Name: It Just Got Weird - Donovan Woods & Robyn Dell'Unto by DonovanWoods
Duration: 3 min 37 s
Description: Written by Donovan Woods & Jessi jo Dillon

at least give us a download if we can't get it on iTunes. I listen to this song way to much for it to not be in my library

Wickedly good & i cant even download it🫥

This song is everything to me. Thank you, thank you.

Written by Donovan Woods & Jessi jo Dillon 

It Just Got Weird - Donovan Woods & Robyn Dell'Unto

A demonstration of little country song. 

Written by Johnny Bulford, Robert Arthur and Donovan Woods 

Sleep On The Plane (guitar/vocal)

Lose It All

Hi Sophie, I’m calling you for a reason
Do you remember, your time in London

Why did you send us a fake photo
I guess you knew, I would find you beautiful

Both working, the nursery fees were crazy
A pretty French girl, caring for our baby

My wife is going to call you later today
I called out your name in bed, on her birthday

Sophie, I finally told her about our affair
About sleeping, with our French au pair

It’s been ten years, since the madness
I said, I don’t want any lies between us

She was a tired mother; I came in second
She looked pass me; and was slow to respond

Remember, a photo of me went missing
She suspected me, then days of quizzing

It started with a simple walk in the park
Putting on makeup, going out after dark

Sophie, I finally told her about the affair
About sleeping with our French au pair

You always made me laugh so much
Now asking me questions, about my crush

Why are you telling me now, she said
Should have told her earlier, she’s mad

Pregnant, with two other kids at the time
She has shut up shop, it’s payback time


Only talk via a secret remorse code license
All that remains for us, is deafening silence 

Sophie, I finally told her about the affair
About sleeping with our French au pair

I’m terrified she is now going to leave me
I’m being judged, turning two into three

I asked her to forgive me, to defuse the tension
To try and face the blows, to learn a lesson

She asked if I love you, I just walked away
Didn’t know how to respond, or what to say

She wanted to chuck a glass of wine at me
Let the whole restaurant know about you, Sophie

Sophie, I finally told her about the affair
About sleeping with our French au pair

She’s going to leave, unless she gets answers
She thinks I left it long enough, so it no longer matters

I took away her power of choice
She could have started fresh, with someone nice

Sophie, I finally told her about the affair
About sleeping with our French au pair

Hi Sophie, I’m calling you for a reason
Do you remember, your time in London

Intimacy has ground to a halt
We live on marriage memory, it’s my fault

Hi Sophie, I’m contacting you for a reason
Do you remember, your time in London

Sophie, I finally told her about the affair
About sleeping with our French au pair

Hi Sophie, I’m contacting you for a reason



Sophie, I called out your name in bed

Years Ago

Cover of Jann Arden's "Could I Be Your Girl" for Quick Before It Melts' DOMINIONATED 3. Learn how to download this song by visiting www.quickbeforeitmelts.ca.

Donovan Woods - Could I Be Your Girl (Jann Arden Cover)

"Spray Paint"  by Donovan Woods, Aimee Mayo & Chris Lindsey


Spray Paint

Changes - Single

Changes

Single released today, December 1, 2017
Listen on Spotify: https://goo.gl/BzsdsV

⇩⇩⇩ Lyrics ⇩⇩⇩

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~ Lyrics:

Sleep now, honey won’t you sleep now
Dream away your heart dream away your start
Breather now, in and out just breathe now
It’s alright to just hold your head and cry

Cos I’ll be here till the morning light
The waves won’t sink my raft without a fight
I’m wet and imp cold, I feel hungry and old
I hope we see the suns new light

Think about the way we used to sneak around
I’d hold on to you by the waterside
But we’ve grown old now
Sitting on our thrones
It’s alright to not dream of you at night

Cos I’ll be here till the morning light
The waves won’t sink my raft without a fight
I’m tired and I’m cold, I feel hopeless and bold
I hope we see the morning light

But hold me down; I don’t wanna hear this now
That I’m not the man that you want around
I’d hold on to you till the morning light

Said I’d be here till the morning light
I’m afraid I’ve been beaten by the fight
I’ve given up given in, feel fragile and thin
I guess we won’t see the morning light

Morning Light

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A Choir Of Ghosts - Morning Light

Acoustic version of Winter by Philip Whitehead, released 30th November 2018.

Philip Whitehead: Vocals, guitar, piano, mixing
Scott Harker: Mastering

Music & Lyrics by Philip Whitehead

Winter has fallen,
The leaves contain my heart.
Freedom is calling,
Frost is all around.

I gave my soul to summer,
Left it on the breeze.
Now leave me here in slumber
To freeze.

So let's sleep now till the summertime,
Turn the lights down all the way.
And I'll sleep now, suffocate my mind
Until the dark times go away.

And I'll freak out before the sun gets high,
Until the night takes him away,
And I'm free now.
Yeah, I'm free now

And I'm so tired,
And I'm so tired,
But I'll pray to keep alive.
And I'm so tired,
But I'll pray to keep alive.
And I'm so tired,
But I'll pray to keep alive.
And I'm so tired,
And I'm so tired.

And it's so cold in here without you now.
It's so cold, and you never let me out.
But I'll be cold,
And I'll be here.
'Cause I'm so tired,
Yeah, I'm so tired.

Winter has fallen,
The leaves contained my heart.
Freedom is calling,
Won't stop calling me.

Winter (Acoustic)

Written by Hayden Bursk and Nick Vallee
Produced by Hayden Bursk
The Casablanca Sessions - Red Brick on Lake Couchiching

Photo by Elizabeth Hunt

Oh Travioso - Already Gone

'Big Hurt Boy' is out now: https://linktr.ee/donovanwoods

Donovan Woods was in on the joke when he named his latest release. Riffing on a lyric from a Martin Simpson song (“Never Any Good”), Big Hurt Boy is a six-song exploration of how our failures — and our fixations on them — not only shape but enlighten us.

“I write about them again and again, just hoping people will still be interested,” the acclaimed Canadian singer-songwriter says. “So the title is poking fun of myself, that I’m theoretically this big sad guy who keeps getting dumped and writing fucking songs about it.”

Or you could think of it this way: Woods’ deep curiosity about the human condition is why we so clearly hear our own stories in his. The details differ, the characters change, but at their core, Donovan Woods songs are for and about everyone.

That’s particularly apparent on his new EP, which will be released March 18, 2022. Trying to capture more of an “undone” quality, Woods wanted his latest songs to “get back to the feeling that my early recordings had.” You hear that in the spare, subtle ache of “No Time Soon,” an acoustic monologue Woods describes as “the story of my whole life.”

“These are smaller, less polished songs than the ones I’ve been putting out recently,” says Woods, winner of the 2019 Juno Award for contemporary roots album (for Both Ways) and whose global streams have surpassed 210 million.

Still, Big Hurt Boy brims with some of the luminous production touches Woods has been adding to this repertoire lately. He wrote the album opener, “I Won’t Mention It Again,” on banjo, which fades into a spectral backdrop of electronic textures and layers of lush harmonies. 

A co-write with Peter Groenwald, “Leave When You Go” simmers with an R&B vibe backed by sensuous vocals from indie-pop artist Ralph. “A Picture of Us Smiling at a Party Five Years Ago,” which reunites Woods with Katie Pruitt (who co-wrote and sang on Woods’ “She Waits for Me to Come Back Down”), untangles how our memories are often preserved by photos. “It’s about nostalgia, which is just a memory that doesn’t have any of the stress or dread or anxiety that the real-time experience had,” Woods says.

“I Hope You Change Your Mind,” co-written with David Hodges, is such an understated tearjerker that you don’t even realize the relationship is over until the last line. “That song is about that back-end portion of a relationship when everyone knows the score but no one wants to say it,” Woods says. “It’s loving someone so much that you’re not sure how to be mad at them, so you twist yourself into knots.” 

Big Hurt Boy is the follow-up to 2020’s Without People, Woods’ celebrated album he made in isolation at the height of the pandemic. Whereas those songs were recorded in a makeshift studio at his Toronto home, with collaborators working remotely, his latest release harnesses the electricity of a roomful of musicians laying down tracks live in the studio, a first for Woods.

As an in-demand songwriter whose work has been recorded by the likes of Tim McGraw (“Portland, Maine”) and Lady A’s Charles Kelley (“Leaving Nashville”), Woods has been venturing beyond the singer-songwriter scene where he first cut his teeth. Equally at home in folk and country, he has worked with songwriters such as Tom Douglas, Lori McKenna, Brandy Clark, Ashley Monroe, Dustin Christensen, Femke Weidema, Steve Robson, and Ed Robertson (Barenaked Ladies).

Each of these collaborations has highlighted a budding truth about Woods: As respected as he is as a solo artist, he’s evolving and upending our expectations of how his music sounds. His songs have grown more dimensional, emboldened by new sonic landscapes, reminding us that classic songwriting transcends genre.

It Just Got Weird - Donovan Woods & Robyn Dell'Unto

DonovanWoods

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