Aphex Twin: [mostly mellow] for Supreme

Pierre Henry
Theme De Myriam
KREEP03

For the third installment in our Finders Kreepers dedicated vintage horror soundtrack series we begin with an obscure French witch flick which pulls together stylistic echoes of both Bell Book And Candle and Czech gothic thriller Morgiana then feeds them through the musical mind of one the true pioneers of electronic composition for this little known OST by a well known sonic maverick. Often evading the composer’s discography lists Pierre Henry’s rare score to Malefices (aka The Hex or Where The Truth Lies) hears our bonefide musique concrète originator at what is perhaps his most melodic and fragile (especially for the formative era) layering vocal tape loops and gossamer feminine voice treatments with plucked strings, white noise wind and brooding industrial piano textures for this intoxicated poison peon which stands as the perfect opener to an intense soundtrack for those lucky enough to find the original record (or film for that matter).

The second cut on this limited edition 45 is a classic piece of unnerving horror composition that adopts the same child-like vocal/brooding undercurrent that has earned scores like The Innocents, Night Of The Hunter and Profondo Rosso an indelible place in our nostalgic nervous systems.  Creating a major stir as a novel and stage play before benefitting a celluloid adaptation The Bad Seed shocked audiences with the first cinematic killer kid in mainstream cinema following a did she/didn't she plot set to innocent nursery rhymes played in fragile minor keys against paranoid orchestral restraint.  Mirroring the theatrical mother’s worst fears and accentuating the lead roles split personality The Bad Seed earned composer Alex North continued plaudits for his classy, conceptual realisation of this milestone in horror cinema soundtracking.

Pierre Henry - Theme De Myriam (Maléfices)

Meet Me In The Lobby 35

The BBC Television Service starts the day with the Radiophonic Workshop's "Time Beat" and a welcome from Trevor Lucas.

BBCtv start-up: "Time Beat" by Ray Cathode (Maddalena Fagandini and George Martin) | 1962

Philippe laurent - exposition 5

Cubist Reggae

Ever Apparent All Being Shoulder

Das Ding - H.S.T.A.

Reference Frame

No Boundry Condition

Rhythm Study 8 - Henry Jacobs (Magic Mashroom Remix)

Trance

Impulse

Ivor The Engine And Pogles Wood

Effects: Ivor chuffing

Rubba - Way Star

Borghesia is an electronic music group, founded in 1982 in Ljubljana, Slovenia. The band  was formed by four members of alternative theatrical group Theatre FV-112/15: Dario Seraval, Aldo Ivancic, Neven Korda and Zemira Alajbegovic. They established FV Video to self-publish their video projects and FV Založba – the first independent record label in ex-Yugoslavia. Aldo and Dario took care of songwriting, production and recording while Zemira and Neven handled the visuals. In the late 80s the band signed to PIAS and went on to release a string of successful albums and played world-wide tours. 
"Clones" was Borghesia's second album, self-released on cassette only in 1984. The band borrowed synthesizers (Roland SH-101, Casio VL-1, Korg Polysix) and a Roland 808 drum machine from friends. Every song was played live - no overdubs - and recorded to a cassette deck over a few nights at their club Disco FV during 1983-1984. The music on "Clones" is meant to accompany various video installations and performances. All of the songs are instrumental and feature various cutting edge techniques for 1983. Hypnotic, proto-techno and acid rhythms and synth lines. Music on the A Side of the LP is faster and club oriented while the B Side offers a drugged out soundtrack to get lost in. 
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley directly from the original master tape. Each LP is housed in a silver jacket with original gelatin print by photographer Jane Štravs. A fold-out poster is included with unreleased photos, original artwork and liner notes by the band. After 28 years, Borghesia's "music for video" is finally appearing on vinyl for the first time.

Secret Affair No. 2

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.

Vinyl / CD / Digi

Ivan ‘Mamão’ Conti - Ilha Da Luz

Tropicola

And what if the infamous UNDERGROUND and OVERGROUND albums had a third psychedelic chapter, still secret and unreleased until today? 
Yes, you heard correctly: this SUPERGROUND LP is sonically akin to the legendary pair for which composer Sandro Brugnolini will always shine worldwide, and ideally brings the trilogy to a close. Composed and recorded in two sessions between July 1969 and November 1970, the album echoes the shocking 1969's Charles Manson massacre, with tracks dedicated to the villa at Cielo Drive, in Hollywood, where Sharon Tate e Roman Polanski lived for six months. Some music was also used for an animated short movie signed by Pino Zac, “Radice Quadrata di 3”, a little art-film gem about the consumer society. 
The recordings have all in common the terrific line up, featuring MARC 4 members Antonello Vannucchi (organ), Maurizio Majorana (bass), Roberto Podio (drums), along with Angelo Baroncini (guitar) replacing Carlo Pes. An incredible groovy combo that plays a strange psychedelic rock and r’n’b with funky and prog flavor. 
Another lost masterpiece from Italian golden age soundtracks finally rescued and brought back in life to see the light of the wax for its very first time.

FLIES 40 > Out on September 20

excerpts:
B4 - Malattia
A3 - Malattia
A2 - Villa Polanski
A1 - Sharon Tate
B2 - Lovable
B1 - Hip Now
B3 - Petting
A4 - Kissing

Sandro Brugnolini | SUPERGROUND

Das Ding - H.S.T.A.

DOT.

Recent comments

Khofy

Rümesku

Related tracks