Sine Tempore 3

FEATURE > inverted-audio.com/feature/dj-richard-talks-up-grind-his-debut-album-on-dial

We spoke to DJ Richard to discover the finer details behind his debut album 'Grind' released next week on Dial. We're also premiering DJ Richard's new track 'Savage Coast'.

inverted-audio.com/artist/dj-richard
inverted-audio.com/label/dial

DJ Richard - Savage Coast [Dial]

t.e.s.o. Live @intersezioni 1 : Osservatorio Astronomico In Dude Club 15/01/2016

Solid Steel in association with Serato (22nd January) In Hour 1 we welcome back legendary Warp artists Autechre to Solid Steel. Their history with the show goes back many years with their first mix back in 1997 and again in 2003, (which can both be heard at SolidSteel.net ), plus their music has been a permanent fixture since they began producing pioneering electronic music in the early 90's. The hour long mix takes in music from Disjecta, Industrial legends and previous guests Cabaret Voltaire & Throbbing Gristle, Raymond Scott, The Residents, John Cage, Mark Fell and The Hafler Trio. They recently launched a new webshop with lots of live recordings available to buy https://autechre.bleepstores.com/

The Solid Steel website http://solidsteel.net/ for track lists and archive shows.
You can follow Solid Steel on  facebook.com/pages/Solid-Steel/175027509192663
twitter.com/SolidSteelRadio
Email solidsteel@ninjatune.net

Go to Hour 2 here https://soundcloud.com/ninja-tune/solid-steel-radio-show-2212016-hour-2-shalt


Hour 1 - Autechre

disjecta - pit
throbbing gristle - what a day
cabaret voltaire - makes your mouth go funny
pero - pommes
john carpenter - he’s still alive / romero
the human league - the dignity of labour (part 4)
raymond scott - lightworks (instr)
portion control - he is a barbarian
asmus tietchens - ausverkauf
zeebox - pepi de vince
moebius & tietchens - kattrepel
arthur kreiger - short piece
bernard parmegiani - sonare mouvement 2
moebius & plank - muffler b
severed heads - theme from the surface
paul lansky - say that again
the residents - would we be alive
bbc sound effects library - birdsong
delia derbyshire - great zoos of the world
fred frith - speechless
:zoviet*france: - kess saffer plaint
john cage - williams mix
asmus tietchens - falter-lamento
otto luening & vladimir ussachevsky - incantation
david lynch - hybrid mood
mark fell - abjection
philip jeck - thirtieth/pilot reprise
the hafler trio - a small child dreams of voiding the plague
peter rehberg - showroom dummies track 2


Solid Steel Radio Show 22/1/2016 Hour 1 - Autechre

Valerio Tricoli — Clonic Earth
Format: 2xLP / DIGITAL
Cat.No: PAN 71
Release Date: 24th June 2016
http://p-a-n.org/

The experimental Italian composer returns to PAN with a new LP, titled 'Clonic Earth'. His ongoing output for the label has long-presented his electroacoustic sound compositions where since the mid-'00s, he has utilized analogue live sampling and real-time editing of field and studio recordings by means of manipulation of 1/4 inch tape.

Asides from being a founding member of the Italian avant-rock group 3/4HadBeenEliminated, he has worked extensively with various musicians, choreographers and multimedia artists including Thomas Ankersmit, Antoine Chessex, Werner Dafeldecker, Anthony Pateras, and Robert Piotrowicz.
 
His studio compositions, documented on few records, often explore themes of the internal - represented both by the psychological and the physical - and of the occult, which with the use of spoken text makes them often deeply existential works, self-investigations of the psychological, emotional and irrational horror within.

The new record, 'Clonic Earth' is a perturbing, compelling and eventually mind-expanding work, marked by compositional strategies of exploded narratives, psychological insight and oracular literary references, where questions about the boundaries of spatial perception in the decoding processes of acousmatic music are overturned into existential, metaphysical questions. 

Tricoli's allegorical and philosophical universe takes the form of an unhinged mind's landscape swarming with estranged sound objects, and sometimes reminiscent, in the complexity of details and surrealistic effects, of Hieronymus Bosch’s larger paintings. Compared to his previous works, the content of 'Clonic Earth' explores more synthesized and heavily processed sounds, especially vocals, often appearing in the form of a religious, electrified chanting. 

The record is described by its author as a natural consequence of the internal collapse depicted in his previous record, 'Miseri Lares': "As if all the debris left inside my loudspeakers have been ignited to expand into the ether, to find a justification at the principle of Chaos, or Cosmos alike." 

This movement is expressed by references to the theme of fire as original matter in the Chaldean Oracles which, together with the later work of Philip K. Dick, are the main sources for the vocal/text elements of the composition. Fire, intended as the convulsive principle of existence, but also an ontologically terminal element - hence a representation of the infinite decay and a mean of communication with the otherworldly - serves the author a metaphor for the acousmatic listening experience itself: a borderline perception of sounds eternally fixed in their spasmodic disappearance, which could eventually drag us into a different layer of reality, drastically changing, subverting, or expanding the space in which they are diffused. A ritual, somehow, which may link the listener and the perceptive space that he inhabits with whatever lies beyond the loudspeakers, beyond the vibrating surface of the world.

Valerio Tricoli — I. The Hallowed Receiver (PAN 71)

1. newnwell  2. riftsS-L, S  3. Distributive  4. ThirdChance  5. nocset

TheCave011717

Live@TheCave011717

Human Sensor

Midnight dub techno excursions and fractured electronics from Turk Dietrich of Belong and Joshua Eustis of Telefon Tel Aviv.

For more information and tracklist head here: http://www.factmag.com/2017/04/10/second-woman-fact-mix/

FACT Mixes

FACT mix 596 - Second Woman (Apr '17)

All FM percussion sounds generated with multiple Reaktor ensembles, controlled with a bunch of MIDI controllers. Synth and pad made with Pure Data.

Artwork: https://www.freelanced.com/delneycarbon

contubo

https://planetmu.bleepstores.com/release/107937-richard-devine-sortlave
https://richarddevine.bandcamp.com/album/sort-lave
http://smarturl.it/RDSortLave

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

Human Sensor

Drane Draun

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