com/
Panopticum
https://soundcloud.com/panopticum_warsaw

https://nenormalizm.bandcamp.com/
https://www.facebook.com/Nenormalizm/
https://t.me/nenormalizm

Potential DifferenSe - LV - 11 In A Dream (Panopticum Remix)

sequence No. 1

free improvisation, processed cornet/electric guitar/electronics.

cutoff

i am above the atlantic ocean moving hundreds of miles an hour 
satellites orbiting miles above as  the buried trenches below exist only to bring this song to you
unmixed
unmastered
raw pop bullshit thank you very much

DREAM ABOUT ME

The "Wasteland Survivors" is an atmospheric and immersive audio journey consisting of 8 meticulously crafted tracks. Each piece is designed to capture the essence of survival in desolate, post-apocalyptic settings. This collection is an ideal resource for game developers and content creators seeking to infuse their survival game environments with a soundscape that intensifies the experience of navigating through a barren and unforgiving wasteland.

Features of the "Wasteland Survivors" include:

    Post-Apocalyptic Ambiance: The tracks are imbued with a sense of desolation and resilience, mirroring the harsh conditions and the relentless spirit of survival in wasteland scenarios.

    Varied Musical Themes: From eerie, suspenseful melodies that reflect the uncertainty of a desolate world, to more intense rhythms that accompany moments of danger and combat, the collection offers a broad emotional range.

    Atmospheric Depth: Each composition is layered with textures that enhance the sense of immersion, whether it’s through haunting minimalistic tones or more dynamic, rhythmic patterns.

    Seamless Looping Capability: With gaming environments in mind, the tracks are designed to loop smoothly, allowing for a continuous and unobtrusive audio backdrop that enhances gameplay.

    High-Quality Production: The tracks are produced with high fidelity, ensuring clear and vibrant sound that complements the visual elements of the game.

    Adaptability for Various Game Phases: The music is versatile, fitting seamlessly into different phases of gameplay, from exploration and resource gathering to tense encounters with threats.

The "Wasteland Survivors" is not just a compilation of background tracks; it's an essential component for creating a compelling and immersive post-apocalyptic world. Its evocative soundscapes are designed to elevate the player's experience, making their journey through the wasteland not only a challenge of survival but a deeply atmospheric adventure.

1 - Phat Phrog Studio - Wasteland Survivors - Desperate Hour

Dominykas Digimas is a young composer based in Vilnius, Lithuania. His field of activities are extremely varied stretching from contemporary and electronic, coordinating music festivals, to creative interdisciplinary projects. 

 His main creative interests are based on abstract, quasi-narrative ideas, which are contemplating a persons relation with their environment and their ‘self’. Upon deeper consideration he is often drawing upon psychological or psycho-analytical terminology, theories, and  often runs experimental listening practices.

 Dominykas’ oeuvre is based on strict musical structures which become an intermediate object between the idea and audio realisation. The pre-compositional material is constructed in two ways; firstly by creating a system/structure which corresponds the idea of the piece or producing research which will in turn create the architecture for the structure.

Sub-silence I

Dominykas Digimas

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