this is amazing... such an evocative vibe

This wonderful piece of art haunts my days and nights...

just covered this on my profile because it's too good <3

What pretty voice and very nice song ... Congratulations to a little singer from Paris 💕💋👌👍

Horizon Fire

Ciaran Lavery- Shame

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That Hotel - Donovan Woods

Buy here!

The Tallest Tree

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iTunes: http://apple.co/1KRMxRM
spotify: http://spoti.fi/1NAQ2LX

Produced and Mixed by Hayden Calnin
Mastered by Andrew Edgson at Studio301

Justin Lewis playing some g tar 
Ruby Whiting on backing vocals.

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Sense of Home

Written and performed by Joshua Michael Robinson, Jason Haberman and Hayden Bursk of Oh Travioso
Produced, engineered and mixed by Hayden Bursk  
Mastered by Jeff Dalziel
Artwork by Jana Cleland

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Joshua Michael Robinson - Sweet Ascension

She says all her thoughts 
Are finally sorted out
I've heard it all before
She's trying to say goodbye
 
She takes every measure to make me see
There's nothing I can do to make her pleased
 
She says all that love 
Is sadly running out
I've heard it all before 
It's time to say goodbye
She's going somewhere else 
Where she can free her mind
From all the wrongs that I 
Brought into her life
 
She takes every measure to make me see
There's nothing I can do to make her pleased
No, I'm not gonna fight it
No, I'm not gonna fight it
No, I'm not gonna fight it
No, I'm not gonna fight it
She takes every measure to make me see
There's nothing I can do to make her pleased

Goodbye

Afterglow

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Summer Storms

Tall Heights - Spirit cold


https://blogs.wsj.com/speakeasy/2015/08/19/tall-heights-spirit-cold-exclusive-song/

Tall Heights is an Electrofolk duo based in Boston, MA. The group formed in 2009 and consists of singer/guitarist Tim Harrington and singer/cellist Paul Wright.[1] Recent touring has also featured percussionist/singer Paul Dumas. Their releases include Rafters, Man of Stone, Holding On, Holding Out, and Neptune, released August 19, 2016 on Sony Masterworks.[2]

Tall Heights - Spirit Cold

William Fitzsimmons - I Don't Feel it Anymore

'Big Hurt Boy' is out now: https://linktr.ee/donovanwoods

Donovan Woods was in on the joke when he named his latest release. Riffing on a lyric from a Martin Simpson song (“Never Any Good”), Big Hurt Boy is a six-song exploration of how our failures — and our fixations on them — not only shape but enlighten us.

“I write about them again and again, just hoping people will still be interested,” the acclaimed Canadian singer-songwriter says. “So the title is poking fun of myself, that I’m theoretically this big sad guy who keeps getting dumped and writing fucking songs about it.”

Or you could think of it this way: Woods’ deep curiosity about the human condition is why we so clearly hear our own stories in his. The details differ, the characters change, but at their core, Donovan Woods songs are for and about everyone.

That’s particularly apparent on his new EP, which will be released March 18, 2022. Trying to capture more of an “undone” quality, Woods wanted his latest songs to “get back to the feeling that my early recordings had.” You hear that in the spare, subtle ache of “No Time Soon,” an acoustic monologue Woods describes as “the story of my whole life.”

“These are smaller, less polished songs than the ones I’ve been putting out recently,” says Woods, winner of the 2019 Juno Award for contemporary roots album (for Both Ways) and whose global streams have surpassed 210 million.

Still, Big Hurt Boy brims with some of the luminous production touches Woods has been adding to this repertoire lately. He wrote the album opener, “I Won’t Mention It Again,” on banjo, which fades into a spectral backdrop of electronic textures and layers of lush harmonies. 

A co-write with Peter Groenwald, “Leave When You Go” simmers with an R&B vibe backed by sensuous vocals from indie-pop artist Ralph. “A Picture of Us Smiling at a Party Five Years Ago,” which reunites Woods with Katie Pruitt (who co-wrote and sang on Woods’ “She Waits for Me to Come Back Down”), untangles how our memories are often preserved by photos. “It’s about nostalgia, which is just a memory that doesn’t have any of the stress or dread or anxiety that the real-time experience had,” Woods says.

“I Hope You Change Your Mind,” co-written with David Hodges, is such an understated tearjerker that you don’t even realize the relationship is over until the last line. “That song is about that back-end portion of a relationship when everyone knows the score but no one wants to say it,” Woods says. “It’s loving someone so much that you’re not sure how to be mad at them, so you twist yourself into knots.” 

Big Hurt Boy is the follow-up to 2020’s Without People, Woods’ celebrated album he made in isolation at the height of the pandemic. Whereas those songs were recorded in a makeshift studio at his Toronto home, with collaborators working remotely, his latest release harnesses the electricity of a roomful of musicians laying down tracks live in the studio, a first for Woods.

As an in-demand songwriter whose work has been recorded by the likes of Tim McGraw (“Portland, Maine”) and Lady A’s Charles Kelley (“Leaving Nashville”), Woods has been venturing beyond the singer-songwriter scene where he first cut his teeth. Equally at home in folk and country, he has worked with songwriters such as Tom Douglas, Lori McKenna, Brandy Clark, Ashley Monroe, Dustin Christensen, Femke Weidema, Steve Robson, and Ed Robertson (Barenaked Ladies).

Each of these collaborations has highlighted a budding truth about Woods: As respected as he is as a solo artist, he’s evolving and upending our expectations of how his music sounds. His songs have grown more dimensional, emboldened by new sonic landscapes, reminding us that classic songwriting transcends genre.

That Hotel - Donovan Woods

DonovanWoods

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