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Foley enters the fold at Pyramid Fields — Neptune Discs’ sublabel — with four trance transmissions made for sunrises and systems that hit hard. 👽🧚‍♂️

Foley's release via Belters4U caught our attention early this year, where a track quietly made waves, picked up support from Job Jobse, Hudson Mohawke, and Ben Hemsley — an effortless standout. On this "On & On", Foley delivers lush, weighty basslines, atmospheric tension, and vocal flashes that feel like echoes from another time. Emotional, expansive, and utterly euphoric.

Release date: 7th of May
Mastered by Rob Small
Art by The AJM

https://neptunediscs.bandcamp.com/album/foley-on-on-ep

https://soundcloud.com/george-foleymusic
https://soundcloud.com/neptunediscs

PREMIERE: Foley - Give Me More [Pyramid Fields]

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Baby Love

https://filth-inc.bandcamp.com/album/suspect-raver-no-face-no-case-ep-filth001

Listen on Spotify: spoti.fi/3c3frkn

Listen on Youtube: https://www.youtube.com/watch?v=7plv3Zh6cc4

Presenting the 'No Face no Case' EP by Suspect Raver! It's the debut release by Suspect Raver and is also the first EP released under the Filth Inc. banner. We hope you enjoy :)

About 'No Face no Case' EP -

Hailing from Sydney Australia, Suspect Raver has seen first hand the effect that tough laws have had on the local nightlife over the past few years.

Although it was dire for most, there was still a resolute band of underground music heads that kept the soundsystems thumping throughout the weekend evenings at determined and unyielding venues as well as via "illegal" raves.

These tracks are a homage to those times and a push for more of the same energy in the future.

Castles' angelic vocal sample drives the listener into a trance, while Run it Straight and Rave to the Rhythm are two unforgiving big room thumpers. Finally Warehouse Mobb uplifts the energy with a melancholic and reflective hook and interview sample from one of hip hops' realists.

Warehouse Mobb [FILTH 001]

Asquith returns with another hi-NRG club destroyer. 'Let Me' EP is Asquith’s fourth release - another example of serious tekkers from the northern powerhouse. Written whilst travelling on a plane, it’s a clear homage to early UK rave and euphoric dance. Higher Power has already exercised the shutter lifting rights in the mighty Panorama Bar, while Terror Barrier is a nod to Happy Birthday era Modeselektor with that thumpin' 909 drum. Hoofin' kick drums and melodic xtc for the mind, killers breaks and rave ready artwork - Let Me will take you on a trip, heading right under the M25.

Let Me EP

BUY RELEASE

Let Me (Rave Mix)

Temptations

Asquith returns to his self-titled imprint following a couple of external EP announcements for Who's Susan and Private Persons.

Rave Til Dawn EP sees the London-based artist follow up the massive 'Let Me EP' with another clutch of takes on anthemic, big-room techno.

The title track Rave Til Dawn does everything a Let Me followup should do; huge compressed kicks, reverberating piano stabs and epic call-out vocals all collide on an absolute monster A-side. Second track 'Down' traces a more tool-y techno line. Rolling with the percussion and popping with mechanic energy. It's all compiled with elements of the original techno template shot through with a ton of UK bass weight.

‘Crush’ takes Asquith's manic monotone stab template into more techy territory, opening the production up and leading us into a cocoon of pressurised space. Stripped back but still crushing. Final track 'LCD Steppin'' sees us entering back into pacier territory that regularly pops up at the end of Asquith EPs. Shifting pad samples overlay a rickety jungle break and a voice calling at us to "Step!", before we're hoofed into the long grass with a 4/4 kick all the way up at 155bpm. It's not quite 160 but that's what the pitch slider is for ;)

Tracklist: 
A1. Rave Til Dawn
A2. Down
B1. Crush
B2. LCD Steppin'

Buy: https://asquith.bandcamp.com/album/rave-til-dawn-ep

Production & arrangement by James Asquith
Design and artwork by James Lacey
Mastered by Beau at TenEightSeven
Pressed with rave at MPO

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