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Qawwali

Kalam e Dr. Mohammad Allama Iqbal RE - Zarb e Kaleem
لا اله الا الله

Khudi Ka Sirr e NihaaN - Shafqat Amanat Ali Khan & Sanam Marvi

Nami Danam Che Manzil (Live in Islamabad) - TheLegend.NFAK

Man Kunto Maula Great Ustad Nusrat Fateh Ali Khan

Charkha - Ustad Ameer Ali Khan - CLIP

KAB AAO GEY TUM AAO - - - USTAD AMANAT & FATEH ALI

It is a soulful song sung by Pakistan's legendary artist Ma'am Abida Parveen. 

Chhap Tilak  - Abida Parveen

Hey, I’ve just had an affair with my Darling,
Don’t care what the neighborhood girls say;
Just had an affair with my Darling.
Oh, his beautiful face, charming like an idol,
I’ve just made a place in the bottom of His heart.
I, Khusrau, give my life to Nizamuddin in sacrifice,
I’ve just had Him call me his most favorite disciple;
Don’t care what the neighborhood girls say,
Just had an affair with my Darling.

Urdu Verses:

Main to Nijam(Piya)say naina ladaa aayi ray,

Ghar naari kanwari kahay so karay,
Main to Piya say naina lada aayi ray.

Sohni suratiya, mohni muratiya,
Main to hriday kay peechay samaa aayi ray;

Khusrau Nijaam kay bal bal jayyiye
Main to anmol cheli kaha aayi ray,

Ghar naari kanwari kahay so karay,
Main to Piya say naina lada aayi ray.

*Original Verses by Master Hazrat Ameer Khusrow"Q.S.A" 
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The delicacy of locking eyes with the Beloved and losing one’s heart to Him combines in this song with a delightful disregard for social convention, represented by the gossiping neighbourhood women! A song of joyous love and surrender, from the Sufi Wali Allah Master Amir Khusrou"Q.S.A" to his spiritual guide, Master Nizamuddin Auliya"Q.S.A" it is sung here in a rousing way by the well-known qawwals Farid Ayaz and Abu Mohammed .

This particular rendition by Farid and Abu Sahab which lasts almost 23 minutes was sung in the Bangalore Festival of Kabir in 2009.
Fariduddin Ayaz and Abu Mohammad are acclaimed qawwals from Karachi, Pakistan and belong to the 700-year-old 'Qawwal Bachchon Ka Gharana' of Delhi. Their main guru has been their father, the legendary qawwal Munshi Raziuddin Ahmed Khan. They sing in Urdu, Sindhi, Punjabi, Pushto, Hindi, Poorbi, Persian, Arabic and Turkish, intermingling with aplomb the voice of Kabir with a range of Sufi poets including Masters Jalaluddin Rumi, Sachal Sarmast, Zaheen Shah and others. You can Contact them at: +92-300-2105393, abupk@yahoo.com

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I do not own anything on this audio. I don't take credits anything from this Audio. No Copyright Infringement Is Intended. All rights reserved to Qawwal Farid Ayaz sahiba and Collection"The Kabir Project".

Main NiJaam Se Naina Lada Aye Ray-Qawwali

Fareed Ayaz and Abu Muhammad, T2F
June 20, 2015

Har shab manam futada, Ba girde sarai e tou
 Har roz ah o nala kunam az barai e tou

every night have I fallen, around the circle of Thy tavern  
 every day, do I wail and cry, in yearning of Thee 

 Jana ba iin shakista dil-bewafa ma shou
 Umre guzasht ta shuda am aashina e tou

 O Love, turn not thy gaze from this broken hearted one  
 for a lifetime has been spent, in getting to know Thee  

Rozay ke zarra zarra shavad, ustakhan-e-man
 Ba shad hanoz dar dil-e-veesham hava e tou

 when my bones are nothing but shattered bits  
 may my heart carry on its quest of Thee 

 Bar hal-e-zar-e-man nazar-e-kun ze raahay lutf
 Tu Badshah-e-husni o Khusrau gada e tou

 Let thy Grace fall on my blighted self  
 Thou art the Lord of Grace, and Khosro but a begger of Thee 

Farsi to English translation ~ Farrokh Namazi, 

har shab manam futada ba grd e sara e tu - Fareed Ayaz & Abu Muhammad

Rare Gems

Uski hasrat hai jise dil se mita bhi na sakoon

Milegi Sheikh Ko Jannat  Nusrat Fateh Ali Khan  Lyrics In Description

Mareez E Muhabbat Unhi Ka Fasana - Farid Ayaz & Abu Muhammad Qawwal

Raag Bhairavi - Bajuband Khul Khul Jaye - Ustad Farid Ayaz & Ustad Abu Muhammad

Bajuband Khul Khul Jaye - Raag Bhairavi - Ustad Fareed Ayaz & Ustad Abu Muhammad[1]

Bahauddin Khan Qawwal (1934-2006), whose party render the qawwali below, traced his lineage back to the days of Amir Khusrau. To remind centuries-yet-to-be that he had loved his murshid, Khusrau banded together twelve youngsters, personally trained them, funded them, and performed with them. He appointed Mian Saamat as the leader of the Bachche (Youngsters) Qawwal. Bahauddin's family claims descent from the Bachche.
The first couplet is by Saʿdī. Abū-Muhammad Muslih al-Dīn bin Abdallāh Shīrāzī, aka Saʿdī Shirazi (Persian: ابومحمد مصلح الدین بن عبدالله شیرازی‎; 1210-1292) was the major classical Persian poet of the middle ages, recognized for the quality of his composition and for the depth of his thought.
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Lryics: 
Guftam Ke Roshan Az Qamar Gufta Ke Rukhsar e Manst
Guftan Ke Shereen Az Shakar Gufta Ke Guftar e Manst
گفتم کہ روشن از قمر، گفتا کہ رخسار منست
گفتم کہ شیریں از شکر، گفتا کہ گفتار منست

میں نے پوچھاکہ چاند سے زیادہ روشن کوئی ہے،کہا کہ میرا رخسار
پوچھا کہ شکر سے میٹھی کوئی چیز ہے ،کہا کہ میری گفتگو ہے

I asked what is more beautiful than the moon, replied my cheeks
I asked what is far sweet than sugar, replied my words

گفتم طریق عاشقان، گفتا وفا داری بود
گفتم مکن جورو جفا، گفتا کہ ایں کار منست

پوچھا عاشقی کا طریقہ، کہا وفاداری
کہا کہ ظلم و ستم نہ کرنا ، کہا کہ  میرا کام ہے

I asked what lover may do, replied faithfulness
I asked please don’t be cruel and unfaithful, replied it is my style

گفتم کہ مرگ عاشقان ، گفتا کہ درد ہجر من
گفتم کہ علاج زندگی، گفتا کہ دیدار منست

پوچھا کہ عاشق کیسے مرتے ہیں، کہا کہ میرےفراق میں
پوچھا کہ زندگی کا علاج کیا ہے،کہا کہ میرا دیدار ہے

I asked what is the cruel death, replied the pain of living without me
I asked what is a healthy life, replied gazing at me

گفتم بہاری یا خزاں ، گفتا کہ رشک حسن من
گفتم خجالت کبک را، گفتا کہ رفتار منست

پوچھا کہ بہار اور خزاں ،کہا کی میرے حسن پر رشک
کہا کہ قمر کی شرمندگی ،کہا کہ میری رفتار ہے

I asked what is spring and autumn, replied fragments of my beauty
I asked what makes partridge ashamed, replied my walking style

گفتم کہ حوری یا پری، گفتا کہ من شاہ جہاں
گفتم کہ خسرو ناتواں، گفتا کہ پرستار منست

کہا کہ حور ہے کہ پری،کہا میں سارے جہان کا بادشاہ
پوچھا کہ غریب خسرو،کہا کہ میرا پرستار ہے

I asked what are you poplar or fairy, replied I am lord of beauties
I asked about KHESRO feeble, replied he is my lover
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In his Lectures on Aesthetics, Hegel wrote: 

Pantheistic poetry has had, it must be said, a higher and freer development in the Islamic world, especially among the Persians ... The full flowering of Persian poetry comes at the height of its complete transformation in speech and national character, through Mohammedanism ... In later times, poetry of this order [Ferdowsi's epic poetry] had a sequel in love epics of extraordinary tenderness and sweetness; but there followed also a turn toward the didactic, where, with a rich experience of life, the far-traveled Saadi was master before it submerged itself in the depths of the pantheistic mysticism taught and recommended in the extraordinary tales and legendary narrations of the great Jalal-ed-Din Rumi.

Charkha - Ustad Ameer Ali Khan - CLIP

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