OldSkoolHardcore

(not mine) original link below

https://youtu.be/qZBHQYJhVN0

Fat Controller - In Complete Darkness (Slipmatt Remix)

LTJ Bukem - Atlantis/ I Need You (MisF!t Dubstep Remix)

The Criminal Minds - De - Baptised By Dub (Sidestalker Mix) [Spatts Re - Edit]

.
To the person that requested it. Good Choice & Thanks mate! Direct from Vinyl
.
==============================================================

Another Great Tune by Goldseal Tribe from 1992. Will have track A3 (Cant Stop Me) uploaded soon!

Recorded to FLAC Format and then uploaded here today to give you the best Analogue to Digital Conversion for a great track. Wicked track and nicely crafted! 

Info Link - https://www.discogs.com/release/229832-Goldseal-Tribe-Goldrush-160

Label: Goldseal Reacords | Cat # GOLDSEAL 004E
Release Year: 1992 | Format: Vinyl | 12" | 33 RPM
Genre: Hardcore, Jungle, Techno

Companies etc:

Produced At – Goldseal Studios
Distributed By – Goldseal Distribution

Notes for this Vinyl:

Cataloguenumbers:
GOLDSEAL ØØ4E - label artwork
GOLD SEAL 004E - etching runout groove

Side A: text and logos are printed in gold, whilst the B-side is plain white

Move Your Feet, samples the 80's band ( Madness - Grey Day ) & samples Musical Youth ‎– Pass The Dutchie.

==============================================================

Thanks for listening...

Kaz
Est. l9t4

==============================================================
.

Goldrush 160

Goldseal Tribe - Goldrush 160 [Track A1 'Dis' Side] [1992] [White Label]

Monolith Volume One

Close Your Eyes (Optikonfusion) (Remastered)

4AM.  Orca 5  -The Remix - Pure White

Sweet Harmony

Nick OD - Distance (I Need You)

DJ Wislov - Keep Alive

D Force - Original Bad Boy (Original Mix)

Slipmatt - Hear Me (Seduction Remix)

DJ Seduction - My Own (Slipmatt Remix) 1994

DJ Red Alert & Mike Slammer - Don't Need Your Love

Sonz of A Loop Da Loop Era / Peace & Loveism (4 Hero Remix) / 1992

Sonz Of A Loop Da Loop Era - Peace & Loveism (4 Hero Remix)

BUY NOW >>> https://www.vinylfanatiks.co.uk/product/norty-but-nice-do-you-want-it-give-it-to-me-baby-12-vfs019

“By 1994 I was concentrating on jungle. I thought I was over the old school and wanted to move forward. But I always loved the piano’s from the past, so I wanted to try something different with my jungle. I didn’t want to make something dark. I did it under Norty But Nice as I didn’t want anyone to know it was me” Roy AKA Ellis Dee AKA Norty But Nice tells me over the phone as we catch up to discuss this release in the midst of the Coronavirus pandemic.

Roy is always upbeat, and every time we chat its always a laugh. He is such a wealth of knowledge and for me, he is the daddy of the rave culture. He had the coolest name and played the coolest sets. A rave wasn’t a rave unless Ellis Dee was on the bill!

So it was a sunny evening in April 2020 when we chatted on the phone. With us all stuck at home on lockdown, it has been quite a productive time for music in the UK, though the unpredictability during these times has made me slow down my release schedule, which is a shame as I have many more Ellis Dee releases to share with you all. But lets for now focus on this release and why a new production name? “The name Norty But Nice came from my love of the Naughty Naughty label run by Wishdokta around the same time” he tells me. “It was a label that did unofficial remixes using bits and bobs of other tunes. What I was doing at that time was very similar as I was sampling bits and bobs off other tunes, so Norty But Nice just fitted. The label design was by some guy, I cant remember who it was now. I had an idea of what I wanted and he knocked it up, but no idea if it was done by hand or on computer, its so long ago now!”

So how come you didnt move over to jungle when so many others were doing so? “When jungle first came out I didn’t like it to start with, it was just too dark and the beats were too experimental. To me it seemed like people just wanted to show off their technical skills rather than make a tune for people to dance to. I started to get into it when they started using reggae samples and the beats were more rolling. I thought ‘you know what, this is a sound that I like’. If it wasn’t danceable at the end of the day, it wasn’t for me. As a DJ I played the more uplifting stuff and that’s what I wanted to make” Roy explains. “I wanted to try something out myself but didn’t want anyone to know it was me, and they didn’t! It did pretty well sales wise as it crossed over nicely with the jungly uplifting vibes that Krome & Time were making as Higher Level. I was torn between jungle and the happier vibes but I always loved a good piano riff. I had the tune knocking about in the studio for a while unfinished, so when the time felt right, I got it finished off and released it”.

By this point in Roy’s career he had settled in Bethnal Green and had the Underground Studios which was a basement studio where all the Rhythm Section tunes were recorded. It was filled with producers and many famous names swinging by and catching the vibe; Krome and Time, Kenny Ken, Darren Jay, Mark and Everson from Ratpack, DJ Rap, Randall, MC Fats, MC Fearless and MC MC as well as a load of others Roy has long forgotten about. The studio consisted of an Ensoniq ASR10, which was basically the workhorse for Roy’s productions during this period. He was running Steinberg’s Notator via an Atari 1040ST and had a Novation Bass Station keyboard which was an incredible synth that was an instant success when it was released. It was great at recreating 303 riffs and fat Moog sounds and had a wealth of effects that were midi controlled. It was basically one of the first new analogue synths to hit the markets since the 1980’s. There was also the Roland JD800 on site but this got little use by this point in time and was a castaway from the Rhythm Section era. And of course a trusty pair of Technic’s 1210 which helped supply some of this releases samples!"

Norty But Nice - 'Give It To Me Baby' - VFS019 - 192mp3 clip

Bookings: Hot Cakes
ben@hotcakes.info
https://hotcakes.info/artists/?profile=dope-ammo

Dope Ammo's remix of Baby D’s rave classic “Let Me Be Your Fantasy” reached No.2 in the main Beatport Chart. It also became Beatport's biggest selling Drum & Bass tune over a 12 month period. 

Since then, the Dope Ammo remixes and radio support has kept coming. In 2022, Dope Ammo began a collaboration with London Promoter 'Moondance'. In 2022 they released the 'Together' album which also became a No1 best seller across Beatport, Juno and ITunes Dance. 

In a career spanning two decades, Dope Ammo has released music on many top tier labels and toured across 20 countries. In 2024, Dope Ammo played at the Nowhere Stage for Shangri-La at Glastonbury festival, alongside the likes of Fatboy Slim, Kurrupt Fm, and Katy B.

The Criminal Minds - De - Baptised By Dub (Sidestalker Mix) [Spatts Re - Edit]

Dope Ammo

Related tracks