Permafrost
https://www.mixcloud.com/errorbeats/

Drede / Session | 031

The single from Ambient V Compilation on Atlantea Records

Ambient V

Lost and Found

Sofisticación eléctrica redundante de la dentellada poco ecuacional

Purchase/Download:
https://mechanatura.bandcamp.com/album/h-x

LIVE IN DETROIT 08/03/24

ONLINE @ https://mechanatura.com/

໓hนēนx

໓hนēนx{꒒ꂑꏝꍟ}

Electric Skillet

My Heart Has Texture

Fog clears away:
the waterfall shows up
bit by bit.
 

Undoubtedly one of the most important Japanese novelists in modern history, Natsume Sōseki began his career publishing haiku and renku poems in a number of newspapers and periodicals. Early in his career he met Masaoka Shiki, who encouraged him to become a writer and tutored him in the art of composing haiku.

Between 1900 and 1903 he studied at the UCL in London, but this proved to be quite a dramatic experience for the young Soseki. Despite this, when Soseki returned to Japan, he exploded into prolific writing activity.

Haiku by Natsume Soseki



Waterfall (naviarhaiku564)

Working with Martin Howse's TOAD circuit for this as the description of "resonant, clanging and metallic sounds" made me think of bells. By virtue of patching it with other ERD modules to allow chaos a more firm grip on the proceedings, I imagined the resultant sputtering to be in some sort of alignment for the deconstruction of a peel o' bell.

"TOAD can also model a mass-spring-damper system, or series of damped oscillations, which also can be used as a state variable filter.

Here the equation is: x’’=1/m(-(Dx’ + sx) with m as mass, D as damping coefficient and s as springiness. This is a simple equation to begin with, and can produce resonant, clanging and metallic sounds.

x represents the vertical displacement of the spring, x’ is the first derivative of x (which would be speed) and x’’ is the second derivative (which would be acceleration). We patch the equation by feeding the lower derivatives (x’ and x) produced by the first two integrators into the collector. Paying attention to norms, this can be seen in the next diagram. We can use the first multiplier pair as VCA for our input"

Disquiet Junto Project 0682: Unring a Bell
The Assignment: What if you could?

There is just one step to this project. The idea that one cannot “unring a bell” is a fairly common saying, at least in English. But what if you could? What might it sound like? And what use might the unrung bell serve in the making of music. Please record a track in which you try to unring a bell.

More on the 682nd weekly Disquiet Junto project, Unring a Bell — The Assignment: What if you could? — at https://disquiet.com/0682/


Unring a Bell disquiet0682

Musique: Les Antonymes
Visuel: Stéphane Jossart
Poème: Shantala Pèpe
~
Dans les veines de la terre
Se frayer le chemin
Se lover entre les pierres
Jaillir au détour d’une colline
S’écouler, s’écouler
En mille lieux
I r r i g u e r
Faire naître la fleur
Étancher les soifs
Se déverser dans l’immensité
Renaître en crustacés
Naviguer les profondeurs
Glisser le long des failles abyssales
Se laisser emporter par les courants
Surfer les lames irrisée
Atterrir sur la plage gelée
Cristalliser dans la roche
Ruisseler des métaux précieux
Retrouver la terre
Se laisser absorber, engloutir, transformer
Hibernation obscure
Tiédeur du cocon
Potentiel d’éclat de vie
Éclosion à la lueur perçante
Assaut silencieux vers les cimes
Poussées vert profond
Bourgeons vibrations
Explosions multicolores
Soleil ! Soleil !
Respirer le soleil
Jouer avec les vents
Franchir le temps
Saisir le vide

Feuilles de joie
Enfantent les symbioses
Et les dévorations
Et dans la suie des temps
Sur la terre devenue sacrée
Tout renaîtra
~
https://antonindebemels.bandcamp.com/album/artrose-exfolio

ArtRose ExFolio

ArtRose

I'm working on sound design for a performance and installation by zack mennell at Dadafest in Liverpool next week. This is one of my favourites, and it fits well with this week's @naviar-records haiku challenge:

"out of the blue
of early morning light:
a paulownia leaf"

Ōshima Ryōta was a Japanese poet of the Edo period. Some sources say he was a disciple of Yosa Buson, while others say his master was Hattori Ransetsu. He's mostly remembered for his essay “Bashō ku kai” 芭蕉句解 ('Study of Bashō's haiku') published in 1759, a magnum opus of his studies and literary theories on Matsuo Bashō's work.

Haiku by Ōshima Ryōta

Extract of picture by Thomas Kinto

Submission deadline: 12th March 2025

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Drede / Session | 031

Drede

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