Name: Transmission 702 by DonyaQuick in Other Algorithmic Work
Duration: 3 min 40 s
Description: I was trying to set up a microphone one day and, when first connected, it made all sorts of utterly weird sounds. I recorded some of it and then twisted and contorted it into this.

I usually don't like overly random music, but this is an exception. I can see the opening scene of a sf movie.

Algorithmic compositions in reverse-chronological order. These compositions do not use Euterpea or Kulitta (which have separate playlists).

Other Algorithmic Work

An etude for piano solo in romantic style.
http://a-touch-of-music.blogspot.be/2014/01/etude-for-piano-solo.html


Etude for piano solo

Nord Modular G1 and Korg MS-20 Mini collaborating... :-)

SignalShaper | Nord Modular G1-Korg MS-20 Mini | Aerodyne

The lovely Korg MS-20 mini with a tiny bit of Clavia's Nord Lead 2... :-)

SignalShaper | Korg MS-20 mini / Nord Lead 2 | Deneba

Minimal Korg MS-20 bassline with computerdrum. Nord Lead 2 sound FX.

SignalShaper | Korg MS-20 mini & Nord Lead 2 | Elektron

LessThanEight

Work in Progress - Tentative intro to a new piece "Green Glass" Open to criticism and critique!

GreenGlass2

A slightly distorted grainy and dark electronic trip with Korg's MS 20 mini on Bass and seq. | Nord Modular on FX/sequencing and my old trusty Gibson SG 1974 :-)
Only hardware synths... No presets, No VST's...

SignalShaper | Korg MS-20 / Nord Modular / Gibson SG 1974 | Alkaid

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Nymus - Texture Kid

Recording by Piotr Szewczyk.
The gegenschein, or counter shine, is a very feint brightening of the night sky centered on the point directly opposite the sun.  It is a very indirect source of light—sunlight reflecting off of the very fine particles that make up interplanetary dust.  This is an appropriate metaphor for the kind of sound world I have tried to create using a solo violin, a work consisting mostly of very fast arpeggiated and tremolo-like figures involving natural harmonics.  Due to the speed of these figures, the harmonics only have time to partially sound, yielding a rapid succession of very feint overtones.  The result is a fragile yet brilliant flickering of sound, mostly quiet and diffuse yet played with great intensity and aggression.  My thanks to Piotr Szewczyk who commissioned and premiered the work as part of his Violin Futura project.

gegenschein

Beat made with the AAIM.patternVary module and a few fx http://sourceforge.net/projects/aaim/files/AAIM_DrumMachine.zip/download

AAIM_beat1

I was trying to set up a microphone one day and, when first connected, it made all sorts of utterly weird sounds. I recorded some of it and then twisted and contorted it into this. 

Recursion

Transmission 702

Chrysalis

Intrinsic

Algo-jazz remix of a piece of mine from quite a few years ago. Since some melodies and certain important bass riffs are from the original, this one is about 50% algorithmic. Two algorithmic frameworks were used: a Python-based interactive bossa nova generator(which was given a lead sheet for the III-ii-i-i-III-IV-i-i progression) and a little bit of Haskell/Euterpea for the high synth. The Python framework is part of my work on the MUSICA project and is an outgrowth of a similar but non-interactive jazz generator I wrote with Haskell.

Lobophyllia II

0C = "Zero C." Partially algorithmic work. This piece was created by taking about 6min of material from my Zero Order II generative system for the ROLI Lightpad block and recombining segments of each instruments' parts as I saw fit, adding in a little bit of generative stuff from Euterpea (although very little), and putting some hand-made hi-hats over the generative kick part. A video of the live version of the generative system used to make the source material is here: https://youtu.be/8aeU_SwIH1g

Mixed-genre electronic and algorithmic compositions.

Transmission 702

DonyaQuick

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Martin Drautzburg

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