An etude for piano solo in romantic style.
http://a-touch-of-music.blogspot.be/2014/01/etude-for-piano-solo.html


Etude for piano solo

Nord Modular G1 and Korg MS-20 Mini collaborating... :-)

SignalShaper | Nord Modular G1-Korg MS-20 Mini | Aerodyne

The lovely Korg MS-20 mini with a tiny bit of Clavia's Nord Lead 2... :-)

SignalShaper | Korg MS-20 mini / Nord Lead 2 | Deneba

Minimal Korg MS-20 bassline with computerdrum. Nord Lead 2 sound FX.

SignalShaper | Korg MS-20 mini & Nord Lead 2 | Elektron

LessThanEight

Work in Progress - Tentative intro to a new piece "Green Glass" Open to criticism and critique!

GreenGlass2

A slightly distorted grainy and dark electronic trip with Korg's MS 20 mini on Bass and seq. | Nord Modular on FX/sequencing and my old trusty Gibson SG 1974 :-)
Only hardware synths... No presets, No VST's...

SignalShaper | Korg MS-20 / Nord Modular / Gibson SG 1974 | Alkaid

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Nymus - Texture Kid

Recording by Piotr Szewczyk.
The gegenschein, or counter shine, is a very feint brightening of the night sky centered on the point directly opposite the sun.  It is a very indirect source of light—sunlight reflecting off of the very fine particles that make up interplanetary dust.  This is an appropriate metaphor for the kind of sound world I have tried to create using a solo violin, a work consisting mostly of very fast arpeggiated and tremolo-like figures involving natural harmonics.  Due to the speed of these figures, the harmonics only have time to partially sound, yielding a rapid succession of very feint overtones.  The result is a fragile yet brilliant flickering of sound, mostly quiet and diffuse yet played with great intensity and aggression.  My thanks to Piotr Szewczyk who commissioned and premiered the work as part of his Violin Futura project.

gegenschein

Beat made with the AAIM.patternVary module and a few fx http://sourceforge.net/projects/aaim/files/AAIM_DrumMachine.zip/download

AAIM_beat1

Algorithmically generated jazz from ~300 lines of code. There are no human-made notes in this, and there is no high-level arranging either. It's a solid, single generation that can also continue indefinitely without ever repeating. This is the first of my algo-jazz series to be hands-off to this degree.

Post-code human influence in this was the choice of random seed to kick it off, choice of instruments, a bit of track-level volume shifting to match the instruments, adding reverb, and fading the start/end. 

The code was written in Haskell using the Euterpea library along with a concise  jazz type system and generative framework that I've been working on over the last year. The output from this code is a MIDI stream or file. A separate algorithm was also used in post-processing the MIDI to introduce very minor volume and tempo irregularities in the notes to help soften the effect of simultaneous note onsets.

Hypnotize

Mixed-genre electronic and algorithmic compositions.

Hypnotize

DonyaQuick

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