ᖇEᖴᒪEᑕTIOᑎ ᖇOOᗰ

slob riddim staccato[obnoxious.v1]

[NICE001] Bobby Dreams - ‘Let Them Know’ EP 

Introducing 'Let Them Know,' the debut EP by Bobby Dreams, marking the inaugural release of All Nice Records. This record is a groundbreaking introduction to the label's ethos, characterized by a raw, distorted, and authentically underground sound, paying homage to the gritty energy of Chicago's underground house scene. Starting the journey with an electrifying pulse is "Creepin'." This track beckons you into its hypnotic groove, where infectious beats and tantalizing melodies invite you to the dance floor, embodying the spirit of Detroit's underground. The eponymous title track, "Let Them Know," commands your full attention, showcasing Bobby Dreams' distinctive style with crunchy rhythms and entrancing chord progressions—a sound signature that embodies the essence of 'All Nice Records.' 
Flipping over to Side B, we venture deeper into the night with "Afterhours." This track immerses you in a hypnotic blend of soundscapes tailor-made for those late-night dance floor adventures. For the grand finale, "Get Busy" delivers an electrifying climax, promising a trippy, high-energy experience that envelopes you in its pulsating rhythms and vibrant textures, staying true to Bobby Dreams and 'All Nice Records' uncompromising vision.
The 'Let Them Know' EP is a milestone in the making, the genesis of a label that celebrates the unfiltered, Chicago-inspired, and 'All Nice Records'-infused magic. Stay tuned for the release date, and be among the first to immerse yourself in this extraordinary debut, setting the stage for the future of underground electronic music. It's time to let the world know about Bobby Dreams and 'All Nice Records'!

Let Them Know

Bobby Dreams - Creepin' [NICE001]

A gorgeous 7 tracker by Norwegian techno/electro/acid artist Retape. The EP takes off where Drexciya and related projects such as The Other People People Place left it in the early 2000s. The title track takes it away and is the most technoid of all with a driving bassline and open hi-hats while long stretched melodies finish it off; this one sucks you onto the dance floor as if it were one big whirlpool. The second cut "Coir" is a serene a downtempo 4/4 track that gets you overwhelmed with an otherworldly melody sneakily coming in about midway. "EMN" then, pulls you straight underwater with its hard hitting snares, plastic bassline and acid feel. The tempo goes up with "Cars", a delay-heavy spaced out acid track for unstable dance floors. The following track "Rotation" is a beatless excursion into the world of clinical synthesized sci-fi music. The incorrectly named "Moving Down" is the final track and a true upper: high speed melodic electro with a touch of melancholia. Six times lucky, this one.

Retape -  Signals On The Double

Original track: Natoxie, Bamby - BMW

Big shoutout to Ben UFO (@benufo) for the support on this one, I've had so many people message me asking for this tune because they heard it in one of his sets. 

Big ups everyone who's downloaded and supported prior to the release of this one. Hope you all enjoy x

Natoxie X Bamby - BMW (Ruairi Rollins Edit)

FREE DL

[FREE DL] Natoxie X Bamby - BMW (no excuse. Edit)

In recent years, Blackploid has come to be one of Central Processing Unit’s signature artists. The German producer has averaged more than a record a year for the Sheffield imprint since he first landed on CPU in 2021. This prolific run continues with Cosmic Drama, Blackploid’s second LP for the label. The album takes the baton from its predecessor Enter Universe in style, delivering twelve tracks of top-quality machine-funk that draw down from electro’s classic artists while also imbuing proceedings with a playfulness that very much gives things a signature Blackploid-ish flavour.

Cosmic Drama sets its stall out from the off. The opening run of ‘Alien’, ‘World Construction’ and ‘Virtual State’ all deliver piston-snapping beats which anchor pleasing melanges of B-movie synth lines. Alongside this, Blackploid adds little flourishes which add buoyancy to each joint - a syncopated bassline reminiscent of I-f’s late-90s classic ‘Space Invaders Are Smoking Grass’, crackling robo-voiced commands, skittering synth chords which wash across the mix and so on. It’s the work of someone completely at ease with their craft, comfortable enough to take risks without upsetting the apple cart of their sound’s core appeal.

Blackploid’s idiosyncratic approach to synth work is something which distinguishes Cosmic Drama from the pack. Electro has long been a genre which prides itself on innovation on the keys, but few producers are willing to push their sonics as far as Blackploid does - take the seasick churn of pads and processors on ‘Multiverse’, for instance, or the way John Carpenter-esque single-note lines dovetail with gurgling synthetic pulses and eerie, spacious chords on ‘The Lab’, a highlight of Cosmic Drama’s midsection.

Cosmic Drama skips along at club tempo throughout - every one of these joints will get bodies moving in dark rooms across the galaxy. However, even when tracks maintain their single-minded pursuit of machine-funk perfection, they never forget to deliver on the hooks. Blackploid has lead lines (and counter-melodies) to burn here, and each track knots them together in ever-more intriguing ways as they plough onwards. Drexciyan heads will be thrilled by the sci-fi delights of ‘Species’, for instance, while Blackploid brings melodies as cold as they are catchy on the aptly-named ‘Polar Dunes’. By the time Cosmic Drama hits upon the vroom-vrooming bassline line of closer ‘Contact’, you’re fully enthralled to the album’s combination of broken-beat heft and synthetic melodiousness.

RIYL: Drexciya, I-f, Cygnus, AFX

Cosmic Drama

Blackploid - Cosmic Drama

Disco Disconnect

A statement mix from the Dutch artist also known as A Made Up Sound, 2562 and ex_libris. 

What makes something sound like Dave Huismans? His music carries a signature you can't quite name, a tension which has defined every chapter of his career. And unlike most producers, he really does operate in phases. 

A man of many monikers, Huismans resurfaced this year after nearly a decade away with two new aliases, ex_libris and In Transit. His latest ventures, though sonically a world away from the work under his most recognised projects, share the same slipperiness, intricacy and disregard for tidy genre borders. 

"Naiveté and a lack of prejudice… a really wide-eyed type of open-mindedness," Huismans once told RBMA, recalling his youthful forays into dance music and that ethos is alive and well on RA.1015.

Huismans's second RA Mix is as equally thrilling as his first one 15 years ago, traversing a map of influences from Madlib and Gyrofield to Prince and Autechre.  There's no shortage of atmosphere (Losoul's "Sunbeams and the Rain" is one particular highlight), but the throughline is groove: soulful, vocal deep house into driving techy depths, walls of glitchy drums and frantic percussion into guitar funk. 

"I got carried away a bit," Huismans says of RA.1015 below. And that's no bad thing. It sounds like someone enjoying himself again, and perhaps, after letting a few old skins fall away, Huismans is ready to shift shape once more. And if it's anything like the last time, a lot of good music awaits. 

Find the tracklist and interview at ra.co/podcast/1034 
@2562amadeupsound

RA.1015 Dave Huismans

1morning - Because I Told You So

A1. I Know What You Do When You're Alone
A2. I've Said It Before And I'll Say It Again
B1. Quarter Inch
B2. Are We There Yet?

Written & produced by 1morning
Mastered by Tangible Air
Artwork by Bettina Zenker

IT076 1MORNING - BECAUSE I TOLD YOU SO

Late-90s breakbeat. Fast, dirty, completely underground.

Redline

YEAH! YEEEAAAH!!!

disarranging things 91’ '̶̨͖̼̳̩̺͖͈̥̳͇̬͈͌̽̃̊̔̅̋̉ͅ´̴͎̟̟̉̈̈̈́͒̅͠͠ͅͅ*̵̭̯͚̖̞̟̬̝͖̦͒̉ ̷̤̱̑̃̈́̄̓̅͛͒͑̐̒̈́̾͘̚͘´̴͎̟̉̈̈̈́͒̅͠͠ͅͅ



don't hesitate dm for any questions regarding collabs, music and sound for film, theatre, games and such, graphic and visual work, live & DJ performance, interested in releasing some of my tunes etc ツッ

ᖇEᖴᒪEᑕTIOᑎ ᖇOOᗰ

bᎾLAND

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