Tresor

Die Kosmischen Kuriere

Internal Empire

Intro

Konz presenta su primer EP "EDEL". A través de la representación de los cuentos de los hermanos Grimm, nos muestra una cruda realidad a través del obscuro significado de cada relato, creando una travesía con sonidos panorámicos y obscuros que envuelven la agonía, desencanto y vuelta al amor de los personajes.

Konz - Schluck

Step into the kaleidoscopic realm of sonic experimentation with "Cut & Rearranged Vol. 2," a compilation that defies conventional boundaries and takes you on a transcendent journey through the intertwined worlds of 90's vintage drum & bass and techno. This auditory opus manifests as a harmonious fusion of Mexican artists who fearlessly wield their creative prowess to reshape the sonic landscape.

"Cut & Rearranged Vol. 2" serves as a portal to a dimension where boundaries are mere illusions, where familiar rhythms are distorted, and where uncharted sonic territories are explored with fearless abandon. Each track, meticulously curated from the minds of these Mexican sonic pioneers, serves as a testament to their ingenuity, pushing the limits of what electronic music can be.

Vintage drum & bass elements intertwine with pulsating techno beats, giving birth to a new hybrid sound that is at once nostalgic and forward-thinking. Distorted basslines intertwine with ethereal melodies, as glitched-out rhythms and mesmerizing synths collide in an intricate dance of sonic experimentation. These artists skillfully wield their tools, cutting and rearranging samples, crafting a sonic tapestry that is simultaneously disorienting and captivating.

As you immerse yourself in this extraordinary compilation, you will witness the transformation of the familiar into the extraordinary. The artists behind "Cut & Rearranged Vol. 2" fearlessly navigate uncharted waters, transcending genre constraints and daringly reshaping sonic narratives. With every track, you embark on a thrilling expedition, guided by these audacious Mexican creators, who are unafraid to challenge conventions and embrace the avant-garde.

Happy 4 years of Ineffable, fam.

Bandcamp

Seli - RRCRUZ

Drexciya - Black Sea

The Sound / How To Play Our Music

How To Play Our Music (Dub Mix)

Enter

Clear

Sinestesia is celebrating its third anniversary this month and for that reason we wanted to make this release of Celebration, where we continue with the ideal we had in the foundation of the label, which is to collect and enhance those new artists who are standing out in the scene for their good work and curate it for this compilation that shows the sound both atpospheric, percussive and with groove, which characterizes the releases that we have been having in Sinestesia.

Tobi Lack - Säulen

“Bloomed Era EP” This Various Artists release is a special one since it marks the end of The Nursery. We want to thank every artist who contributed to this series, it has been a great pleasure for us. On this EP you will find a selection of six diverse tracks, ranging from deep, hypnotic to energetic techno. As every end is the beginning of something new, keep an eye on the label in the next months!

Kevin Ferhati - Moons Of Jupiter

[PREMIERE] | Gannein - Intrusive Thought [SYEP027]

◘ Kinetic Thoughts EP by FVKS & Gannein

Artist: Gannein
Track: Intrusive Thought 
Label: Synergie
Genre: Electronic
Style: Techno
Cat No: SYEP027
Date release: 23.08
Format: Digital

◘ TRACKLIST

1. Gannein - Bhumi  
2. Gannein - Petal Pirouette  
3. Gannein - Intrusive Thought  
4. FVKS - Reactor  
5. FVKS - Split  
6. FVKS - Kinetic 
 
◘ PRE-ORDER / BUY LINK:

https://kollektivsynergie.bandcamp.com/album/kinetic-thoughts-syep027-2

◘ MORE:

Gannein:

https://soundcloud.com/gannein
https://www.instagram.com/gannein.techno/

Synergie:

https://kollektivsynergie.bandcamp.com
https://soundcloud.com/kollektivsynergie
https://www.instagram.com/kollektiv_synergie/?hl=de

Kinetic Thoughts EP

Intrusive Thought

[PREMIERE] | Gannein - Intrusive Thoughts [SYEP027]

To speak to Luca Daniel Schwarz aka LDS about his music is to be enthusiastically guided into a complex world of his own creation: clean and powerful techno which pulses with life from the textured patterns and drum sequences that have fills and accents that would make anyone who's picked up a set of drumsticks envious.

Yet this ecosystem of noise is deceptive; Schwarz's process for making music is very different to how a live drummer would create the same subtlety of performance. Forever researching new technology, Luca got deeply interested in different programming languages, and created a series of probability based music tools for manoeuvring sounds and sequencing.

Manipulating those probabilities takes a skillful alchemy, needing understanding of both musical structure and how the tools he devised work. To return to the drummer analogy, if the drummer is focussed and intentional in the moment of playing, then the method used in LDS tracks is almost diametrically opposed, with all of the intention coming in the assembly of the instruments, potential paths, and gateways; once play is pressed the music flows, following all the rules that were set in advance, not unlike a domino run or Rube Goldberg machine.

And like a domino run, the results are fascinating and, ultimately, fun: staccato vocals pop in and out in 'zipp prompt'; laser-like synths pulse; background noises sweep across the aural plane of the dub techno of 'diff, blockmix' and 'pow' adding texture that brings vitality all-too-easily missed out when complex mathematical processes become entwined with music creation. The high sensitivity to texture and rhythmic detail in Stadion Progg is multiplied further on Jean Redondo's remix - whose track, Hypersonic, was the backbone of 2023's 'yet' compilation on Tresor.

The balance between technology and a sense of fun might also come from the maker; it's not easy to overstate Schwarz's passion for what is now his favourite way to make music, "it never gets boring. There's always a moment of anticipation to see what actually emerges." And the true "power of 2" comes into play when the resulting music can be fed back through the system again and again, potentiating the music in exponential ways.

Tresor

Domsquut