Great Tune! Just heard it today in Avening....fun Midday concert - Thanks for the laughed and reflection!

Missing You

Anything Can Happen

Anything Can Happen (Live)

Start A Riot

You're Not There By Lukas Graham 

You're Not There by Lukas Graham, from the self titled album available now!

Download here: http://smarturl.it/LukasGrahamAlbum

Lukas Graham

You're Not There

Cringe

Cringe (Stripped)

The official audio for "Love Me" by Forest Blakk.

Stream "Love Me" on Spotify: smarturl.it/FBLoveMeSpotify
Download "Love Me" on iTunes/Apple Music: smarturl.it/FBLoveMeiTunes

Connect with Forest online
Website: https://www.forestblakk.com
Facebook: https://www.facebook.com/forestblakk
Twitter: http://twitter.com/forestblakk
Instagram: http://instagram.com/forestblakk

Lyrics: 
I thought I knew myself
I knew the moment that you left
Said do you love me baby
We used a play on words
Now you give silence back

Heart breaks later when you hold a man
Who never gave a damn
Said I don't know what it's like
to break a broken heart
And I ain't proud of it

If you don't love me let me know
If you don't love me baby
Why won't you let me go

Friday night they always seemed so bright
But now I lose my way
You see the pain gets deeper every step I take
Through each passing memory

Hugs and kisses dancing on his arm
His hand on your back
See I still love you babe
I'm having trouble moving on
Cause I can't get you back

If you don't love me let me know
If you dont' love me baby
why won't you let me go
If you don't love me let me know
If you dont' love me baby
why won't you let me go

The queen of spades she dug a shallow grave
to keep her diamonds sharp
What you doing to me baby
is this a house of cards
or the club for broken hearts

Body's aching as I lay awake
And there ain't no coming back
Baby the only peace of mind
That I could ever find
Was when I'd hear you say it back

If you don't love me let me know
If you dont' love me baby
why won't you let me go
If you don't love me let me know
If you dont' love me baby
why won't you let me go

If you don't love me let me know
If you dont' love me baby
why won't you let me go
If you don't love me let me know
If you dont' love me baby
why won't you let me go

If you dont' love me baby
why won't you let me go

Love Me

Stream

Yesterday's Tomorrow Night

No Good

Without People

Grew Apart

Homework

Sam Fischer - People I Don't Know

enjoy my take of iris originally written by the goo goo dolls xx

Iris

'Big Hurt Boy' is out now: https://linktr.ee/donovanwoods

Donovan Woods was in on the joke when he named his latest release. Riffing on a lyric from a Martin Simpson song (“Never Any Good”), Big Hurt Boy is a six-song exploration of how our failures — and our fixations on them — not only shape but enlighten us.

“I write about them again and again, just hoping people will still be interested,” the acclaimed Canadian singer-songwriter says. “So the title is poking fun of myself, that I’m theoretically this big sad guy who keeps getting dumped and writing fucking songs about it.”

Or you could think of it this way: Woods’ deep curiosity about the human condition is why we so clearly hear our own stories in his. The details differ, the characters change, but at their core, Donovan Woods songs are for and about everyone.

That’s particularly apparent on his new EP, which will be released March 18, 2022. Trying to capture more of an “undone” quality, Woods wanted his latest songs to “get back to the feeling that my early recordings had.” You hear that in the spare, subtle ache of “No Time Soon,” an acoustic monologue Woods describes as “the story of my whole life.”

“These are smaller, less polished songs than the ones I’ve been putting out recently,” says Woods, winner of the 2019 Juno Award for contemporary roots album (for Both Ways) and whose global streams have surpassed 210 million.

Still, Big Hurt Boy brims with some of the luminous production touches Woods has been adding to this repertoire lately. He wrote the album opener, “I Won’t Mention It Again,” on banjo, which fades into a spectral backdrop of electronic textures and layers of lush harmonies. 

A co-write with Peter Groenwald, “Leave When You Go” simmers with an R&B vibe backed by sensuous vocals from indie-pop artist Ralph. “A Picture of Us Smiling at a Party Five Years Ago,” which reunites Woods with Katie Pruitt (who co-wrote and sang on Woods’ “She Waits for Me to Come Back Down”), untangles how our memories are often preserved by photos. “It’s about nostalgia, which is just a memory that doesn’t have any of the stress or dread or anxiety that the real-time experience had,” Woods says.

“I Hope You Change Your Mind,” co-written with David Hodges, is such an understated tearjerker that you don’t even realize the relationship is over until the last line. “That song is about that back-end portion of a relationship when everyone knows the score but no one wants to say it,” Woods says. “It’s loving someone so much that you’re not sure how to be mad at them, so you twist yourself into knots.” 

Big Hurt Boy is the follow-up to 2020’s Without People, Woods’ celebrated album he made in isolation at the height of the pandemic. Whereas those songs were recorded in a makeshift studio at his Toronto home, with collaborators working remotely, his latest release harnesses the electricity of a roomful of musicians laying down tracks live in the studio, a first for Woods.

As an in-demand songwriter whose work has been recorded by the likes of Tim McGraw (“Portland, Maine”) and Lady A’s Charles Kelley (“Leaving Nashville”), Woods has been venturing beyond the singer-songwriter scene where he first cut his teeth. Equally at home in folk and country, he has worked with songwriters such as Tom Douglas, Lori McKenna, Brandy Clark, Ashley Monroe, Dustin Christensen, Femke Weidema, Steve Robson, and Ed Robertson (Barenaked Ladies).

Each of these collaborations has highlighted a budding truth about Woods: As respected as he is as a solo artist, he’s evolving and upending our expectations of how his music sounds. His songs have grown more dimensional, emboldened by new sonic landscapes, reminding us that classic songwriting transcends genre.

Grew Apart

DonovanWoods

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