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Aetherra

live modular session recorded with Zoom H1, Post mastered in Ableton Live 12

Mystic Forest

a life worth living

The fifth volume of 'Ambient Archives' comes with music by Shuta Yasukochi, Surroundyou, Slow Clinic and Logic Moon. A wide range of ambient lines, guitars, beautiful piano chords, hazy textures and field recordings.

Written and Produced by Shuta Yasukochi, Surroundyou, Slow Clinic and Logic Moon. 
Mastering by Zzzzra. 
Archives26 
Archives / 2016

Surroundyou - Awakening

Leigh Toro has been producing music for the past twenty years.  Back in the day he recorded under the guise of Flotel and released works on the excellent Expanding Records.  More recently he has been recording under his own name and has had albums out on Eilean Records and Handstitched.  We are excited here at Rural Colours to bring you his latest work Layers of Ash, an album of frayed granular resonances.

Layers of Ash started life as a series of short improvisations which were then woven together to create more developed pieces.  Leigh tells us that he is currently producing longer form pieces of music that explore the textural qualities of digital distortion, bit reduction and resonance. He enjoys exploring the balance between the harsh noise and more subtle delicate sounds and how that balance can evolve over a longer period than he has worked on before. 

This is Rural Colours 081
Written and produced by Leigh Toro
Artwork by Katie English
www.ruralcolours.co.uk / innit

Leigh Toro / Layers of Ash (Snippets)

Murkok - Lid Pattern

Dragon’s Eye Recordings is pleased to announce the re-release of 'Substrate / The Garden' by Japanese sound artist and composer Yui Onodera. 'Substrate' and 'The Garden' (Le Jardin) were originally released in 2007 by Mystery Sea and Taâlem, and after their 2018 remastering, return alongside each other eleven years later. 

On 'Substrate', Onodera interrogates the fundamental limits of perception. Throughout the eight tracks, shimmering frequencies pan through organic tonal structures and streams of resonance swell and ascend in a gradually expanding space of audition. While Substrate accentuates the poeticism of the microsound genre, the album progressively draws a listener toward awareness of the physical subtleties of their own surroundings. 

'The Garden' is a rich, blooming composition built around the sound emitted by hydrogen and oxygen bubbles as captured by the ELS 19, a custom transmitter device which utilizes the electrolysis of water. The irregular sounds generated by this process are micro-acoustic phenomena which can only occur in a particular environment, and sit well beyond the range of unaided human hearing. As such, Onodera considers the relationship to sound and listening outside of a musicological hierarchy that might position environmental sound and music as independent and opposite concepts. Instead, Onodera regards these sensory experiences akin to that of a garden, with instrumental composition and environmental ambience each offering a total, continuous experience with innumerable interdependent relationships. The boundary between nature and artificiality becomes ambiguous.

Substrate / The Garden

Yui Onodera – Substrate 5

Mount Carmel

Call

The lead track from the new album from Francesco Giannico, entitled "Les Mondes Imaginaires"...

Francesco Giannico "Les Mondes Imaginaires"  Primum

French composer Sylvain Chauveau’s new album Life Without Machines, a set ofshort compositions using Barnett Newman’s series of abstract painting The Stations of the Cross as visual scores, is set for release on 17th April 2020 through FLAU.

Known for very minimal compositions for acoustic instruments, electronics andsometimes vocals, with a focus on quietness and slowness; Sylvain has released records on labels such as FatCat, Sub Rosa, Type, Les Disques du Soleil et del’Acier, Brocoli and performed live across Europe, Canada and USA, Russia and Asia.

The title of his new album, Life Without Machines, expresses the fact that ourlives are entirely assisted by machines (for everything we eat, wear, transport,build, watch, listen…) which require a permanent, colossal use of energy – mostlyfossil fuels, whose combustion constantly sends CO to the atmosphere. The title₂suggests that this can’t last forever: living with less (and finally without)machines may have to become a collective decision in the future or (moreprobably) a consequence of a combination of crisis (both energetic, economicaland ecological).

Composed by Sylvain and performed by french pianist Melaine Dalibert, thereare a total of 15 pieces, yet only 14 will appear on the tracklist (one hidden track ishearable after a period of silence at the end of track 14). This mirrors the stonegarden of Ryoanji in Kyoto, where there are 15 stones but from any point of viewone can only see a maximum of 14 at the same time.

Sylvain Chauveau -        e

Maps and Diagrams - Kalia

Dragon’s Eye Recordings is a digital imprint based in Los Angeles and curated by artist and composer Yann Novak. Emphasizing the elevation of marginalized voices in experimental music, our catalog represents a range of sounds, processes, identities, and practices. Since 2005, we’ve published over 100 works of sound art and experimental music with a focus on ambient, field recording, drone, electroacoustic, and acousmatic music. As an independent label, we work to build community for our artists and listeners searching for somewhere to belong.

Yui Onodera – Substrate 5

Dragons Eye Recordings

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