SMRH (prod. eli.yf x manosrevenge)

Rounds Prod. DaeSavv And 3 Farts

Passenger Princess (Pound Town) ft. ixyexan.999 [glenwtf]

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anxiety. (prod. CaasiW) - (sailor song)

pockets like a safe (prod 1bosley)

Another Mouthful of uncut Independent artistry, lol. Explicit.

Mouthful Again

🔥 Lux Coven’s “Shut It Down” is a Firebomb Sermon from the Church of Chaos

In Shut It Down, Lux Coven delivers a sonic Molotov cocktail — a snarling, unrelenting anthem that fuses rap-metal, screamo, and industrial boom-bap into a full-blown auditory assault. It's both war cry and exorcism, a feverish purge of rage, madness, street memories, and defiant self-mythologizing. The track doesn’t beg for your attention — it takes it by force and smashes it across the pavement.

From the very first “Fuck ‘em up — shut it down,” Coven assumes the role of preacher and punisher, spitting venom with conviction. Every bar is a scalpel. Every scream a sermon. The hook alone is a rallying cry for the ungovernable — something between a mosh pit commandment and a gladiator’s snarl before the first swing lands.
Verses That Swing Like a Switchblade

Verse 1 is all blunt trauma and gritted teeth: “Power tools turn ya ass to molecules” isn’t just hyperbole — it’s a warning. The lines drip with bloodlust, layered with pop culture psychosis, east-coast beach town references, and a flair for theatrical brutality. Think early Slipknot meets Ghetts, but with the DIY venom of a back alley punk prophet. There’s menace in the humor and poetry in the threats — this isn’t mindless aggression, it’s calculated chaos.

Verse 2 sharpens into cinematic satire. Over a boom-bap pocket, Lux balances ego with absurdity — from “vampires here, say goodbye to your youth” to traffic rage and sexual deviance, he weaves the surreal into the all-too-real. The tone flips halfway, melting into a screamo section that feels like the speaker losing grip of his own reality: “It puts the lotion on the skin or it gets the fuckin’ belt!” — a Silence of the Lambs reference twisted into performance art.

Memoirs of a Madman

Verse 3 hits hardest. It's memoir — raw and scabbed over. Sleeping under ramps. Working Blockbuster shifts to pay child support. The beat slows slightly as the verses breathe a little deeper, letting the pain cut sharper. The final scream “SLASHER MOVIE MIND — CUT THROUGH THE BLACKNESS!” feels like both catharsis and climax — not just a metaphor, but a mission statement.

There’s real autobiography underneath the carnage — father trauma, poverty, surveillance paranoia, mental breaks — but it’s buried under layers of mythology and metaphor, told like a horrorcore folk tale. Coven isn’t trying to be relatable — he’s trying to be unforgettable.

Production: Filthy, Fragmented, Ferocious

Distorted guitars bend like sirens through a dying speaker. Breakdowns are timed like trap doors. Screamo elements burst through boom-bap drums with no warning, like PTSD flashbacks mid-bar. The result is intentionally jarring — like channel surfing through a broken brain. Somewhere between Denzel Curry, City Morgue, and Eminem’s 2000-era Slim Shady darkness — but it never feels derivative.

💀 Final Verdict: An Unholy Baptism in Gasoline and Grit

“Shut It Down” isn’t a song. It’s a ritual. Lux Coven has created a chaotic, hyper-aggressive tapestry of underground sound — somewhere between exorcism and execution. It's not polished, it’s primal. It's not perfect, it's possessed. And that’s the point.

This is the soundtrack for those who aren’t looking for permission — they’re looking for the detonator. And Lux just handed it to you.


tangerine

DS-DEMON

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