Bigup! Supported by #LejalNyte #SubFM @geewooaah 🌐 www.lejalnyte.com 🎧︎ https://soundcloud.com/subfmradio/lejalnyte-with-gee-28-mar-2025

Umor Rex

Lasse Winkler (https://soundcloud.com/lassewinkler) United We Rise Podcast Nr. 092

🗯🗯 Verwendest du neue Technologie oder bist du eher klassisch unterwegs? 🗯🗯

Ich bin da eher klassisch unterwegs. Ich brauche richtige Regler und Fader ohne Mehrfachbelegung oder so etwas. Daher arbeite ich auch hauptsächlich mit Vintage-Synths.

🗯🗯 Was ist dein Lieblings-Club oder Festival und warum? 🗯🗯

Ich denke das Moyn Moyn Festival. Es hat die perfekte Größe und eine gute Mischung an Leuten. Mein Lieblingsclub ist der Südpol in Hamburg. Es ist ein Ort guter Erinnerungen und auch hier stimmt die Größe.


🗯🗯 Wie waren die Vorbereitung für den Mix? Woher kamen die Inspirationen? 🗯🗯

Mit meinem Acud-Projekt fahre ich ja einen ganz bestimmten Sound. Unter meinem bürgerlichen Namen habe ich einen ganz anderen Ansatz und ich habe Songs zusammengemischt die ich einfach sehr gerne mag. Es ist also keine Set um danach in den Club zu gehen, sondern eher eine Reise, durch ganz verschiedene Produktionsweisen der elektronischen Beatmusik.



✘ Lasse Winkler (Kiesel / Keller - Berlin) 
SC - https://soundcloud.com/lassewinkler
Insta - https://www.instagram.com/lasse.winkler/
FB - https://www.facebook.com/lassewinklermusik

✘ United We Stream (Berlin / Global)
FB - https://www.facebook.com/unitedwestream/
WB - https://unitedwestream.berlin/
INSTA - https://www.instagram.com/unitedwestream/

United We Rise

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Lasse Winkler presents United We Rise Nr. 092

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Cardamine Pratensis - Maman Va Cueillir Des Pâquerettes

FREE DOWNLOAD
https://hypeddit.com/planetibiza/cardaminepratensismamanvacueillirdespquerettes

"T'es piratesse ou tu l'es pas"
Cardamine Pratensis 
https://soundcloud.com/cardamine-pratensis-1

https://planetibiza.net
https://newsportal.planetibiza.net
https://planetibiza.net/label-management
https://music.planetibiza.net
https://chromrecordings.com
-----------------------------------------

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Cardamine Pratensis - Maman Va Cueillir Des Pâquerettes

Four-dimensional space. "Temporal body"—Linga Sharîra.
The form of a human body from birth to death. Incommensurability of three-dimensional and four-dimensional bodies.

Newton's fluents

The unreality of constant quantities in our world. The right and left hands in three-dimensional and in four dimensional space.

Difference between three-dimensional and four-dimensional space. 
Not two different spaces but different methods of receptivity of one and the same world

The Only Way Out is Through

Written & produced by Andreas Gerth & Florian Zimmer in Berlin
Mastered by John Tejada
Artwork & Photos by Daniel Castrejón

Spume & Recollection

Memories Of The Lakeside

On Isaac Newton's temperature scale 33 is the heat, at which water will boil vehemently. On our scale the number 33 mixtape by Young Kulo might not make you evaporate, but at least sweat a little. 

Thanks for keeping us warm in winter, @youngkulo!

Mixtape 33 // Young Kulo

Liveset recorded at Masada in Milan, the February 4, 2024
At Low on Sunday, organized by ODD

Opening to @schnuppo and @doctor-juggler

I hadn't done a live set since last summer. In recent months I have dedicated myself mainly to production and returning to live the first need was to better define the sound. I would have liked to prepare a lighter setup, but I always realize that using two samplers allows me to better manage my intentions above the machines. What has changed from last year are the connections between the machines and a final compressor, and I have added some new tracks.

Live@Masada - feb4'24

<3 vibing in a spontaneous flow through some groovy (pitched down) midtempo tunes

HappyMixDay / Laura #05

Nicolás Melmann — Música Aperta

Umor Rex, catalog UR154
Vinyl LP, digital and streaming 
Release date: April 4, 2025

Nicolás Melmann (born in Buenos Aires and now based in Barcelona) explores sound's social and poetic dimensions through transdisciplinary projects. Drawing inspiration from Erik Satie's concept of "furniture music," Melmann's compositions transform the listening experience into havens of calm and contemplation.

Música Aperta is a fusion of acoustic and electronic sounds, rich in beautiful harmonies, where carefully soft elements interplay with delicate raspiness. Made up of three parts, the music unfolds slowly, immersing the listener in time. Música Aperta resonates with echoes of Satie, the meditative minimalism of Arvo Pärt, the roughness of Phill Niblock, and the nostalgic reflections of Richard Skelton.

Another way of listening to Música Aperta is through its digital encore – an extension of the album experience that brings the concept of open music to life – "a work that remains unfinished and open to transformation." The website features a reactive audiovisual interface where images dynamically respond to the music's behavior, translating electroacoustic frequencies into real-time cinematic landscapes. The album blends instrumental and electronic textures while allowing listeners to interact with different layers through a virtual mixer, enabling them to create unique sound combinations and personal sonic experiences.

All songs written and performed by Nicolás Melmann in Château Éphémère 
Mastered by Rafael Anton Irisarri at Black Knoll Studio, NY
Artwork by Daniel Castrejón

Project supported by: Asylum Arts / The Neighborhood (New York), and Château Éphémère - Fabrique Sonore et Numérique (Poissy).


VINYL LP
A1  Música Aperta I  — (06:30)
A2  Música Aperta II  — (11:17)
B3  Música Aperta III — (18:36)

Umor Rex records 2025 / UPC: 796520479937
Press & general inquiries: editor@umor-rex.com 
Worldwide distributed by Morr Music Distribution GmbH 
Anklamer Str. 30, 10115 Berlin  /  order@morrmusic.com

Música Aperta

Buy LP or DL

Nicolás Melmann - Música Aperta II

This album, crafted entirely within a subharmonic framework and meticulously processed through tape manipulation, stands as Concepción Huerta’s sharpest work to date—undoubtedly her most abrasive, intense, and exhilarating. Her signature remains intact: a practice deeply rooted in drone, musique concrète, and hauntingly visceral textures—a kind of soundtrack that evokes powerful, image-driven narratives.

Conceptually, Huerta’s sonic vision evokes an image of open veins, not human veins, but those of the earth itself, the open veins of Latin America. These nervures are, in truth, rivers of lava; fury transmuted into fire coursing beneath the land until it erupts. The album is, in a way, a reflection on dispossession, resource extraction, and colonization. But beyond being a historical commentary—one that some might relegate to a forgotten past—it is also a reminder of the present, of how these practices persist in contemporary, postmodern guises.

It serves as both a tribute to the literary work of Eduardo Galeano, one of the most influential voices of Latin American leftist thought, and a howl from the Lacandon jungle in Mexico, resonating with the Zapatista struggle, the resistance of the Guaraní people in Paraguay and Argentina, and the voices of Indigenous communities across Latin America.

In the 16th century, a book titled Visión de los vencidos (The Broken Spears) was published in Mexico, compiling Nahuatl texts that presented the unofficial history, the account of the defeated. Concepción Huerta’s album El Sol de los Muertos (The Sun of the Dead) is not a call to action nor a reactionary manifesto, but an invitation to reflection, a historical reexamination. It urges us not to accept the official narrative at face value and serves as a warning, to remain vigilant and, within our capacities, resist the resurgence of fascism and colonialism in all its modern forms.

Recorded by Concepción Huerta in 2024 between Berlin, The Hague, and Mexico City. Volcano photography by Magaly Ugarte. Mastered by Rafael Anton Irisarri at Black Knoll Studio, New York. The cover was risograph printed in Barcelona by Mateo Barbuzzi aka Club del Prado. Design by Daniel Castrejón in Mexico City.

El Sol de los Muertos

cassette or digital

Los Ecos de las Voces del Silencio

"Still Forms in Air" is the debut album by Italian composer Francesca Marongiu under her own name. It draws inspiration from mid-1980s Japanese ambient music — Hiroshi Yoshimura, Satoshi Ashikawa, Takashi Kokubo — and, more subtly, from Italian experimental echoes rooted in both personal and cultural memory.

The album unfolds like suspended time, like architecture that quietly bears witness to the shifts that have shaped our cities and the ways we live in them. These tracks reflect an emotional and urban landscape, shaped by a gaze cast upon the mid-1980s and early ’90s — a time of subtle yet lasting changes in the form and meaning of shared space. That period marked a delicate turning point, later described as les années d’hiver: the slow onset of fragmentation beneath a surface of creative openness.

"Still Forms in Air" doesn’t dwell in nostalgia (though it draws from it), but reimagines that duality through a contemporary lens. Its sound blends memory and presence, layering ambient textures with a refined spatial sensitivity. It is a dialogue across decades — clear-eyed, affectionate, and quietly luminous.


Written, arranged and recorded by Francesca Marongiu in Rome and Pistoia between May 2024 and March 2025. Francesca Marongiu: electronics, synthesizers, vocals, sound objects. Antonio Gallucci: wind arrangements on track 1 and 4, bass and sound objects on track 3, drums on track 3 and 4. Mixed by Francesca Marongiu and Antonio Gallucci. Mastered by Antonio Gallucci at Mercurial Mastering in Pistoia. Artist photo by Elisabetta Scarpini. Artwork by Daniel Castrejón




cassette & digital

A Dome Under The Pines

My first ever 808 project. I was experimenting 808s  and came up with this. A dark, cinematic electronic track that blends heavy sub-bass with eerie, atmospheric sound design. Inspired by a high-speed police chase through an abandoned ghost town, each section plays like a scene from a horror film, from tense, suspenseful build-ups to explosive drops. Designed to be felt as much as heard, the track immerses listeners in a haunting, adrenaline-charged experience that fans of dark EDM, horror-themed soundtracks, and bass-driven storytelling will connect with instantly.

Ghost Town Chase

Phantom Horse - Different Forces

Rafael Anton Irisarri from "The Shameless Years"
Available in LP & Digital
www.umor-rex.org © 2017 Umor Rex Records

Post-minimalist American composer Rafael Anton Irisarri makes his Umor Rex debut with bold new album, The Shameless Years. Inspired by a troubled socio-political climate, buried melodies punch their way through a bleak cover of noisy drones, periodically veering into some of Irisarri’s most eerily pertinent music to date.

One of Rafael Anton Irisarri’s most thematically and sonically cohesive records to date The Shameless Years came together in a relatively short burst of creativity starting at the end of 2016. Rediscovering some relatively older tools - namely Native Instruments’ Reaktor, Absynth, and Kontakt software - Irisarri combined them with his collection of guitars, pedals, amps, and analogue processing gear, turning his Black Knoll Studio north of NYC into a powerful writing tool. Completed quickly by Irisarri’s standards, let alone during a period of social upheaval in American society, the record faces down several key personal themes. The title, suggests Irisarri, could in fact be seen as a reflection of the era of shamelessness we’re currently living in; a time of fake news and alternative facts.

Two tracks were completely remotely between Irisarri in New York and Umor Rex veteran Siavash Amini from his home in Tehran, Iran. This music came together at the peak of all the anti-Muslim and anti-immigrant rhetoric happening in the USA, not to mention the banning of Iranians from entering the country, explains Irisarri. The diptych with Amini, ‘Karma Krama’ and ‘The Faithless’, seems bathed in additional waves of sorrow and dread. The wash of symphonic stormclouds of synth drones and processed notes on the latter gradually appears and disappears over the course of thirteen mournful minutes.

‘Rh Negative’ marches gigantic guitars through towering valleys of scarred ambient noise dealing with Irisarri’s own heritage, many of his ancestors having come to America to escape poverty and oppression. The refusal of modern America to extend similar sanctuary to refugees escaping turmoil weighs heavily on the composer. Elsewhere an emotional onslaught of notes buried in mounds of greyscale noise on ‘Sky Burial’ aims to deal with Irisarri’s very own mortality – something he was recently confronted with following health scares, an accident, and a near-death experience in 2016. Pushing 40 as this album was being made, the composer is constantly aware that he’s already outlived his own father, who died at the age of 32. Facing down both intolerance and the void, the epic soundscapes of The Shameless Years are a vast cry of emotion from Irisarri. The clock is ticking - gotta make the most out of it while you still can.

All songs written and performed by Rafael Anton Irisarri, except #5 & #6 written and performed with Siavash Amini. Design by Daniel Castrejón, photos by Camilo Christen. Mastered by James Plotkin.

The Shameless Years

Buy LP & DL

Rafael Anton Irisarri — RH Negative

The Artist behind this episode is Kotoe ( soundcloud.com/kotoek ) 
We met Kotoe in the production of Festival Nomade some years ago. Since then we became friends, traveled together and had many great adventures. She played many shows with us, is resident of Tropical Twista rec and Love foundation, two projects we share many ideas with.
As we were building and hosting a stage on this years Melt! festival (@meltfestival) we just had to invite her. It was a wonderful time. 
 We hope to share more years with her, full of lakes, clubs, seas, festivals and mountains. Big love. <3

see:

Kotoe
www.facebook.com/kotoekk

Tropical Twista rec
facebook.com/tropicaltwistarecords/

Love Foundation
www.facebook.com/LoveFoundation/



hear:

Kotoe
soundcloud.com/kotoek

Tropical Twista
soundcloud.com/tropicaltwistarecords

Love Foundation
@love-foundation

Photo:
Elisa Georgi
www.instagram.com/elisa.georgi

----
Lotenheim consists of DJs, producers, artists, dreamers, builders, visionaries, thinkers, revolutionizers, pessimists, optimists and other crazy, happy and creative people from all over the world, based in Germany.
Our aim is, to make the big and the small world a little bit better by creating playful and intelligent events and mix hedonistic lifestyles with love and politics.
In our podcast-series, artists get an platform, can share their music, present themselves and help us also to get attention for our projects and support us with this on our way to a better world.

Lotenheim FB

Lotencast · KOTOE @ MELT! Festival / Sensi stage by Lotenheim ·

Artist and painter with 20 years of experience from the city of Karlsruhe, Germany.

Follow guest:
https://soundcloud.com/chkkba

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Serenades Podcast #111 - chöko aba

Berlin-based duo comprised of Andreas Gerth & Florian Zimmer

Memories Of The Lakeside

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