Esotericbars

Who Made The Beat?

Who Made The Beat? (Prod. Luciano 2✖️)

Bobbi Fisha – "Venus Traps" 🌙🔥


Gloss on my lips like the curse of the Nile,
Gold in my grip, every move stay vile.
Venus got fangs, let ‘em sink for a while,
Every step that I take, leave the gods in denial.

Drip like a siren, my hips speak volumes,
Phantom my ship, let the tides pay homage.
Cash in my palm, let it rain like omens,
Men pray hard but they kneel when I’m chosen.

Eclipse in my silhouette, locked in position,
Heel on his chest, make a king rethink his mission.
Stitches in the fabric, I unravel premonitions,
Every inch of my dominion leave a mark like incisions.

Midas my touch, let the throne turn liquid,
Eyes on the prize, got the world in my lipstick.
Laws get rewritten when I walk through districts,
Bobbi stay ruthless, keep the game at a distance.

Lust like scripture, my name in the text,
He wanna kneel, let him pay through the neck.
I make the rules, he obey with respect,
Sins on my body, let ‘em pray through the sex.

Venus traps, let the jaws collapse,
Make ‘em pay homage when the hips detach.
Ain’t no escape when the tides roll back,
Got ‘em lost in the wave, ain't no coming back.

Cenobite mind, turn a fiend to a relic,
Ropes stay taut when the souls get embedded.
Curses get muttered where my throne been embedded,
Bobbi stay etched in the scripts of the wretched.

Leviathan glisten where the void get twisted,
Silk-bound wrists, every move stay cryptic.
Ink in the air, every breath turn mystic,
Come close once, let the heat turn liquid.

Chalice stay filled with the thirst of the many,
Dollars get folded where the sins feel heavy.
Pleasure stay laced where the pain get steady,
Bobbi the name, let ‘em know who deadly.

Ecliptic my touch, let the stars fall under,
Thighs leave marks like the teeth of the thunder.
He beg once more, let his mind go under,
One touch deep, now his soul my hunger.

Venus traps, let the jaws collapse,
Make ‘em pay homage when the hips detach.
Ain’t no escape when the tides roll back,
Got ‘em lost in the wave, ain't no coming back.

Bobbi be the doctrine, the gospel, the omen,
Drip stay cosmic, the sex stay potent.
Ties stay knotted where the deals stay woven,
Let ‘em all worship the throne unspoken.
Venus traps, jaws collapse,
No way back, no way back.
Venus traps, jaws collapse,
No way back, no way back.

Lost in the tides, ain't no way back,
Tied to the vibe, ain't no way back.
Venus traps, jaws collapse,
No way back, no way back.

Say my name, say my name,
Bobbi fisha run the game.
Say my name, say my name,
Ain’t no way back, ain't no way back.

Venus traps, jaws collapse,
No way back, no way back.
Venus traps, jaws collapse,
No way back, no way back.

A hypnotic, dark-trap anthem drenched in power, seduction, and cryptic energy. Bobbi Fisha weaves razor-sharp lyricism with a venomous flow, blending modern rap slang, double entendres, and esoteric wordplay into a track that drips with dominance. Inspired by the allure of the femme fatale and the labyrinthine grip of desire, this track is a siren’s call—once you’re in, there’s no way out. Leviathan’s watching, the cenobites are waiting, and the jaws of Venus are set to collapse. 🕷️💋

Stream now & get lost in the wave. 🚢💨 #BobbiFisha #VenusTraps #DarkTrap #SuccubusEnergy #NoWayBack

Venus Traps

Bobbi Fi$ha – "Blood of the Moon" 🌙🔻🔥

Bathed in lunar wrath, "Blood of the Moon" is a ritual of rebellion—seductive, cerebral, and drenched in power. Bobbi Fi$ha spits razor-sharp bars over hypnotic dark trap, weaving esoteric knowledge, Left-Hand Path wisdom, and street venom into an untouchable flow. This ain't just a song—it’s a blood pact with the night. Step into the abyss. 🌑✨

#BobbiFi$ha #BloodOfTheMoon #DarkTrap #OccultRap #LunarWrath #EsotericBars #LeftHandPath #ForbiddenKnowledge #MysticDrip #InfernalWisdom

Blood Of The Moon

Doechii Denial is a River VS AK-47 -Оля Гукина -  Deezruggz Mash up

Dropped this around Halloween time last year Freestyled off the dome‼️

Dis Is My Plot OG Version


Judgment Day” by Lione is a hard-hitting, futuristic rap that explores society’s fear of AI and contrasts it with his relentless drive to move forward. Over heavy, industrial-infused beats, he calls out how fear makes people freeze while he turns machines into tools for survival and success, echoing a gritty Terminator-style determination to thrive in a world on edge.

Judgment day

Just to importantly stress that all aspects of this tune is fictional ..many thanks

Lyrics
BOLO YUNG X 2 

T Pon the microphone yeah im movin like rochxi 

pon di microphone now hes a disc jockie 

t pon di microphone dont get cocki 

lockin up my locks boy yeah im gettin 

t pon di microphone yeah hmm ! 

BOLO YUNG X 4 

first dem a go swim after that  they gonna drown 

we hit them with a verse then we hit them with a noun 

back in the days you smokin this but now you smoking brown 

rippin up da city yeah we rippin up the dark 

mc t pon di microphone gettin down in da city 

smoking up the weed boy smokin up da spliffy 

big up mi bredrin big up mi bredrin big up my bredrin Spliffy 

Big up mi bredrin Nikki T pon di mic he s a 

BOLO YUNG X 4

t pon da microphone 3 f''''in 65 

come walla walla watch that  rythm  walla walla watch that runna runna ride 

this is how we strip blood and this is how we stride 

back a the back back a the back back a the days inside 

t pon di microphone rude boy yeah im gettin down ...

representing that city blood yeah we rippin up that town 

back a the day s back a days he make them jump a 

rippin up da city yeah we ripping up the dark

BOLO YUNG X 4

t pon the microphone rude boy yeah im gettin gass 

representing the city yeah we rippin un the tazz

back a the days back a the days he make em jumpa 

rippin up the city yeah we rippin up da dark 

we shottin up da white blood we shottin up the brown 

dem sales are goin up blood they never going down 

we shottin up da white blood we shottin up the brown

rippin up da city  yeah we rippin up the dark x4

dem sales are goin up blood they never going down

rippin up da city  yeah we rippin up the dark x4

dem sales are goin up blood they never going down

BOLO YUNG X 4

rippin up da city  yeah we rippin up the dark x2

dem sales are goin up  they never going down

BOLO YUNG X

rippin up da

BOLO YUNG X

yes x4 

t pon the microphone im like f the f''''ing  po po 

these muther f...... movin like they solo 

i told them ralph lauren ralph lauren ralph lauren polo 

them man wanna mess with t but can they test bolo <pause> 

BOLO YUNG X5

STOP acting dumb 

dont take me for a fool blood 

dont take me for a plumb 

dem man are eating bubble like the one bubble gum 

now emcee t pon di microphone the style and fashion 

come in the dance versace and moschino 

nuff of them boy movin like a big time gambino 

move like italiano scoring goals like francesco totti 

t pon the microphone yeah . im movin like rochi 

dj pon the microphone now he s a disc jockie 

mc t pon the microphone dont get cocki 

lockin up my lockz boy yeah im gettin lucki 

check out the style come check out the flow 

gonna gonna gonna get down hi son gonna gett down low 

and when im pon the mic this is the jungle turbo 

yeah the junglist style 

nuff a dem a wicked dem them a go wild ..

they nah golden like the one golden child ....

BOLO YUNG XXXX

The Tao Bolo Yung

Late Reflections (Freestyle)

I’m actually thrilled about this new mixer. He’s only done about 200 mixes on the platform but he’s got around 60 repeat clients and I didn’t need many revisions cos’ the 1st mix I got back actually resembled…something decent! I believe in the intro the horns are playing some modes of the Hirayoshi scale as well as the 3rd mode of the Kumoi scale. Yes, all scales found in the Exotic Scales lesson I learned. I was eagerly awaiting some Chinese scales but …there were none. Bunch of Japanese ones and Indian ones though. Does make it more Japanese and more Nujabes leaning although I’m not sure if he uses them or not.Bass lines are doing some bebop stuff sometimes and I think I’m having the passing notes not land on the main beats. So Coltrane changes-basically a major 3rd away and you can add the jazzy ii-V-I relationship to them which is done here at times. For the chorus it’s an rnb progression of 4-3-6-2. Kind of different choruses each time making it ‘progressive.’ For the lead guitar there is a 6/9 arpeggio in there. 6/9. hehe. Then for the bridge a sped up section (with counterpoint for the strings) influenced by ‘last Confession’ with DJ scratches that I edited to fit the rhythm. Last horn section for the last chorus is double harmonic major scale. So lots of things we tried for the first time. Temporary album art as one of my other listeners is designing the official cover.

Lyrically it borrows the first lines of ‘Last Confession’ by Hilltop Hoods. My fave Aussie hip hop group. The story of the sample is that one of my listeners msged me and wanted me to include an audio clip. I said I was working on a chill hop tune so that is great timing. I thought he was a she cos’ of the vocal tone and then he sent me the real story behind it. 
https://www.reddit.com/r/AmItheAsshole/s/ApTTpr15BW
So, apparently she is a narcissist according to him and the latest update is that he is filing a restraining order. 

Wherever you go
I will follow
Past the ruins
Past the halls of time.
If I left would you cry 
Would you sob
Would you weep
You know what?
They all mean the same things to me
(I chased the bear)
Is there a place past the starry starry night
 where we can find (into the cave
Some peace of mind
Sunny days are few and far in between

Chorus 1
When it rains. When it pours. When you’re soaked (last confession reference)
And the world owes you nothing.
May come of any of this I ask
You to be my one and only kiss and everything
Still remains the same after today
Because we asked for all of our dreams
To come to nought and nothing
And I say
I’ll make em’ pay today.

Let me be your hangover cure
And I swear baby
You won’t regret it
When the chips are down
When u have a frown
As Cole Porter would say
Everyone, no no everyone, no no everyone 
Loves a clown. (Am I the only guy that likes reading artists Wikiquote pages?)
Now onto the main attraction as I take away your pain today.

Chorus 2:
And everything we do
Added on top just cannot even
Compare
And if we say if we let you down today would u get up on the floor
And ask 
Why I do these things for you. Again and again. 

Chorus 3:
The truth is carved in the sun and also the stone.  (Kinda like his quote/poem in The Gorge)



The Sun & The Stone

NEW SONG EVERY FRIDAY @ 2PM EST
🔥
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© 2025 Kid Cake. All rights reserved.
This video and all of its contents—including original music, lyrics, vocals, instrumentals, visual footage, and editing—are the sole property of Kid Cake.
Unauthorized use, reproduction, distribution, or reuploading of any part of this content without explicit permission is strictly prohibited.

Kid Cake holds full copyright ownership of all audio and visual elements in this project.
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Kid Cake is an up-and-coming rapper and producer known for high-energy bars, catchy melodies, and beats that hit hard. Hailing from Ontario, Kid Cake blends rage-inspired instrumentals with sharp wordplay and vibrant storytelling, creating tracks that are made to turn up the vibe in any room. 

From introspective verses to hype hooks, his music bridges the gap between modern rap energy and melodic hooks, making each release a distinct experience. With tracks like Cocky, Lactose, Bon Appetit, Noot Noot (Pingu), Kid Cake is quickly building a reputation for infectious flows, punchy delivery, and a relentless work ethic in the studio. 

Dropping tracks every Friday at 2:00 EST, he’s focused on making music that gets listeners moving and keeps them coming back for more.

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