https://animaplanet.bandcamp.com/album/lithia

LITHIA

Lithia

some songs from '23
shoutout to P.O.D. for "Alive"

Yibing

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & mu tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, qwqwqwqwa & sop.io, Muein, & Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record investigates how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored on UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

James K - Sketch 4

The second single from 'Silent Dispatch', out February 14th on OST.

Written and produced by bambinodj @henryaleksis
Mastered by CZ Wang @czwang
Artwork by Amal Guichard @amalcrossing

Silent Dispatch

Carrier

it's very serious music

Here’s Ingrate with an hour of forward-thinking house music, drawing inspiration from the mid to late 2000s.

https://www.instagram.com/1ngr4t3/

Ingrate @ Drift Radio 27-02-25

stay

https://soundcloud.com/verschrin

*ੈ✩‧₊˚ ⋆✴︎˚｡⋆
Fireworks is the debut album by Vienna-based producer Verschrin
A collection of pieces dating from 2020-2025,
constructed of material from 1996-2025.

(16052025-21:26-Vaucluse)
Und ich erinnere mich an garnichts.

Mastered by Adam Badí Donoval

Watch the music video here: https://www.youtube.com/watch?v=HeNSRku8LJI

Fireworks

Verschrin - Crossroads

Shaolin Soccer OST - Shoe Fixed
Glint - Love Triangle
serpuline - ⟨∘∘∘∘n⊚thℹ️ng∘∘∘∘⟩
Disc - Section/Seection-Aalucifer
Sora - A Caminho Do Mar
Allan Holdsworth - Above And Below
ana reme - soft gaze
goo - silhouette
Katamari Damacy OST - Fugue 7777
Nudo - freeer 3
Madonna - Little Star
Terre Thaemlitz - The Dream Will Carry Me

https://soundcloud.com/107_18

Sex Mix 029: Glint

quest into you [2025]

Memories (slowed)

@toolkits
kitch e.k.

toolkits2k@gmail.com

Yibing

dovecot

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