The Woogie Stage @ Lightning in a Bottle 2016

TEXT024
12" 
Kool FM/Kool FM (bliss mix)

Kool FM (TEXT024)

Parallel Jalebi

I got this song Burn stuck in my head so I did a remix and Ellie DMed me and she's into it

Four Tet + Terror Danjah - Killer/Nasty 12" (TEXT028)

Four Tet + Terror Danjah - Killer (TEXT028 A)

Haunting, ethereal, emotive, propulsive Guy Gerber and Diddy’s long-awaited collaborative album project 11 11 is at last available to the public for free...

At once a meeting of two worlds, and yet also a dismissal of those signifiers, 11 11 inverts the recent dialogue between the worlds of hip-hop and electronic music, eschewing simple radio friendly factory fare, for darker, richer, deeper soundscapes. 11 11 is not a project aimed at main-stages and masses, but outliers and after-hours.

11 11 - Lifted

11 11 - I Hear Her Calling Me

11 11 - Let Go

Mulholland Drive

KH - BACK2THESTART

Available now:

itunes: https://itunes.apple.com/album/digital-arpeggios-single/id1033225258

bleep: https://bleep.com/release/63447-percussions-digital-arpeggios

Artwork by Tallulah.

Percussions - Digital Arpeggios

Available on 12" soon from all good record shops.

Champion + Four Tet - Disparate (TEXT039B)

Josh Wink - Denial - Planetary Assault Systems Remix



Ovum are proud to present a very special remix release as Josh Winks 2015 future-shocker Denial enjoys not one but two versions from Luke Slater.

Splitting his complex multi personality across two sides, the UK techno lifer explores his innermost dual psyche to create two wholly different tracks. Both of which reflect the strengths of the original while taking it into vastly different directions.

L.B. Dub Corporation follows. One of Luke's shyer personas, this is the first L.B. Dub Corp production since his Ostgut Ton album Unknown Origin in 2013. A deeper, rolling analogue groove is at play here, suddenly dropping to reveal the loopy, automaton vocal loop from Josh's original to awesome hypnotic effect.


Josh Wink - Denial - LB Dub Corporation Remix

Disorientation (Reboot Remix)

The Hollywood In You (Original Mix)

Livia Bang The Drums (Drums Version)

A Time for a Change

VCR (Four Tet Remix)

The xx - VCR (Four Tet remix)

One Day In May (Original Mix)

Since his acclaimed album release in 2009 with ‘When A Banana Was Just A Banana’, Josh Wink has been heavily touring and working on building a new studio. Last year he produced his greatest creation to date, a beautiful baby son. After taking some time out to enjoy his newly found fatherhood, he finally got into his brand new studio towards the end of 2012. The outcome was ‘Balls’ – a ten-minute drive of pulsing intensity bating towards a huge breakdown, unlike any of Wink’s work to date… 

“I am always surprised with what happens when I go into the studio after not being in there for a while. I feel heavily inspired to make music by all the great things I hear and from personal experiences that have occurred over the past year. I didn't expect to make a techno track. However, the grooves came quickly and naturally along with the hypnotic analog pulses. Originally I came up with the foundation of my grooves using a beta version of Ableton's Live 9. And after I constructed the fundamentals of the track- I hit record, tweaked and grooved the components live for 20 minutes, and then tightened up and edited the best parts into a sequence. Then I played out, got some new ideas from crowd interaction, and re-tweaked and made improvement.

When describing the track to Matt (Ovum label manager) I was saying that I think that you really have to have balls to play this track, as it's a little different from most of the music out there right now. The track's time couldn't be edited down any further as the story and journey wouldn't be conveyed.  So, the ten minutes is DJ friendly and I'm happy that I can express my tale. The track, usual of my work, is based on aural textures and tension. The breakdowns have changed through several attempts, and are now adjusted to drive the crowds, whether in clubs or festivals.” – Josh Wink

When you’re as iconic a figure as Josh Wink, it’s not so easy to sum up a career in a few words—but there are a couple of terms that might serve to get a handle on the seminal electronic-music producer’s lifework. One of the most apt, certainly, would be longevity. A brief scan of Wink’s mammoth résumé reveals the following: Early-’80 days as an underage mobile DJ; a major role in fostering his native Philadelphia’s burgeoning warehouse scene during the house-music explosion later that decade; name-making ’90s club hits like “Don’t Laugh,” “Higher State of Consciousness” and “I’m Ready”; a label, Ovum Recordings, that’s undisputedly one of the most essential dance-music imprints; and his current position, after all these years, as one of the scene’s most vibrant and creative DJs and producers (witness the critical success of his 2009 long-player When A Banana Was Just A Banana).


The Woogie Stage @ Lightning in a Bottle 2016

Drea