An etude for piano solo in romantic style.
http://a-touch-of-music.blogspot.be/2014/01/etude-for-piano-solo.html


Etude for piano solo

Nord Modular G1 and Korg MS-20 Mini collaborating... :-)

SignalShaper | Nord Modular G1-Korg MS-20 Mini | Aerodyne

The lovely Korg MS-20 mini with a tiny bit of Clavia's Nord Lead 2... :-)

SignalShaper | Korg MS-20 mini / Nord Lead 2 | Deneba

Minimal Korg MS-20 bassline with computerdrum. Nord Lead 2 sound FX.

SignalShaper | Korg MS-20 mini & Nord Lead 2 | Elektron

LessThanEight

Work in Progress - Tentative intro to a new piece "Green Glass" Open to criticism and critique!

GreenGlass2

A slightly distorted grainy and dark electronic trip with Korg's MS 20 mini on Bass and seq. | Nord Modular on FX/sequencing and my old trusty Gibson SG 1974 :-)
Only hardware synths... No presets, No VST's...

SignalShaper | Korg MS-20 / Nord Modular / Gibson SG 1974 | Alkaid

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Nymus - Texture Kid

Recording by Piotr Szewczyk.
The gegenschein, or counter shine, is a very feint brightening of the night sky centered on the point directly opposite the sun.  It is a very indirect source of light—sunlight reflecting off of the very fine particles that make up interplanetary dust.  This is an appropriate metaphor for the kind of sound world I have tried to create using a solo violin, a work consisting mostly of very fast arpeggiated and tremolo-like figures involving natural harmonics.  Due to the speed of these figures, the harmonics only have time to partially sound, yielding a rapid succession of very feint overtones.  The result is a fragile yet brilliant flickering of sound, mostly quiet and diffuse yet played with great intensity and aggression.  My thanks to Piotr Szewczyk who commissioned and premiered the work as part of his Violin Futura project.

gegenschein

Beat made with the AAIM.patternVary module and a few fx http://sourceforge.net/projects/aaim/files/AAIM_DrumMachine.zip/download

AAIM_beat1

Largely algorithmic bebop. My alterations were high level section arrangement (to yield repetition in a few spots) and a bit of tweaks to the start/ends of large drum sections to make it smooth. The rest is the work of some infinite jazz generator algorithms I've been working on for the past few months.

An explanation of the title:
Picture an elegant woman with a large Gucci purse getting on the subway in NYC. She sits down one seat over and sets her bag in the seat next to you. A while later, you hear raspy, gurgling noises. You look over and, sticking out of the top of the bag, there is an animated mass of fur that looks like the sort of thing you pull out of a drain. You can't tell whether this animal is actually looking at you because its eyes are pointing in different directions. Teeth are sticking out at odd angles. It becomes unclear whether it's growling or if this is simply how it breaths. Does it want you to pet it? Does it want to brutally murder you and eat your soul? There is no way to tell, so you awkwardly look straight ahead and keep an eye on it from the reflection on the windows. The train comes to a stop, the creature sinks back into the abyss from whence it came, and the woman gracefully exits with her handbag of horrors. You have just experienced an Ugly Purse Dog.

Ugly Purse Dog

Mixed-genre electronic and algorithmic compositions.

Ugly Purse Dog

DonyaQuick

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