GREAT! reminds me a belgian group called Parking Meters

Partytime! 'Go Robots! Shared@ http://Summertriiangle.blogspot.com

Seriously I can't get over that sax solo.  uuuunnnreeeeaaalllll

Luke fucking Burba!!! What in the hell!!! You moog master you. I remember having vague convos at work with you about making music. But i had no idea. This song is fucking great. You guys are the shit. 

via Hit City U.S.A.  
http://www.hitcityusa.com
Gavin Turek
produced by Chris Hartz

On The Line

------------------->> FEEL IT <<-------------------
Written & Produced by Dream Machines

Harry May Kline: Lead Vocals & Guitar
Luke Burba: Synthesizers
Molly WK: Vocals
Matt Brown: Saxophone
Travis Bunn: Drums

Writing & Production: Dream Machines
Engineering & Mixing: Luke Burba
Mastering: Mario Rodríguez
Cover Art: Cody MacKenzie & Spike Inglis

Feel It

Awaited for years by the large nationwide cult of Boggers in the know, Erin Birgy’s second LP at the helm of the fog-shrouded ship they call MEGA BOG is an instant and timeless classic. It’s equal parts nostalgic and futuristic, mapping a new, jazz-literate and free form of songcraft onto the model of the traditional guitar-based band. It’s poetry on roller skates, defying recognizable structures in favor of a stream-of-consciousness flow that guides Erin’s lyrics around their many soft and uncertain turns. It’s an inspiring example of a unique vision carried to it’s most honest and vulnerable realization. Happy Together was assembled on tape amidst a lot of movement, including Erin’s relocation from Seattle to New York. Like Joni Mitchell or Beefheart, Birgy has a seemingly magical ability to steer a diverse bunch of players into her own dream-world. And this album has a lot of players, many with big credentials we’ll refrain from mentioning (except for Zach Burba and Will Murdoch from IJI, and James Krivchenia from BIG THIEF, who earn mentions for being particularly present). Considering its variety of personnel and its long gestation, Happy Together is a remarkably consistent and complete record that cuts the deepest when experienced from start to finish, as it arcs from the surreal bubblegum tempos of “Diznee” and “Marianne,” thru the extended dreamscapes of songs like “192014,” and out to the free-wheeling catharsis of “Blackout” and “Fwee.” Take the journey.

Feel It

DREAM MACHINES

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