Im also playing this I play saxophone and trombone

I just played this for a concert in November on the flute. really fun piece

playing today at concert trumpet wish me luck

sigma sigma on the wall, erm, who's the skibbidiest of them all?

i am currently playing this in band, and its really fun

This set contains a sampling of intermediate (Grade 1.5-2.5) concert band music by composer, Scott Watson. Most music is published by Alfred, with others by Barnhouse, Hal Leonard, and Wingert-Jones. Please visit www.scottwatsonmusic.com to learn more, or www.jwpepper.com to purchase.

Intermediate Band

"Tu Ungane" (Come Together), by Scott Watson (Alfred Publications). Please visit www.scottwatsonmusic.com to learn more.

Tu Ungane

"Hercules vs. The Hydra," by Scott Watson (Alfred Publications). Please visit www.scottwatsonmusic.com to learn more.

The Greek hero, Hercules, was sentenced by the Gods to endure 12 seemingly impossible "labors" in order to redeem himself. Hercules vs. the Hydra portrays the second of these tests, his battle with a nine-headed water serpent with deadly venom and the ability to grow back two heads for every one cut off! The piece begins with the Hydra's half-step motive, which quickly builds and multiplies into the music of the epic fight. The blows of Hercules' club and sword, rhythmic accents in the music, land hard on the beast but to no avail. Hercules regroups to a slow, hopeful theme, encouraged as his nephew Iolaus shares the secret to defeating the Hydra. Hercules rejoins the contest with new resolve, reflected in the exciting merging of two of the piece's themes, which lead to a victorious climax! 

This Alfred Challenger Series piece was a 2013 J.W. Pepper "Editor's Choice" and is available in SmartMusic. 

Hercules vs. The Hydra

Heartbass (FNF The Date Week Mod)

TSC, green, blue, red, yellow and purple can’t beat the king, but a determined purple tries one last time to defeat the king.

Purple’s Last Stand - Animation vs Minecraft 30 (The King)

HELLDIVERS 2 SONG- SOLDIER by Chi-Chi

Inspired by the German Romantic poem by Goethe, this Grade 2.5 concert piece takes the listener on a father and son's spine-chilling horseback ride through a dark, misty forest - full of "Gothic" excitement!

Please visit www.scottwatsonmusic.com to learn more, or www.jwpepper.com to purchase.

Der Erlkonig

Please visit www.scottwatsonmusic.com to learn more, or www.jwpepper.com to purchase.

O Happy Day

"Le Roman d'Elvire" (The Tale of Elvira), an opéra-comique in three acts with music by Ambroise Thomas (1811–1896), premiered in Paris on 4 February 1860. Set to an original libretto by Alexandre Dumas (père), the work was met with anticipation but failed to captivate Parisian audiences. Indeed, the failure inspired Thomas to reassess his compositional style, and his biggest successes - "Mignon" and "Hamlet" - followed some years later. For Dumas's part, he never wrote a libretto for the stage again. Nevertheless, this overture is another unknown masterpiece by a known master; written entirely in 6/8 (though in different tempi), the interconnected themes are distinctly and colorfully set apart, while sonata form is eschewed almost entirely. 

World premiere recording. The orchestral realization was created using Finale 27 and NotePerformer 4.

Ambroise Thomas: Le Roman d'Elvire (1860) - Ouverture

The Last Relic – Action OST is a cinematic soundtrack collection designed to bring intensity, drama, and emotion to your games. Inspired by the epic tone of Uncharted-style adventures, this album blends orchestral power with modern cinematic scoring to deliver music that feels truly immersive.

The pack includes high-quality tracks crafted for a wide range of gameplay moments:

Action & Combat – adrenaline-pumping music for dynamic battles.

Boss Fight – epic, larger-than-life tracks for decisive encounters.

Chase & Escape – thrilling compositions for high-speed pursuits.

Cinematic Cutscenes – dramatic and emotional scores for storytelling.

Exploration Themes – immersive atmospheres for discovery and travel.

Final Showdown & Epilogue – climactic and emotional endings.

Stealth Tension – suspenseful tracks for infiltration and stealth gameplay.

Main Menu & Main Theme – iconic melodies to define your project’s identity.

All tracks are delivered in .WAV format (48.000 kHz, 16-bit) and organized into ready-to-use folders with both Cues and WAVs for seamless integration into Unreal Engine or Unity.

Whether your game needs intense action cues, emotional cutscene scores, or unforgettable main themes, The Last Relic – Action OST provides everything to elevate your project’s soundscape to a cinematic level.

S_TLR_ActionCombat_01

Finale - Classical Cinematic Music

The moon is gonna eat you. 
Like, comment, and repost! 

Moon Bait (Original Mix)

Shadrow's cover of True Pacifist by Toastwaffle.

Original song written by Toastwaffle.
Arrangement, performance and production by Shadrow.

Lyrics:
I’ve fallen down a great abyss
And found that something is amiss
Just know I come in peace
And we can get this sorted out
No need to pout
And I’ve traversed a snowy scape
And met a skeleton with a cape
Hey guard dog, have a hug
That’s what you get for trying to kill me
Now you feel me, so let’s go!

I was sent down to this land
To help in any way I can
Got so much love inside, my heart’s about to burst
It gets hard sometimes but hey
If I’m with you then I’m okay!

(Ooh, oooh! Ooh, oooh!)
Don’t you know I’m gonna set you all free?
(Ooh, oooh! Ooh, oooh!)
I will show the way and give you guidance
To not use violence!

After some time down underground
I know like everyone in town
Played their games, learned their names
I’ve heard so many on my journey
My memory’s blurry
So come and hold my hand, my friend
Let’s fight for love ‘til the bitter end
And if we get hungry
We’ll go for hamburgers at Grillby’s
If you’re willing to be my friend

I was sent down to this land
To help in any way I can
Got so much love inside, my heart’s about to burst
It gets hard sometimes but hey
If I’m with you then I’m okay!

(Ooh, oooh! Ooh, oooh!)
Don’t you know I’m gonna set you all free?
(Ooh, oooh! Ooh, oooh!)
I will show the way and give you guidance
To not use violence!

But if he doesn’t give me any choice
What if I lose track of that inner voice
That compels me to lead my life without hate or greed
That just isn’t me

So hey King Asgore
You ain’t got nothing on my friendship power
There really is no need to be so sour
‘Cause the world is ours
And we don’t have to listen to some crazy flower!

I was sent down to this land
To help in any way I can
Got so much love inside, my heart’s about to burst
It gets hard sometimes but hey
If I’m with you then I’m okay!

(Ooh, oooh! Ooh, oooh!)
Don’t you know I’m gonna set you all free?
(Ooh, oooh! Ooh, oooh!)
I will show the way and give you guidance
To not use violence!

True Pacifist (Toastwaffle Cover)

Terracotta Warriors (Alfred Publications, Grade 2.5) was inspired by the extraordinary “spirit army” of clay statues - numbering more than 6,000 - created in the third century B.C. for the tomb of Emperor Qin Shi Huang, first emperor of China. This astounding array of armed sculptures was placed in the emperor’s tomb, along with hundreds of terracotta horses and chariots, to protect the emperor in the afterlife. The music begins with a brief, plaintive folk chant summoning the army from their centuries-old sleep. The faithful warriors respond, coming to life to protect their emperor with musical representations of uniform marching and weapons display. Terracotta Warriors captures the legend and grandeur of the Qin dynasty in this striking and unique piece for band. 

Terracotta Warriors was commissioned by the Albemarle County (Virginia) Middle School Honors Band, premiered November 2016.  Alfred Young Symphonic Series and 2017 J.W. Pepper Editor's Choice.

To learn more, visit www.scottwatsonmusic.com.

Terracotta Warriors

Overgrowth

Furcorn's Jelly Dreams - Plant Island (Full Song)

Scott Watson has composed for concert, radio, and theater and received recognition for his work from ASCAP, the American Composers Forum, the American Music Center and others.

Watson's music for band is published primarily by Alfred Publications, for whom he an exclusive composer for the Challenger Series. Other music for concert band is published by Wingert-Jones Publications, TRN, C. L. Barnhouse, Hal Leonard, Concert Works Unlimited (a division of Shawnee Press, now distributed by Hal Leonard), and Jon Ross Music. His string/orchestra music is published by Wingert-Jones Publications Publications, and his chamber music is published by Trillenium Music Company.

About Watson's music, The Instrumentalist says "outstanding...with beautiful melodies and interesting harmonies" (Mark Hosler, 2004), Percussive Notes says "written with supreme craft" (Cort McClaren, 1993), the Allentown Morning Call says "Watson exhibited a great deal of skill in managing the resources of the orchestra...a very well-crafted piece...he will very likely become a force to be reckoned with" (Philip A. Metzger, 2000), and PMEA News says "Watson skillfully transforms his zest for life into his own brand of unique musical exuberance. His scoring for winds, brass, and percussion is excellent" (Kenneth Laudermilch, 1998). His music for band has several times been named to Bandworld Top 100 and Japan Band Clinic Yamaha Recommends 100 Pieces for Band listings. Recent projects include Youth/Student Concert performances of his Aesop's Fables by the Allentown Band, with dance choreographed by Repertory Dance Theater, as well as commissions by MusicAlliance Honor Band Camp (Cleveland, Ohio) made possible by a grant from the National Endowment for the Arts, Lehigh County (Pennsylvania) Bandmasters Association, Massachusetts Instrumental & Choral Conductors Association (Spring 2007, concert band and chorus); an American Composers Forum Continental Harmony project commission, Magic Valley, (2004, concert band); Figurations (for winds and percussion), commissioned by the West Chester University Wind Ensemble, Kenneth Laudermilch, Director; Concerto for Trumpet and Orchestra, for the Temple University Symphony Orchestra, Luis Biava conductor and Terell Stafford, trumpet soloist; and Hymn and Declaration, commissioned by the Lehigh Valley Chamber Orchestra, Donald Spieth, Director. Watson has been pleased and honored to serve as guest conductor and adjudicator at various band festivals as well.

Watson teaches instrumental and elective music in the Parkland School District (Allentown, PA), and serves as adjunct professor teaching music education/music technology courses for Villanova University, Cairn University, and Central Connecticut State University and Applied Composition for Valley Forge Christian College. His book, Using Technology to Unlock Musical Creativity, focuses on project-based, creative music learning facilitated by technology, and is published by Oxford University Press.

Terracotta Warriors

Dr. Scott Watson

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