Cool track - sounds like in parts to a contemporary take on 80’s electro then it goes in a completely direction which somehow works 👏👏👏

@lil_jaybird: Thank you for your great comment and thank you for listening! :-)

Flying Compy tells the story of the launching of a rocket ship and the crew seeing a UFO through a musical journey.  Hard hitting drums and bass with arpy beeps is what Flying Compy is all about.
When creating Sleep Walking I wasn't sure what it would be.  I created the songs with no idea of what I was going to create and just let the creativity happen.  The album was created without any physical instruments and was instead created with my laptop using a DAW and instrument plugins in GarageBand for MacOS.  
Songs range from easy listening to deep bass and drums.

Flying Compy

Blue Island nights

De La Mare

Fields Of Mist

Looney Tunes
Duration: 16'
For More Information: https://robertpaterson.com/looney-tunes
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1428
Perusal Score: https://issuu.com/robertpaterson/docs/looney_tunes_-_fs_bound_perusal

Instrumentation: flute (doubling piccolo), alto saxophone (doubling baritone sax), violin, cello, electric guitar, electric bass guitar (not acoustic contrabass), percussion (drumset, bongos, xylophone, amplified Udu drum and misc. small instruments) and piano (doubling synthesizer). All players doubling misc. small percussion instruments, bird whistles and sound effects.

PROGRAM NOTES (SHORT VERSION FOR PROGRAMS)
(Long version: http://robertpaterson.com/looney-tunes)
In Looney Tunes, each movement uses a specific well-known cartoon character as a musical influence and point of departure. The first movement, Taz, is inspired by the Tasmanian Devil character and plays upon all of Taz’s traits with loud, dissonant outbursts, gyrating transitions, quiet, reflective sections and a few references to his attraction to music. The second movement, Foghorn Leghorn, is inspired by this character’s loud, vocal disposition. The ‘Foghorn’ part of his name makes me think of real foghorns, and a foghorn-like interval begins this low-sounding, baritone sax-heavy movement. The third movement, Tweety Bird, provides contrast with a somewhat high tessitura and includes prominent parts for piccolo, violin, xylophone and alto sax. Although the entire movement only abstractly references the animated Tweety, I try to make all of the high instruments sound bird-like from beginning to end. Two of my favorite cartoon characters of all time are the Road Runner and Wile E. Coyote, so it seemed appropriate to end the work with a fastRoad Runner movement. I have always been fascinated by the seemingly infinite array of ACME inventions the Coyote uses to try and capture the Road Runner, and the last movement reflects this and incorporates a number of exotic, gizmo-like sounds and instruments.

Guerilla New Music

Looney Tunes - II. Foghorn Leghorn

Infinisoma

WHAT IF

ELLISPE

Meth Dreams

wreck
ruin
smash
shatter
devastate
disfigure
deface

Destroy

Who controls the past controls the future. 
Who controls the present controls the past.

Break Free

From the creative mind of Brock Troxell. 
DreamAnkh is now DreamAnkh Music!
I’m sunsetting DreamAnkh Music.  Thank you all that supported me.  

Please listen to my new music under Vision Bulbs In The BeaT.  More rock and punk.

Flying Compy

DreamAnkh Music

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