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Moonlight (Night Piano Essentials）

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Moonlight, In C Sharp Minor - Night Piano Essentials

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Written by Curtis & Nick Hill 
Temporary Track courtesy of Tom Bailey Backing Tracks: https://youtube.com/c/TomBaileyBackingTracks

Hey Friend (You're Amazing)

Maido - Infrared

HOPE SPRINGS ETERNAL-Water

From Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Gautama_Buddha

Gautama Buddha, popularly known as the Buddha or Lord Buddha (also known as Siddhattha Gotama or Siddhārtha Gautama[note 3] or Buddha Shakyamuni), was a Śramaṇa who lived in ancient India (c. 6th to 5th century BCE) or (c. 5th to 4th century BCE). He is regarded as the founder of the world religion of Buddhism, and revered by most Buddhist schools as a savior, the Enlightened One who rediscovered an ancient path to release clinging and craving and escape the cycle of birth and rebirth. He taught for around 45 years and built a large following, both monastic and lay. His teaching is based on his insight into the arising of duḥkha (the unsatisfactoriness of clinging to impermanent states and things) and the ending of duhkha—the state called Nibbāna or Nirvana (extinguishing of the three fires).

The Buddha was born into an aristocratic family in the Shakya clan, but eventually renounced lay life. According to Buddhist tradition, after several years of mendicancy, meditation, and asceticism, he awakened to understand the mechanism which keeps people trapped in the cycle of rebirth. The Buddha then traveled throughout the Ganges plain teaching and building a religious community. The Buddha taught a middle way between sensual indulgence and the severe asceticism found in the Indian śramaṇa movement.[10] He taught a training of the mind that included ethical training, self-restraint, and meditative practices such as jhana and mindfulness. The Buddha also critiqued the practices of Brahmin priests, such as animal sacrifice and the caste system.

A couple of centuries after his death he came to be known by the title Buddha, which means "Awakened One" or "Enlightened One". Gautama's teachings were compiled by the Buddhist community in the Vinaya, his codes for monastic practice, and the Suttas, texts based on his discourses. These were passed down in Middle-Indo Aryan dialects through an oral tradition. Later generations composed additional texts, such as systematic treatises known as Abhidharma, biographies of the Buddha, collections of stories about the Buddha's past lives known as Jataka tales, and additional discourses, i.e. the Mahayana sutras.

Ｓｉｄｄｈāｒｔｈａ Ｇａｕｔａｍａ

Buy it on Bandcamp:
https://coletivofarra.bandcamp.com/album/pt-malacca

Produção: Satha Lovek
Artwork: João Coutinho
Edição: Coletivo Farra

Tracklist:
1. Mata-kantiga (3:52)
2. Grago (3:32)
3. Ode to Malacca (6:50)
4. Compassion as Contempt (7:35)

Samples de "A Viagem dos Sons – Kantiga Di Padri Sa Chang" (1998) autorizadas por TRADISOM – Produções Culturais, Lda.
---

Review:
Satha Lovek, estrangeirismo, denominação batismal deste duo de gringos lusitanos, seculares detentores de computadores e melonamania incontível ou, tão simplesmente, a bastardização aglutinadora de “Satha”, rei deposto de “Lovek”, cidade cambojana e catalista de um fabulado 5º Império. PT Malacca, escrito e produzido em 2020, é o seu EP de estreia, editado pelo Coletivo Farra e lançado a 26 de Outubro deste ano, produto de tangentes pandémicas, samples remanescentes de partilhas pletóricas feitas à distância de um teclado. É também uma homenagem distorcida mas sem retorção das Kantigas Di Padri Sa Chang, “procurem-nas e vão perceber”, recomendam. 
Ouvido e depurado, PT Malacca afigura-se um 4-faixas de pós-colonialismo traumático, navegado entre Portugal e o bairro português de Malacca em menos de 22 minutos. Isentos de sentimento patriótico, Satha Lovek compuseram o regresso à uma sinceridade multicultural por meio da sátira ao nacionalismo desmedido, refutado pelas amálgamas artificiosas de drone, free-jazz, IDM e plunderphonics que engrandecem o EP. “Grago”, a segunda faixa, destaca-se pela abrasão ostensiva, emblemática de uma batalha cruzada onde gritos dilacerantes entrecortam eclosões de crueldade e batidas imprevisíveis. Em oposição extrema, “Ode to Malacca”, a terceira faixa, submerge o ouvinte na dissolução prolongada de um amuralhado monocórdico, a última réplica de um império arruinado que, após 4 minutos de drone implacável, se transfigura em canção do cisne pautada por notas de piano cintilantes, uma analogia às narrativas históricas vigentes, reluzentes de tão embelezadas, o legado, currículo e propaganda de alegados heróis do mar. 

Em PT Malacca, as armas e os barões assinalados nunca soaram tão honestamente.
 
~ Ricardo Batarda

FARRA 7 © 2020

Compassion As Contempt

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